STEM Diversity Requirement and Minor

Hi all,

In class today, I talked about a proposal I am putting together to get pre-med, pre-vet, pre-dental, and any other pre-professional STEM individual or STEM major to have a Diversity, Inequality, and STEM Ethics requirement. I will post the little blurb about our purpose as well as the link here for you to join if you are interested in providing more information and/or want to share!

Purpose: This document is here to compile a list of resources, references, courses, and ideas on how to structure a Diversity, Inequality, and STEM Ethics requirement for all STEM majors to ensure the acknowledgment of the history of STEM and the various consequences of its applications to prevent discrimination, marginalization, exploitation, and ostracization of those who are impacted by the next generation of STEM professionals.”

Furthermore, for any student, there is a new Science Communication and Public Engagement minor that just opened this January. I am a senior and will be able to graduate with the minor. The faculty are understanding for upperclassmen who are interested. I will link the website here. Sorry for digressing from the original theme of this course, but I thought I would share it in case anyone is interested!

American Dream

I thought this film would be a good talking point for this class because it discusses the American dream within an Asian immigrant context. It is about a Korean family who moves to Arkansas in order to make a living for themselves. Let me know what you guys think about it. I am personally very excited to see this on the big screen.

Monty Python and SPAM

I mentioned Monty Python’s skit last class and Prof Goffe asked me to post about it, so here it goes:

I learned about Monty Python from a young age from my Dad, who loves them.  They were a British sketch comedy troupe and their distinctive style has had a huge impact on comedy today, seen in shows like SNL.

The skit in question is called SPAM.  The list of the restaurant’s offerings that all curiously include SPAM devolves into a Viking song.  It’s a commentary on the British post-WW2 food rationing that lasted into the 60s.  Rationing meant that SPAM was a staple, and used in many foods. Please watch, it’s pretty short and very funny.

Monty Python actually has a many food-based skits. Aside from one of my favorite insults of all time (“Your mother was a hamster and your father smelt of elderberries”) from Monty Python and the Holy Grail, they did the cheese shop sketch. This is one of my favorites!
In this sketch, a customer visits a cheese shop shockingly lacking in cheese:

Another Monty Python sketch that’s in an exercise in repetition and back and forth is Mr Creosote (mostly known as the “Wafa Thin” sketch), in which a gluttonous man visits a restaurant. WARNING: this one is extremely gross, and I still remember the shock of seeing it for the first time as a kid. If you’re squeamish, just skip it.

Jet Set Radio and the Transnational Counter-Culture of Hip-Hop

I was thinking about music to add to the Spotify playlist and the soundtrack for the game Jet Set Radio came to mind. As video games and video game history are topics close to my heart, I wanted to make a post explaining why I think its an interesting example of Afro-Asian encounters! Jet Set Radio is a video game developed in Japan by a team of young developers at Sega in the late 90s. The game is a cult classic from the era, largely due to its lasting evocative style and exciting counter-culture tone. In the game, players skate around the fictionalized near future city of Tokyo-to, graffitiing buildings and avoiding the oppressive forces of the cities authoritarian corporate regime, all to an electric soundtrack that blends hip-hop, trip-hop, j-pop, and funk.

As Caty McCarthy catalogues in “20 Years Later, The Rowdy Creators of Tokyo-to Reflect on Making Jet Set Radio”, the young team (an average age of less than 25) had been given free reign by Sega to create something new and inventive. They started from a character design – a figure in skates wearing big clunky headphones, and quickly landed on the anti-establishment tone that would be core to the game. According to McCarthy’s interview, the world was built collaboratively by the team long before they knew what the mechanics themselves would be.

The influence of Black street culture on that world is undeniable – from the core message to the graffiti art to the dance animations to the sample filled soundtrack. The music itself is diegetic: broadcast within Tokyo-to from a pirate radio station by the Black DJ and narrator for the game DJ Professor K. As Frantz Jerome writes in “#NeverForget: ‘Jet Set Radio Future’ Flawlessly Paid Homage to Hip-Hop”, “The plot of JSRF was profound as hell: a giant corporation taking over Tokyo and silencing hip-hop culture! Kicking poor people out of their neighborhoods and over-policing them? Sounds like a dystopian Brooklyn circa 2009″

In the context of the late 90s, street culture from New York City seemed to represent to these developers a familiar anti-establishment counter-culture. Its youthful rebellion seemed just as salient a reference for the team as the closer to home Shibuya youth culture. The game thus becomes an encapsulation of trans-national solidarities; a bringing together of Shibuya and Brooklyn around shared values of youth resistance. The result is a unique and lasting classic in video game canon.

