Parallels in Gattaca

Though Gattaca is a science-fiction film which shows a dystopian society where humans are born to be the genetically best they can be, the society in Gattaca bears a lot of resemblance to our own. The idea of being born into your DNA is accepted to different extents for each person, and science has shown the effects of nature and nurture coming together to change outcomes. Even though this genetic predetermination is accepted, our society, like that in Gattaca, is widely stratified based on the circumstances a person is born into. The notion of inequality is very much stable and unchanging.

The society in Gattaca emphasizes the genetic makeup of the individual, but the film shows the power of the individual beyond his DNA. Gattaca conveyed the importance and self-determination of identity in a protagonist who rises above what his genetic makeup destines to create his own life. In this same sense, our society values the underdog who is able to rise above circumstances to success. Overall, Vincent’s perseverance left a hopeful message, inspiring us all to look past our flaws and believe in our ability to succeed.

Feedback loop into immortality

First off, the movie GATTACA was, by my standards average. Though it seemed hackneyed at times, and the acting seemed, as many have said before, “low-energy,” the premise was intriguing enough for me to keep wanting to watch the movie, all the way to the bitter, abrupt end.

I did not realize the impact the movie had on me, however, until I got launched into a debate with my friend over a text chat. I had mentioned that this selective genetic process could lead to self-augmentation, and, as an incurable cynic, I only foresaw disaster from this.

I believed that if people were able to make their offspring smarter, then this would incur a positive feedback loop (Oh boy, I do love me my positive feedback loops). People would begin to focus singularly on the pursuit of becoming smarter. Each generation would become an improvement on the previous, but, ever curious, we would continue to wonder what lay beyond our (enhanced) realm of understanding. Thus, we would focus on improving our intellect, perhaps obsessively. This stems from the assumption that people aren’t satisfied with knowing enough; people are only satisfied once they know everything. To know everything, of course, is impossible.

As people get smarter, then issues start to arise. People become suspicious of the unknown, and it is impossible to predict what a smarter person might do. Those who remain unaugmented in any way could become oppressed without even knowing it. Who knows what humanity might have to sacrifice in this ultimately obsessive pursuit of infinite intellect?

The transcendentalist counterargument is that it is better for humanity to expand our boundaries for the betterment of our race. What stars could we explore with augmented minds? What discoveries could we uncover, what breakthroughs could we achieve?

I don’t buy it. Maybe I’m just far to skeptical to believe it. But I do know that almost any resource-consuming positive feedback loop is destructive. If this is the way that humanity is going, well, I am most certainly quite worried.

The Murderous Desert

Upon first glance, there is not much to be said about Max Max: Beyond Thunderdome. It is the third in the series, and the second one to feature the titular character, Mad Max, surviving in the hostile, barely-hospitable Australian wasteland. There seems to be no innovation here: only a continuation of the previous movies’ breakthroughs.

And yet, it has received critical acclaim, immortalized by a cult following. Though it isn’t the first of the Mad Max series featured in this post-apocalyptic realm, it is the first to contain a semblance of civilization in the blasted wasteland.

Bartertown: a cluster of ramshackle hovels, which could hardly be considered a town. However there still remains a semblance of order. Their denizens stay not only because the deserts outside of Bartertown are riddled with raiders and sinkholes, but also because of their sacrosanct “law”:

“Two men enter. One man leaves.”

Mad Max: Beyond Thunderdome may seem samey or corny to us, but for its time, it was definitely a new take on cinema. Though Westerns had been in decline, a simple change of setting proved to be wildly successful. Instead of cars, cowboys ride cars and buggies; instead of tyrannical sheriffs or bold vigilantes, we have Auntie, Master, and Mad Max himself. Instead of mysterious and hostile Indians, we have the tribal coven of children from the crashed 747 flight. Yet, one key theme remains the same. Though the denizens of Mad Max seem to be struggling to survive, they are in reality struggling to maintain their humanity in the face of an overwhelmingly brutal landscape, one which is hell-bent on destroying the sanity of man.

Different people in the movie have different ways to accomplish that. The children cling to their belief in their exodus to civilization. Auntie thirsts for power over Bartertown.  Yet, Max only clings to his humanity by upholding a sense of right, one which had been engrained into him from his days as a policeman. He was a guardian before the world ended, and he still clings to that need to protect the weak.

Any conflicts the characters may have had between each other were due to their motivations, which were spurred by the burgeoning world around them.

Building Better Humans

Gattaca provides a necessary inspection into a problem that we will eventually have to face, which is the decision to apply genetic modifications to humans. The arguments against revolve around the consequences if we “tamper” with nature and the arguments in support tend to focus on the “perfect” human. The extremes are irreconcilable, but it is obvious that if we look at specific points of both sides there will be some middle ground resulting in minor modifications to the humane gene.

While speaking with two students who were vastly more informed on the subject than I was, I got a good grasp of the full range of concerns of the opposition. For one, there’s the fear of another Nazi-esque eugenics movement, which is rooted in the reasonable concern over who decides what gene mutations are superior. Whoever this arbiter figure would be decides the fate of human evolution. Doubtless, there would be backlash over every decision stemming from each protester’s sense of what needs to be preserved in the gene pool. This is without taking into the account the more spiritual side of tampering with nature, as in some sense we’ve already done a good deal of this with the more spiritual disputants unknowingly enjoying the reaped benefits and human modifications would only serve to benefit everyone if done correctly. Done correctly is the second point of contention, as it implies avoiding all the frightening eugenics and focuses on improving human intelligence and physical capability, but avoids how to account for the unknown. I’m unprepared to argue against this point as I was oblivious to the fact that, at this moment there apparently already exists differences in blood types that may be considered unfit, but help survival rates in Africa against disease. How to plan and foresee what changes to the work nature has carefully handcrafted over millennia would likely become a huge topic of study. The third point, which I find a little less troublesome if strong privacy ethics are upheld or enough generations take up genetic modifications, is the fear of social genetic stratification. That is to say, some people’s genes are better because they have more of X and Y or a person is inferior for a position because they carry the Z gene. All points carry merit, but they all have solutions, however difficult these may be to apply.

