Over the course of Matthew Towns’ visit to Princess Kautilya’s Berlin apartment in Part I of Dubois’ Dark Princess, he feels at turns vitalized by the company and surroundings as well as alienated from the others present. As this portion of the novel begins, Towns crosses from the relatively neutral meeting ground of Tiergarten park, where he and Kautilya cement their chance meeting into a genuine acquaintanceship, into a world that is indisputably hers, and distant from what he has formerly known. Yet at first, this transition for Matthew is not a fearful one but filled with hope and assurance: “Looking about, his heart swelled. For the first time since he had left New York, he felt himself a man, one of those who could help build a world and guide it” (Dubois 13). While he is awed by the grandeur of a single room in this home and the novelty of his situation, these feelings primarily manifest as a sense of belonging and renewed confidence in his ability to impact the world. For an African-American man whose life appears to have been largely influenced by the ever-present white people in power or voyeur, to be in this room filled with other people of color and where only the servants are white, must understandably be an immense change. For Matthew, and as we later learn, for Kautilya, the formation of this dining party alone feels like a step into a possible global coalition of change.
After noting in detail the appearances and national origins of everyone seated at the dinner table, (without, however, naming them) the narrator describes how Matthew experiences both the food and conversation as incredibly unfamiliar and nearly dreamlike. As the meal proceeds, however, the novelty of the conversation amongst his dining partners begins to sour somewhat. While he is interested in hearing more of the subjects they speak of, certain parties such as “the Egyptian and the Indian” (Dubois 15) seem to begin excluding him by conversing in French and of topics he has no insight in. There are, however, refashioned flashes of the familiar: he spends a few minutes in absorbed conversation with the Japanese man about ongoing cancer research before being interrupted by others turning the conversation back to theatre and literature.
While Dubois does not delve into detailed descriptions of the food served for dinner, there are passing mentions that serve as windows into the material proceedings of the meal. One of these mentions is of a “crisp brown fowl” (Dubois 15) served, after which Kautilya moves the conversation along to the subject of the various “darker” groups of people oppressed by colonialism and bigotry. Although we cannot know the name of the specific dish being described here, one likely possibility is chicken schnitzel, a popular dish in Germany and elsewhere in Europe that can trace its roots back many centuries, although the exact geographical origin is unknown. The chicken variation of schnitzel is similar to versions using other meats such as veal and pork: a breaded cutlet that is typically prepared by dipping a flattened cut of meat or chicken breast into egg, flour and breadcrumbs and frying it in butter or oil (German Food Guide). The result is crispy and golden brown, and it is a dish that has cemented its popularity and versatility over the centuries.
What is interesting about chicken schnitzel in the realm of this novel, specifically, is that as opposed to the other dishes served at this dinner, this one would likely not be very outlandish or unfamiliar to Matthew, or indeed, to anyone at the table. Although the preparation of the chicken, or whatever exact animal the “fowl” Dubois states may be, may vary in exact terms from any dish Matthew has eaten in the past, he is almost certainly familiar with chicken being utilized as an ingredient in meals. And as a working class boy growing up in Virginia two or so generations after the Civil War and then a student in New York for several years, Matthew has likely eaten fried variants of chicken that might be quite similar to German chicken schnitzel.
There is a curious globality to the way chicken embedded itself into so many cultural cuisines, even back in the early to mid 1900s. Some of this widespread consumption is owed to its adaptability — often, chicken is used as a cheaper and easier-to-obtain substitute for a dish that may have originally been designed with a more elaborate meat in mind.
Despite perhaps being originally mostly bred for the practice of cockfighting, the history of how species of domesticated chicken spread throughout the globe is a long and multifaceted one. There are species native to various regions in different continents — Germany, for example has multiple native fowl species, any of which may have been used in the dish that Matthew consumed. But one of the undomesticated progenitors of the animal we know today as the chicken, the red junglefowl, is native to parts of India and Southeast Asia, and may have been selected to breed domestically because of its inability to fly for long distances.
There is, then, what might be called almost an equalizing force in serving a dish such as chicken schnitzel to a group as diverse as the one in Princess Kautilya’s dining room. Not only does it move across the cultural and racial lines amongst the members of the party, it would also be familiar to people as high ranking as a genuine royal family and to working and middle class people such as Matthew alike. In a way, this points to how the conversation eventually evolves, as Matthew faces the assumptions the others make about himself and his people not by denying his origins, but by arguing that they are the cultural roots of everyone else in the room as well.
Works Cited
Adler, Jerry, and Andrew Lawler. “How the Chicken Conquered the World.” Smithsonian.com,
Smithsonian Institution, 1 June 2012,
www.smithsonianmag.com/history/how-the-chicken-conquered-the-world-87583657/.
Dubois, W.E.B, Dark Princess, Oxford University Press, 2014.
Endolyn, Osayi. “Fried Chicken Is Common Ground.” Eater, 3 Oct. 2018,
www.eater.com/2018/10/3/17926424/fried-chicken-is-common-ground.
German Food Guide. “Wiener Schnitzel.” Wiener Schnitzel,
www.germanfoodguide.com/schnitzel.cfm.
Harris, Ann Pringle. “Hearty Schnitzel, a Staple of Vienna’s Kitchens.” The New York Times, The
New York Times, 11 Nov. 1990,
www.nytimes.com/1990/11/11/travel/fare-of-the-country-hearty-schnitzel-a-staple-of-vienna-s-kitchens.html?auth=login-email.