Tuning in to the real-life Jet Set Radio will instantly make your day 90%  better (and 200% funkier) | GamesRadar+

Works Cited

Jerome, Frantz. “#NeverForget: ‘Jet Set Radio Future’ Flawlessly Paid Homage to Hip-Hop.” Black Nerd Problems, 7 Mar. 2018, blacknerdproblems.com/jet-set-radio-and-hip-hop/.

Joseph, Funké. “Jet Set Radio Is an Anti-Cop, Y2K Fashion Dream.” i-D, 13 July 2020, i-d.vice.com/en_uk/article/z3ezjy/jet-set-radio-2000-anti-cop-graffiti-video-game.

McCarthy, Caty. “20 Years Later, The Rowdy Creators of Tokyo-to Reflect on Making Jet Set Radio.” USgamer.net, USgamer, 29 June 2020, www.usgamer.net/articles/jet-set-radio-20-year-anniversary-sega-feature-interview.

Black Veganism in Los Angeles

It has been said that Los Angeles and southern California in general is a hub for food, health cuisine, and vegan eating. As I was thinking about this concept, I remembered that there is a food place/health store down the street from me called Simple Wholesome that has existed for as long as I can remember. I always remember driving down some days after school to pick up a couple spinach patties to enjoy for dinner. But as I learned more about the other menu items they had, and about the adjoining health goods store, I realized that this afro-caribbean-american hub had promoted veganism and healthy eating from the start. They had smoothies, lentil burgers, health supplements, raw shea butter and etc. No wonder Jenné Clairborne of Sweet Potato Soul moved to Los Angeles to further curate her vegan style.

 

 

Resources

https://www.simplywholesome.com/

Sweet Potato Soul, “About”

About

YouTube channel to check out – vegan, sustainability and low waste, DIY self-care

I discovered Ariane’s YouTube channel on my Home page a few months ago and spent hours watching her videos that day. I really enjoy watching lifestyle and cooking videos with minimal audio to wind-down in my free time and before bed. Now that I’m living on my own, I have to cook for myself, so her “What I eat in a day” videos are really helpful for finding new ingredients to use, recipes, and food inspiration. Also, there isn’t much diversity among the low-waste lifestyle YouTube community, and Ariane’s channel is a gem (her voice is also very relaxing):-)

https://www.youtube.com/c/Abetweene/videos

Kanin and Colonization in the Phillipines

In Ways the Phillipines Can Talk by Kay Ulanday Barrett, the author uses Tagalog and references to Filipino and Filipino-American culture to unpack their own experiences of diaspora and queerness. In one line Barrett references kanin, tagalog for rice, writing

“Titas shift the kanin their plates as though they could trim your fat,

extend the length of your hair,

sprout a loudmouthed husband at your side,

all with the slightest bent joint”

The reference to kanin interested me because it felt like a particularly chosen and evocative image: a pushy aunt playing with rice on a plate. As Filomeno V. Aguilar Jr. writes in Rice and Magic: A Cultural History From the Precolonial World to the Present, rice is a staple in modern day Filipino cooking and holds particular weight in Filipino culture. Through the article, Aguilar traces the history of rice cultivation in the Phillipines to its roots in pre-colonial indigenous culture. Rice was originally cultivated sparsely due to the relatively high amount of labor required, and was not a staple but a delicacy. According to Aguilar, rice cultivation was originally invested with religious and spiritual meaning, with labor performed only by women and with long required periods for crops to be left to rest. However during Spanish colonization, the ruling Spanish friars introduced and required new forms of rice cultivation. These methods changed rice from being a rare dish for the wealthy to being a regular staple in Filipino cuisine due to its new prevalence. In addition, Spanish rule shifted and often stripped the communal cultural significance of rice, with spirituality being retained only through individualist Christian framings.