If Genetically Modified Humans were to come into existence, I believe much of the rational concerns from the opposition could be quelled by judicious application of the technology. Assuming we only focus on what I imagine are shared “absolute qualities” by all societies, such as increased intelligence and genetic health of muscle and other tissue. These qualities are things that the GMH’s could decide to fully utilize or not, meaning no one forces a more physically capable human to run more or the more intelligent people to study. Addressing the opposition point of who decides the measure for intelligence, I mean in the sense of absolute intelligence such as faster chemical neuron signals and better memory which has served to benefit, as far as I’m aware, every human and past civilization. As for capability to understand abstract ideas and an appreciation for art, I believe those are subjective and modification should be avoided. I am no geneticist and I have no clue how one would pinpoint these beneficial modifications, but as a thought experiment to say if we ever could, if the route taken was highly cautious of past human-failures, I do not see a viable argument for purposely halting progress towards building a better human.

While this may all be easy to say, it is likely near impossible to perfectly apply this system and man will inevitably lapse back to repeat some atrocity from history, but maybe a modified human wouldn’t.

Despair in the City of God

While watching City of God, I was overcome with the feeling of hopelessness of life that the less fortunate might bare. Beyond just the conditions that residents endure in a favela, Brazilian slums where gangsters and drugs define the social order, the actions of nearly all the characters did not contribute to progress in their own life or impact in the lives of others and seemed ultimately meaningless. Perhaps it’s the fact that the story crosses multiple generations stretching back to the 60’s, which has given time the opportunity to erode the memories of the events and our ability to sense their impact. Or it could be that stories that unfold on another continent don’t easily find their way into the lives of others. The cycle of power and content of Brazilian authorities served to compound these issues as I felt the film gave an oddly nihilistic impression concerning the lives of the poor in a land without law.

One big way the movie conveys the low regard for life in the favela is the amount of death portrayed in the film. During the turf war, countless numbers of gangsters from both factions are murdered as the film jumps from scene to scene of the bloody dispute. While the life of a gangster who terrorized the town and took part in murders might seem less important, the span of time covered by the film allows viewers to watch the transformation of children to mobsters. Since youth, these children dream of owning a gun and being a successful gangster, perfectly demonstrating how dreams or even hopes of greater accomplishments are non-existent in the favela. The most blatant show of disrespect for the value of life comes from Li’l Z, a pathological killer who revels in the stardom of being the most powerful boss. As a child, L’il Z is capable of killing tourist, friends, and children. He plays games with the lives of children who have never brought him harm and feels obligated to return to the house of a man whose wife he killed in order to finish the husband as well. As he is arguably the centerpiece of the movie, Li’l Z’s brutal actions perhaps reveals the indifference the film has regarding life.

Though death may be common in the favela, there is still a chance to make a change with one’s short, hard life, but as City of God shows, residents are trapped and even lured into playing the cycle of power inherent in slums. Even if the countless gangsters avoided a turf war and Li’l Z’s propensity for killing was quelled, the residents of the town follow the same cycle across all three generations. There will be a younger generation who overthrow the old in order to build a brief empire of drugs and weapons, only to be toppled by a more ruthless youth. With the exception of Rocket, a reporter who narrates the repeating generational struggle, every child from the favela followed this cycle while never bringing any change or aspiring to be something above the unfortunate life they were born into. Again the film hints that the lives of children in the favela are doomed to be inconsequential and live out the unchanging cycle.

To the outside world, whether the residents of the favela were alive or dead seems to have no impact, reinforcing the mood of nihilism. The journey of the characters would only live on in print of forgotten newspaper headlines or the single memory of Rocket. It’s less a concern of whether the events actually occurred, it’s about the fact the events could very well have occurred and life would carry on for everyone else as if they never happened. To live a life where no impact was made, even towards improving the system you were unfortunately born into, is a tragedy.

