Erotic, Poetry, and Identity

As I read Audre Lorde’s works “The Uses of the Erotic: The Erotic as Power” and “Poetry Is Not a Luxury,” I began to ask what Lorde would say if she were alive today. She had incredible insight into the suppression of the erotic in women whether it be through sex or other acts such as enjoying intimacy and how limiting our eroticism limits our power as women as a Black feminist lesbian. She states that the erotic “…lies in a deeply female and spiritual plane” (Lorde 87). I found this statement really interesting given the hypersexualization of Black children and their bodies that ages children to hold adult responsibilities. Is she referring to the “intrinsic” nature for women to be nurturers? I also wondered how she would address Asian cultures where sex is a taboo or how one would go about accessing power we have been socialized against using.

Furthermore, this piece was written in 1978. How would Lorde perceive the erotic in present times with progression for LGBTQ+ folk? How would this connect to people who identify as non-binary or transgender or people who do not have to worry about the additional layer of being BIPOC?

Lorde’s works have made me realize the way you feel is important and it has a purpose. Women have been conditioned to suppress feelings to maintain the hierarchy and perpetuate the norm (white, cis, straight, male). The erotic is not just sex, it is much more complicated and connected than that. I now feel an obligation to put sensations into forms of media (writing, music, etcetera) that can be shared and expressed for future generations to use to dismantle the racist, patriarchal society we live in.

I leave you with my favorite takeaway from the readings: “they [places of possibility] have survived and grown strong through the darkness”

Works Cited:

Lorde, Audre. “‘The Uses of the Erotic: The Erotic as Power.’” Sage Publications, 1978, uk.sagepub.com/sites/default/files/upm-binaries/11881_Chapter_5.pdf.

Lorde, Audre. “Poetry Is Not a Luxury.” 1985.

In Regards to Magicians of Color…

I was looking to see if there were any other famous magicians of color and there are actually more than I had thought. One man, Benjamin Rucker (aka Black Herman) was a prominent Harlem magician of his time. What was interesting was the uses of dark spaces such as in his claims of being from the “dark jungles of Africa” (Chireau), yet he was born in the US. Additionally the creation of his persona itself as a caricature shows the influence African superstitious customs had on magic and the creation of illusion.

Works Cited

Chireau, Yvonne P. “Black Herman’s African American Magical Synthesis: Between Folklore and Vaudeville”, Cabinet, Summer 2007, http://www.cabinetmagazine.org/issues/26/chireau.php.