In this line, Barrett uses kanin to represent how food created a particular tie for them back to Filipino culture. The tagalog used here demonstrates how meals became a place both for the author to feel connected to their family and culture, but also a site of discomfort and criticism. Barrett places themself as the rice on the plate – cultivated and cooked, a thing to be played with and shaped into forms more suiting their family.

AGUILAR, FILOMENO V. “Rice and Magic A Cultural History from the Precolonial World to the Present.” Philippine Studies: Historical & Ethnographic Viewpoints, vol. 61, no. 3, 2013, pp. 297–330.

Black America, the ‘Third World’, and Chinese Food

In TWWA’s “What is the Third World,” we are given more critical and nuanced definitions of the terms ‘first/second/third world’, who they encompass, and how they- as a consequence of imperial-capitalist regimes- engage with one another. The third world is distinguished as colonized or formerly colonized nations, notably in Africa, Asia and Latin America, that have been grotesquely oppressed by first world powers (Western Europe and the US). The often simple grouping of the ‘third world’ lends itself possibilities for Community-building, but also realities of replicating oppression amongst the collective. The piece notes how in the US, the third world “consists of the descendants of people from Asian, Africa and Latin America”, and though they share a similar experience of colonial domination (in the US and to that of their diaspora), the oppressed can act as oppressors. the calls for coalition amongst the third world community, makes me think of the development of American Chinese food’ and it’s ‘third world’ influences, notably the Black American community.

The highly-popularized Chinese food Americans have now come to recognize is hardly traditionally Chinese cuisine. Chinese food now is marked by foods like pork fried rice, fried chicken, chicken and broccoli and more. The food has been able to maintain popularity in providing tasty, quick, cheap and filling meals to the masses. Chinese food has also been associated with poor inner-city, mainly black neighborhoods; ‘hood Chinese’ has developed as a term to describe the cultural prevalence of Chinese food establishments in urban communities, offering seasoned meals at low prices. Takeout spots in ‘the hood’ could now be considered cultural markers in low-income communities of Color, with rappers like Nicki Minaj’s “4 wings and French fries- hot sauce and ketchup” line in her song Chiraq, speaking to the integration of hood Chinese food in Black American culture. However, these establishments have been notorious for being disconnected from the communities they serve, often perpetuating and engaging in the ‘model minority’ trope, lending itself to global anti-Blackness within the ‘Third World’. Chinese food’s association, with Blackness is not coincidental. There’s a long history, dating back to the late 1890s where Chinese restaurants in cities like New York welcomed black consumers; it was of the few establishments that black people could enjoy meals at that weren’t black-owned. As a result, it drew on elements of soul food that African American costumers often asked for.

The first known Chinese Restaurant in the US opened in San Francisco, California, in 1849, as the Chinese immigrants settled in the US at the onset of the Gold Rush. And while the first Chinese restaurants enjoyed some positive reception, Chinese immigrants faced considerable prejudice from white America; in efforts other Chinese-Americans, they began weaponizing the “stench” of their kitchens, furthering anti-Chinese sentiment and political erasure. This was exemplified in the passing of the Chinese Exclusion Act (1882) which barred laborers from coming to the US but allowed merchants (in this case, business owners) to settle in America. Hopeful immigrants pooled together their resources to name a member of their community a restaurant owner in order to access immigration.

The history of Chinese food birthed partly out of the discrimination that both Chinese-Americans and Black Americans faced by white America, and the sometimes contested intimacies of Black and Asian America in the context of white oppression via food. The adoption of Chinese food as ‘American food’ draws parallels to the co-option of Black American soul food as American food, without the acknowledgement of the history of racism interwoven into their development. 

In seeing the ways in which Chinese food spots provided a safe physical spaces for black people to eat and gather, but also spaces where black people also faced anti-blackness from Asian store owners, we are meant to reckon with the effectiveness and inadequacies of grouping of the ‘third world’ as a universal struggle.

https://medium.com/better-marketing/the-business-model-behind-hood-chinese-restaurants-8bb750cd01ec

https://amp.firstwefeast.com/eat/2015/10/hood-chinese-food