High expectations

Like many of the Rose Scholars in the group, I had not seen La La Land yet. In fact, I am so behind on new movies, or really most movies, that I didn’t actually know anything about it other than a little bit of what happened at the Oscars and that it was a musical. I guess I never realized how many covers of its songs I’ve heard in other places, but the music was familiar, which may have actually worsened my experience watching it for the first time. Personally, I don’t really understand all of the praise it has received, but I also know my movie tastes tend to be misaligned from a lot of popular opinions.
From the hype that it’s gotten and the positive expectations going into the movie along with the fact that I enjoy musical movies, I didn’t enjoy this movie as much as I thought I would. Maybe if I saw if again it would grow on me, but it seemed a little too contrived and cheesy. I understand fading the background and having a spotlight on an emotional soloist in a theater production, but I was slightly annoyed every time it happened in this particular movie. Unlike a live production, there are so many more interesting things you can do with a scene and camera angles that aren’t zooming into a face with a dark background. I think with a clearly large budget and the fact that it is a movie could have resulted in some better cinematographic choices.
I don’t want to make this post into a rant about why I didn’t enjoy the movie, because that’s not really the case. I enjoyed the movie bits much more than the musical bits, which I think was my main issue. I understand casting big-name stars, but I wasn’t on board with all the artistic choices. The singing wasn’t as strong as I expected, especially coming in after watching fantastic renditions of the songs elsewhere. Perhaps the vocal tones the producers were going for were met, but I think was expecting a more musical-theater-sounding quality to the voices. Another thing that was distracting was arms. Or maybe just the dancing in general. While there were some great scenes where I thought they took good advantage of the fact that they were shooting a movie and not a stage production, it was pretty obvious who wasn’t trained as a dancer. In some ways, the movie even recognized this, like with the cheesy silhouettes in the observatory and the very boringly shot tap scene.
While I enjoyed the acting for the most part, I don’t really enjoy watching an established actor pretend to be a struggling actor who keeps auditioning and finally gets their chance. I get that this may have been their dream in the past, but at this point, if Emma Stone were less likeable, I would have been very irritated watching her bad auditions. Also, why was Ryan Gosling the only white person who liked jazz in the movie? There are definitely things that musicals can get away with, but I wasn’t enamored with the overall movie to overlook smaller parts.
Overall, the movie didn’t meet expectations, but I still had an enjoyable time watching it. There were definitely parts where I laughed and definitely appreciated some of the artistic choices made, but this I don’t think this is ever going to be a favorite movie musical for me. I think it tried to mix elements of movies and musicals in different ways, but not always cohesively. While I would definitely give it another shot and will probably watch it again sometime in the future, I can’t really pinpoint my current feelings on the production.

La La Land is artistic gold

Though I really enjoyed the plot and songs of La La Land, what fascinated me the most was the overall layered artistic composition of the whole film. At first glance, the movie seems to have a typical and digestible front. The story-line is simple: boy and girl meet and fall in love. The main characters are simple: girl wants to be an actress, boy wants to be a jazz musician. The color scheme was focused around the 3 primary colors: red, yellow, blue. The songs are fun and catchy, the scenery is bright and everything is really sweet and perfect like a typical rom-com musical would be.  However, this seemingly simple base is what allows for the director, the artist, to attract audiences to what looks like will be a fun and enticing dream-like experience, while setting the foundation to create something much more complex.

To start, the movie seems to be set in two worlds–one in which there is real life, and one which is a fantasy of real life. Being a musical, random cuts to perfectly choreographed song and dance all seem to happen in the dream-like part of the reality, when moments are happiest and seem so perfect and happy or exciting that they almost couldn’t be real (think: “pinch me I must be dreaming” kind of effect). In contrast, the parts of the movie in which conflict or less-amicable feelings arise are usually more quiet, almost no music in the background. In addition they happen more often through the “winter” and “fall” chapters of the film (identifiers which seem to represent emotional seasons, not just natural ones).

The music and the colors in the film all help to set different moods in less obvious ways that also seem to sway the audience in more subtle ways–kind of like experiencing a feeling in a dream, where you can’t necessarily pinpoint your feelings because you do not have total control over what might happen next. La La Land really does a great job of artistically composing the film to create a brilliant effect on the plot and the audiences.

drango, the d is silent

To be honest, I thought this movie was weird. I came away with this impression likely from a combination of not having seen the prequels (apparently, this Mad Max was third in the original series) and not being able to discern the dialogue at times. However, I appreciated some parts.

I don’t think I could contribute any meaningful comments on the plot or its role in the series as a whole, so I’ll discuss what I thought about the aesthetic of the movie. As I was watching it, I was reminded of ‘Rango’, the 2011 western-esque animation starring Jack Sparrow as a chameleon. Back when I first saw it, I absolutely enjoyed it, maybe partly because I was going through a spaghetti-western phase at the time. A distinct memory I have is the discussion about the movie with a close friend. For him, he said he hated the movie because it was ‘ugly’. I argued that it was an intentional ugliness that was central to the movie’s identity, as the movie wouldn’t be as effective with ‘Finding Nemo’ textures and palettes. Anyhow, I was reminded of his point throughout the Bartertown scenes in ‘Beyond Thunderdome’, as everything about the town was ugly. It felt stifling at times, and although this was definitely intentional, I can understand how my friend might have felt when he watched ‘Rango’. Although, the rusty steampunk (?) look of the vehicles in the chase scenes towards the end of ‘Beyond Thunderdome’ was pretty great, and I can see why they stuck with that look in the most recent Mad Max film (I haven’t seen it, but similar chase scenes with similar vehicles were shown in the trailers for it).

Now that I think about it, ‘Beyond Thunderdome’ and ‘Rango’ share a theme: an outsider shows up in some established community, he’s mistaken for someone else, he’s expected to save the day, he disappoints everyone, and then he ends up saving the day. Interesting~

Our current world

The movie Mad Max was one of the most interesting movies I have watched thus far in the Flora’s Film collection. One of the main points of the movie was to acknowledge the presence of technology in our lives. The children were stranded on the island. They wanted to go back to the civilized world with technology and modern devices. Technology has made our lives easier by making information more accessible. Sometimes we take our access to technology such as personal computers and smartphones granted. We do not realize the tremendous importance it has in our lives. In addition, there was no religion in Mad Max, although there were a set of principles people seem to follow. People followed a “leader.” Similarly to God, the leader was someone who people laid expectations on. Overall, I think the movie was decent.

La La Land The Land of the Unrealistic

It is rare to see musicals today; after all this movie was made in 2016 and not the 1950’s. But there is one thing music and musicals do to us: they cheer us up. I watched La La Land for the first time last Sunday.

The film’s backdrop is in LA, so maybe it is more appropriate to write the title as LA LA Land. I also checked the definition of “la la land”: “Los Angeles or Hollywood, especially with regard to the lifestyle and attitudes of those living there or associated with it.” I never knew that … I knew the gist of what the phrase means, as described by its second meaning: “a fanciful state or dreamworld.”

The movie opens with a traffic jam, which is a sure way to bring the worst out in people. But this is a musical, so folks end up breaking into dance and song. And there is a sense of a place where everything is magical and dreams come true. Of course no musical is complete without a girl meets boy storyline … we meet Mia and Sebastian. She is a struggling actress, and he is a musician who aspires to open a jazz club. Certainly his ambitions are more nostalgic since there are probably few people who aspire to be jazz artists these days. But it is that nostalgia for a romantic time of the musicals that is embodied here. And the chasing of your dreams. The ending (five years later in movie time) was interesting. Mia is a famous actress, married with a daughter. She stumbles into a Jazz club that Sebastian has opened (so he also got to his dream). And the two of them are left imagining how things may have gone if their relationship had worked out.

There is one interesting line from Sebastian that striked me as interesting, more describing our lives and a hopeful view of the human condition in general: “This is the dream, it’s conflict and it’s compromise but it’s exciting!”
It’s was great to see a musical film that is recently produced. And it is not a redo of a broadway show; there were original songs developed for it. The cinematography and choreography were amazing. For someone young like myself who hasn’t grown up watching musicals, it was a fun entertaining movie that cheered me up.

Technology and Mad Max

Watching “Mad Max Beyond Thunderdome” made me think how much technology impacts our lives. The main plot is about a man (Max) who exiled to a desert and ended up in an area where Boeing 747 crashed. The children who were survivors of the accident were left in the oasis desert by their parents. They were desperate to go back to fly to their home land and live in civilization. However, they weren’t able to fly back home since they had no one to fix the air plane. They thought that Max will take them to the civilized world that they saw in the pictures left by their parents which have sky scrapers and bright cities. Personally, the main take away from the movie was appreciation of the technology that we take for granted these days and using them effectively for the common good. I am not surprised that this 1985 movie was chosen over the current movies. I definitely encourage you to watch it over the break!

“Civilization” of the Self

I walked into Flora’s Friday Film ready to see Mad Max Fury Road, as I didn’t realize “Mad Max” was a larger concept. Instead, I saw a younger Mel Gibson and Tina Turner in a film which spoke about the nature of civilization and naivety of children beyond the low-budget but surprisingly well-done action scenes.

Mad max is the prototypical loner-hero combo, a wandering nomad. When he battles Blaster in the Thunderdome, Max stops, sparing Blaster’s life when he finds out he is mentally challenged. His behavior sharply contrasts that of the residents of bartertown, who show no mercy and demand a death. Civilization is not so civilized, and this installment of Mad Max shows the humans living together may congregate towards more feral, mob-like mentalities instead of good.

On the other hand, the children who rescue Mad Max are innocent and unknowing in nature, akin to the lost boys of the Peter Pan story. The create a reality for themselves based on limited evidence and are able to stand by it despite the accumulation of facts presented.

The movie caused me to think about how humans get from being those children, to being members of a society whose core beliefs are not always good. The contrast between individual and group, and child and man run deep, and may be astonishingly accurate even now.

Why is it Called Thunderdome?

My first question after watching Mad Max: Beyond Thunderdome was why is this film even called Thunderdome. The “Thunderdome” is a cage fight which lasts maybe a quarter of the movie, and it wasn’t discussed before or after that scene. Arguably, the movie could more accurately called Mad Max: Underground Pigs, or even Mad Max: Airplanes since there were multiple scenes which featured an airplane prominently.  It seems like some movie executive liked the word “Thunderdome” and made that the title. The content of the movie was about as logical and thought-out as the title. The plot gets a little lost halfway through the film and society has REALLY taken a weird turn considering its only been like 30 years since the start of the apocalypse. Apparently the moment law and order break down, humanity’s first course of action will be to start wearing headdresses and covering our cars in cow hide. So should anyone watch this movie? Yes.

Thunderdome isn’t a good movie, but nevertheless it serves a purpose as a representation of the culture of the 1980s. Some of the things which we label as flaws in the movie were put into the film intentionally. Therefore, they shouldn’t be seen as flaws, but rather indications of how culture has changes over the last 30 years since this movie was made. Now I know that the 1980s aren’t some mysterious era which has been obscured by the mists of time. Nevertheless, old media from the past is a good way to see the feelings, emotions, and values o the people during that time. Thunderdome, or really any 1980s movies (there are better ones), should be watched to view a culture which is different from our own. We can learn from the experience and maybe understand how our present culture has come to be.

Mad Max

Last Friday I attended the showing of Mad Max in Rose Main. I had never seen the film before, and was thus surprised by the societal commentary present. The depiction of the primitive law, and the way in which people conduct themselves in a post-nuclear society spoke to certain sociological implications of human nature and formation of society.

Specifically, the Thunderdome and “break a deal, spin the wheel” laws were interesting in their basis in retributive justice, which we have started to stray away from currently as a society. It was incredibly interesting to see the way in which the film explained the formation/need for order in a dystopian, post-apocalyptic society. Another component of the commentary I found interesting was the society of children who believed Mad Max was their deity figure. This scene in particular said much about the formation of religion, and has interesting implications for the way in which information can be distorted through generations to form a mythology, in addition to the way in which religion is a product of disastrous circumstances.

Overall, I found the film entertaining and interesting from an ethnographic point of view. The film’s setting really makes you think about the way our own society would degrade and rebuild in the case of such a circumstance.

Mad Max: A Symbol of Cold War Fears and the Flaws of Civilization

Last Friday, I attended Rose’s screening of the post-apocalyptic film, Mad Max: Beyond Thunderdome. Although I didn’t particularly enjoy the movie, I could see why it was an important film for its time. It was released in 1985, one of the final years of the Cold War. Through this lens, we can view the movie as an encapsulation of the fears of the American people, who foresaw nuclear devastation and destruction by the USSR. These anxieties towards the Soviet Union are manifested in two important scenes. The first is Bartertown’s (the town to which protagonist Max travels to take back his stolen belongings) punishment of Max, as they send him to the “Gulag.” Gulags were, in reality, Stalinist labor camps, where high mortality rates and difficult working conditions befell people sent there. The second scene referencing the USSR is that in which a Bartertown resident is thrown into a pig pen to be eaten by the animals. I saw the use of pigs as a clear reference to Animal Farm, an allegory in which author George Orwell uses farm animals to portray the Russian Revolution and Stalinist era of the USSR. In the book, pigs represent historical Russian figures, including Stalin and Lenin. Therefore, in this scene,  the pigs could be construed as a symbol of the USSR, and their near consumption of a Bartertown citizen as a representation of the fears of the American people.

In addition to manifesting Cold War fears, Mad Max also makes interesting points about what it means to be a civilization. The movie portrays civilization and savagery, two normally dichotomous concepts, as synonymous. Bartertown is a symbol of both the civilized world and barbaric tendencies. With infrastructure, livestock (pigs), a source of electrical energy (porcine feces), merchants, blacksmiths, and a bar, the town can be viewed as a civilization in the post-apocalyptic world. On the other hand, the level of savagery is profound: residents challenge other residents to fight in Bartertown’s Thunderdome, where “two men enter and one man leaves.” When Max enters the Thunderdome for a fight to the death, the citizens of Bartertown are sadistically thrilled and energized that they will get to see someone killed. This movie thus makes the important point that savagery and civilization are not mutually exclusive. It reminds us that we must pay attention to our own civilization because even though we have infrastructure, a Constitution, roads, and settled homes, we are not immune to the possibility of savagery and barbarism.

Master and Blaster, Mind and Body

Last Friday, I watched Mad Max: Beyond Thunderdome in the Rose dining hall. I had seen the newest installment, Fury Road, when it came out, and I thoroughly enjoyed it not only because of the action but because of feminist icon Furiosa. Fury Road being my first exposure to this post-apocalyptic universe, it was interesting to see how dated this movie, made in 1985, was compared to the 2015 film. The color and resolution quality of Beyond Thunderdome was one noticeable difference, but another obvious indicator could be seen from Mel Gibson’s mullet, a classic 80’s hairstyle, compared to Tom Hardy’s shorter style.

While I found Beyond Thunderdome interesting as a time piece, beyond that I found nothing extremely compelling about the plot. However, I did think the dynamic between the characters Master and Blaster was an interesting statement about the division between mind and body. Master is a dwarfed man who sits on the shoulders of the physically able and strong Blaster, and together they form one character “Masterblaster.” Master is portrayed as intelligent and power-hungry, with a deep understanding of the political heirarchy of Bartertown. He knows that though he seemingly is in charge of literal pig shit, he in fact controls the whole town because the fecal matter of the pigs powers the electricity, and without power, the town cannot function. Blaster is  portrayed as the brawn, following the commands of Master to a T. He is revealed during his fight with Max to be developmentally disabled with the mental functions of a child, as Master screams “Don’t kill Blaster! He’s just a baby!” On his own, Master is disabled by his dwarfed height, and without Master, Blaster is lost and without guidance. This symbiotic relationship to me represents that the two components, mind and body, though functional on their own, are incomplete without core aspects of the other.

Mad Max – A lot of pig shit

I really enjoyed the 80s vibe of Mad Max, but that’s probably the only good thing I can say about it. While I am a fan of apocalyptic stories, it was difficult to see the messages, if any, that Mad Max intended for audiences to grasp. Perhaps it’s one of those movies that you should watch multiple times before you understand the meaning. Perhaps it would’ve been better had I seen the first two movies.

It was a typical post-apocalypse film, but toward the end Max meets a lot of raggedy children, survivors of a crashed 747, which reminded me of Peter Pan’s “Lost Boys.” As with all movies, I try to look for symbols. I found it interesting that society in Bartertown is not actually that different from society today. There is a clear separation of classes in the movie: the ruler Aunty, the “regular” folk, and the pig workers underground. We worship sports and entertainment just like Bartertowners love the Thunderdome.

But I think most importantly–and I’m not completely sure this was intentional–it seems that in hard times people will always look up to someone, or something. Many people on this planet are religious, and while there was no religion in Mad Max, there was always someone that people looked up to or yearned for. For the people of Bartertown, this was Aunty and, for a little bit, Master Blaster. As for the kids? They basically worshipped the idea of their captain coming back to save them. In fact, they were so sure that when they found Max they believed he was their lost captain. Of course, Max made clear that he was not, but eventually, after saving them multiple times, was Max not their hero, their captain? Did he not eventually lead them to safety and thus become the captain whose story they carved into the sides of the oasis?

Perhaps we should remember that even if something we believe it isn’t true, there may be something else that’s just as good, and that when people are desperate, they will believe anything. Like fake news.

Mad Max: A Mixed Bag

Last Friday, I went to go see Mad Max: Beyond the Thunderdome. I had heard a lot of good things about the Max Max franchise, so I was expecting great things. Unfortunately, I did not enjoy the movie as much as I though I would. It was a post-apocolytic action film, so that might have had something to do with it. I don’t particularly like action films. The writers tried to make the violence humorous but I did not find it very humorous. But, compared to the other action movies that I’ve seen, this was one of the better ones. I did enjoy the character “Master”. He was quite funny. I really found it sad when “Blaster” was killed. He was mentally challenged and I really don’t think that he should have been killed. I’m glad that I went to go see Mad Max because now I know why a lot of people enjoy the movie.

La La Land: Living up to the hype?

Last Sunday, I saw the film La La Land for the first time. Despite it being one of the most talked about movies so far this year, I managed to avoid all spoilers so I could take in and enjoy every moment of the movie experience. So, if you haven’t seen La La Land and plan to do so at some point, beware that there are major spoilers below!

Walking into the theatre, I wasn’t sure that I was going to like the movie. Perhaps because of the way that it was presented, I expected it to be a cliche, romanticised story about dreams coming true, finding true love, etc. Furthermore, there are some criticisms of the film for being problematic. For example, one reviewer deemed it to be “whitewashed nostalgia” which is of course an important issue that should be talked about in the movie industry.

However, as soon as the movie began, I forgot about the real world and was immediately absorbed into the charm of the opening sequence. The flawless acting, storytelling, and singing made for a great production. The film also surprised me in ways I did not expect. In particular, I loved the ending. I think most people expected a “perfect” ending between the two main characters but I prefer the true ending because it shows that we do not live in a fairy-tale world and things don’t always work the way you want. We always live with some regrets and “what if’s,” but that’s okay.

On some degree, I do think the movie was a little bit overrated. I think the idea that “Hollywood loves movies about Hollywood” applies here. I personally couldn’t relate so much to the film’s themes such as the struggles of being an artist, but I imagine it would resonate well with a certain audience. I didn’t find the movie to be life-changing or incredibly revolutionary like some of the other films nominated this past awards season, but nonetheless I do think La La Land is a great production with catchy songs that certainly knows how to entertain an audience for two hours.

Parallels between Beyond The Thunderdome and Fury Road

Mad Max: Beyond The Thunderdome is the second Mad Max movie that I’ve watched, the first one being Fury Road. Although I preferred Fury Road, I found both of the movies interesting because of the similarities that they shared. Granted, it was probably Fury Road that was inspired/loosely based off  Beyond The Thunderdome.

Both the movies are set in a desolate, desert area, where water and fuel is cherished. Both have a dictatorial leader, who literally lives above the rest of their populaces. In Fury Road, Immortal Joe lived in a rocky cliff above everyone else. He controlled resources of water that he showered from above, based on his mood. In Beyond The Thunderdome, Auntie Entity also lives above everyone else, in a house lifted on stilts. Although she doesn’t shower water like Immorten Joe, she too is in a position of great privilege.

Another interesting parallel was the idea of ‘labelling’ human beings. In Beyond The Thunderdome, we notice that a man is marked as a ‘Pig Killer’, because he tried to feed his family by stealing a pig. Similarly, in Fury Road, once Max is captured, he too is tattooed to be a ‘human blood bag’. Furiosa too had a mark on the nape of her neck.

The plots of the movies also shared similarities. In Beyond the Thunderdome, Savannah calls out to the group of children to signal that she found someone. In Fury Road, Valkyrie also calls out to the Vulvalini of Many Mothers. In both movies, the calls signified important changes in the plot. In Fury Road, Furiosa meets the Many Mothers and later discovers that she was taken from them as a child. In Beyond The Thunderdome, Max meets the abandoned children who he decides to help.

Both movies shared many similarities, almost so that watching them in succession could almost feel repetitive. In both movies, Max is portrayed as the saviour, who never gets gets saved. At the end of both movies, Max’s story line is ended abruptly, leaving the audience unaware of his future plight. This would probably allow greater freedom for the production of sequels.

The Unrealistic Nature of Mad Max

Last Friday, I had the opportunity to watch the film, Mad Max: Beyond Thunderdome. I knew basically nothing about the film before watching it, so I did not really know what to expect. I ended up not really caring much for the movie. I suppose it was just not my type of movie. I found the action scenes to look ridiculous and fake–almost cartoon-like. I also found the plot to be kind of weak. It felt like they had taken some random scenes and tied them together. For instance, after Max was exiled from Bartertown, he ends up among a group of children. Although the story line involving the children was eventually connected back to the story involving Bartertown, it originally looked as if the movie was starting a completely different plot–almost as if it were a second film. I found this transition to be a bit disjointed as a result.

Perhaps the issue that stood out the most to me was the irrationality behind some of the scenes. Yes, I understand that this was a movie, and so being realistic was not a big goal. However I kept thinking about how impossible some of the scenes were. For instance, how did that one child climb up onto the top of the tail of the crashed jet? Also, how did everyone manage to fit into that plane at the end? Plus I doubt that removing one person would have reduced its weight enough to be able to take off. The biggest question that I had was this: Where were they even getting the fuel for that plane? Isn’t this place supposed to be a post-apocalyptic world, where resources are limited? They are constantly shown to be short on water. Bartertown was powered by the methane produced by pigs waste (which, as my friend pointed out to me, would have been a poor use of resources–it would have been much better to just make ethanol from all of the plants needed to keep the pigs fed). It did not appear to me that this world would possess the fuel required to run that plane. Overall, I found this movie to be quite an unrealistic portrayal of a potential post-apocalyptic world.

Mad Max

On Friday I watched Mad Max 3-Beyond Thunderdome , a 1985 post-apocalyptic film starring Mel Gibson and Tina Turner. The film is the third in a series shot in Australia in a future world that exists after some kind of nuclear disaster. Here, Mad Max on his motorcycle meets up with two separate societies. Bartertown is run by Aunt Entity, played by Tina Turner who is ruthless and corrupt. The town runs on methane produced by pig’s waste and anyone who wants to challenge a rival fights them to the death in the thunderdome. Max forgoes killing a rival who he fights because Aunt Entity tells him to–the Blastmaster, because he is cognitively like a child. Bartertown is run on greed, which leads to unending violence. The other society is a group of children, the young tribe, who have survived an airplane crash and are waiting to return to the past. They are innocent and in the end of the film represent the future of the world. The film was action packed and Mel Gibson is always easy on the eyes. Tina Turner was good too, but I didn’t like the violent scenes, especially those in the thunderdome. For a Friday movie that was voted on as number one, the action scenes probably won out. I really wasn’t that impressed with the message or the film.

Comedy in the 1930’s

Some of the things that I found most interesting in watching the Marx Brothers’ Duck Soup were the ways in which the style of humor was similar to and different from more modern works.  The first scenes were fairly straightforward, and unfortunately timeless, political satire.  An entirely unfit, crude man named Firefly becomes the president of Freedonia by happenstance, and immediately sets about offending people and breaking his own decrees.  Soon though, the movie began heavily emphasizing a slapstick style of comedy that I can’t say I entirely understood at first.  The spies Pinky and Chicolini are hired by a rival country’s ambassador to help bring down Firefly, and their hopeless inefficiency and irreverence accounts for a large amount of the comedy in the movie.  However, the first time I watched Pinky quietly take a pair of scissors to his boss’s cigar and spread glue on the back of his pants, I thought to myself, “What an odd movie.  I understand that this is intended to be funny.  Is this what people thought was funny in the 30’s?”

Somehow, though, by the seventh time I watched Pinky cut somebody’s cigar/hat/pockets in half, it had become hilarious.  By the time the two spies have infiltrated the house Firefly is staying in, I was dying laughing. At this point there are two imposters and the real president all wandering around dressed in exactly the same nightgown and hat, just barely avoiding one another, and the spies’ attempts to avoid detection are incredibly entertaining.

There was a point, I suppose, when wordless physical humor had to be the dominant form of comedy in movies because movies were silent.  Hence the immense popularity of people like Charlie Chaplin and Buster Keaton.  The inclusion of Pinky (the mute nuisance) seems to be a nod to this history, and wonderfully demonstrates how even if a movie has words, humor can be achieved entirely without them.

On the other hand, the kind of humor I’m most accustomed to is based almost entirely in words.  Something like Douglas Adams or A Christmas Story comes to mind: though the situation may be absurd, the humor come across primarily through detailed and witty description of that situation.  That’s the entire premise of standup, too.  A “comedian”, today, is a person who stands up on a stage and makes people laugh just by speaking — like the opposite of a Charlie Chaplin, or in this case a Pinky.

Slapstick is something I associate with the likes of Looney Tunes and Tom and Jerry.  I honestly can’t say that I’ve seen a whole lot of slapstick outside of cartoons.  Specifically, old cartoons.  Is slapstick something that has simply declined in popularity with time?  Or is it still around, but declines in popularity with the age of the audience?  I suppose this could be answered by examining the style of humor in  kids’ cartoons being produced today, which unfortunately I don’t know much about.

Even the verbal humor that was present in Duck Soup struck me as a bit unfamiliar, in that it was based almost entirely in puns.  Some of these came across well, but I suspect that many others may have gone over my head because I lack the cultural knowledge of a person in the 30’s.  In fact, some of the physical jokes have lost necessary context over the past 85 years as well.  For instance, there’s a scene in which the camera pans across a pair of women’s shoes at the foot of a bed, then a pair of men’s…and then four horseshoes.  The camera then cuts to a man asleep next to a horse while the woman is in a different bed.  I laughed, because it was absurd.

Apparently though, at the time this wasn’t an absurd joke.  It was deliberate and pointed mockery of the Hays Code: a set of rules established by the organization that became the MPAA, governing the content of movies to ensure that they were not morally offensive or crude.  The Hays Code was in place from 1930 to 1968, and one of its decrees was that a man and a woman could not be shown in a bed together.  Hence, the man, the horse, and the woman in another bed.  I did actually know about the Hays Code, but as someone who isn’t living in the 1930’s, it didn’t come to mind at all.

Overall, Duck Soup was an entertaining film that provides an interesting snapshot of comedy in the 1930’s.

(An additional note with no connection to the above, but which I found entertaining: There is a scene in which Chicolini and Pinky taunt a lemonade seller by stealing his hat, which turns into an increasingly ridiculous game of hat-swapping between them.  Immediately, I felt like I’d seen this scene before.  Three men haphazardly swapping hats…  This bothered me for days, until I remembered that I have seen it — in Waiting for Godot, published 1953.  Was it a deliberate reference to Duck Soup?  Wikipedia’s footnotes tell me that indeed it was!)

My thoughts on Beyond Thunderdome

I was excited to watch Mad Max Beyond Thunderdome, the third and final movie in the original Mad Max series, because I had heard good things about the franchise but had never watched any of the movies. The only context I had about the series prior to watching the movie last week was that it took place in a post-apocalyptic world. In all honesty, I hated the movie. The action scenes seemed way too over-the-top, the children from the oasis were annoying as hell (I must have heard at least a hundred squeals of “Captain Walker!” and each one was more irritating than the last), and in the end nothing seemed to be accomplished aside from that the children finally found “Tomorrow-morrow Land,” which was honestly just a city ruins wasteland.” Aunty was still in control of Bartertown, and on top of that, Mad Max had destroyed the methane refinery so the entire town had no power source. Perhaps Max had some kind of grudge on Aunty, but the entire town should suffer for it.

I suppose one thing that the film did correctly was the idea of Bartertown. I guess I never really thought about how a post-apocalyptic society might look like. Bartertown’s political structure is backwards–it has a near all-powerful leader and justice is administered with a wheel of fortune. Conflicts can be resolved by staging a gladiator-style fight to the death. I suppose in an environment where survival isn’t taken for granted, political fairness comes at a much lower priority. It makes sense that all goods are bartered for in a place where new currencies can’t be produced.

I also found the speech of the children kind of interesting. Not really knowing anything about the world that Mad Max takes place in, I’m assuming that they were born after the war that tore civilization apart, and a lot of what they know about English, they learned from each other. So as a result, some of the words and grammar is off. I suppose the scene where Max goes through Captain Walker’s old photographs is where South Park got the idea for “Member Berries” from.

Power in Mad Max Beyond Thunderdome

The third installment in the Mad Max franchise, Mad Max Beyond Thunderdome (1985) interestingly discusses the transition of power in Bartertown through the two main political characters The Master (Angelo Rossitto) and Auntie Entity (Tina Turner). In the beginning of the film, The Master is portrayed to be more or less the antagonist (although one never really trusts Auntie Entity). We see him act as a dictator, threatening to take power away from Bartertown unless he always gets what he wants. Yet, the moment Blaster (Paul Larsson) is unmasked, revealing he is developmentally disabled, The Master begs to spare him. Immediately the power dynamic shifts, and as soon as Auntie Entity has control again, she unfairly banishes Max from Bartertown.

I found the encounter to be a description of the greed for power. It didn’t seem to matter who was in control, as they always focused on the same desires of maintaining that power and basking in its glory. The stated reasons for gaining this power back can be often built upon moral ideals, such as taking a cruel dictator out of power. Yet the true motive is always ulterior, usually of a selfish and greedy nature. In a sense it makes the character of Max (Mel Gibson) all the more intriguing. Although his lack of connection to others may make him a loner, his loneliness is in itself a representation of his purity. He is unconnected to the corruption and savagery that accompanies the new settlements of a post-apocalyptic world, and therefore is able to aid those who are subject to its prejudices and horrors. The film in this way demonstrates the capacity for one person to tackle some of the problems of grandiose political machines.

Great Black and White Comedic Film

Last week, I got to see Duck Soup at the Cornell Cinema. This was probably the oldest film I have ever seen. The only possibly adverse effect I felt this had on the film was the lack of color. However, the black and white presented its own subtle charm and novelty for those such as myself who rarely watch older films. The movie was very enjoyable and amusing. The pranks pulled by Chicolini and Pinky were very well choreographed, especially the mirror scene. The plot surrounding the clueless Rufus T. Firefly’s leadership of the fictional country Freedonia as he hurled clever insults at seemingly everyone was well written. The length of this film for its genre was also perfect as it was not too short nor did it drag on. I won’t give away any spoilers so you can watch it for yourself!

Genetic Engineering

I thought the movie was interesting, it was interesting to think about how eugenics could influence social inequality in the future. It is weird to think about the possibility of genetic engineering, and yet it is a phenomenon that occurs today, and is becoming a major ethical discussion. We already use CRISPR-Cas9 to edit genes and select for favorable or unfavorable traits, and the uses of CRISPR are only expanding. The movie highlighted a possible scenario of genetic engineering, one where those who are born “naturally” are immediately looked down-upon, and have almost no chance of competing with those who were genetically engineered creations.

Although, the movie touches upon how people can live up to those who are genetically engineered, but it requires a high degree of difficulty and planning in order to resemble those who were were bred for success.

I enjoyed the movie, and it really got me thinking about the future of genetic engineering and its capabilities.

Randomized “Justice”

I won’t lie, I came to this movie thinking it was the new Mad Max, but I really enjoyed the old version. Obviously this one doesn’t have all of the amazing special effects that the new one has, but it has much better dialogue and a more interesting storyline.

That said, I found many themes in the movie very powerful–specifically the idea of justice. Justice sprang up numerous times throughout the movie, but the most concrete example was when Max was forced to spin the wheel of punishment. Tina Turner looked at him and said “justice is blind”, as if the randomization of a verdict somehow equated to the idea of our justice system. Blind justice in American law refers to the impartiality of judges. Theoretically, it should not matter what color you are or what your economic status is, in court you should only be judged based on the crime you are accused of committing. It is entirely debatable about whether or not this principle is a reality–personally I believe that the attempt by the courts to be “race-blind” has created a new kind of racialized discrimination. Either way, the idea of a completely random punishment is at odds with the American justice system, which relies heavily on an adversarial “combat” by lawyers to reveal the truth.

I suppose, in a way, Turner simply took upon herself the role of judge, and the clamoring horde screaming for blood constituted a type of “jury of one’s peers”. Nevertheless, Barter Town definitely adhered to their twisted idea of justice. Their laws are what allowed the town to function, and every person knew it. Thus, they obeyed, and they propagated the system.

Few Surprises in Mad Max

Last week I went to the Flora Friday Film night where we watched the 1985 science fiction action film Mad Max. To be honest, I went into last week thinking I was about the watch the new Mad Max: Fury Road, expecting a modern Hollywood blockbuster action film. Instead, I was surprised to see a cult classic starring Mel Gibson and Tina Turner. Like many movies now regarded as cult classics, first time viewers may not always get the appeal that has made the movie so popular. I was one of those viewers. While Mad Max had action, comedy, and suspense, it came off as cliché and sometimes even tongue and cheek. Most of the movie was incredibly predictable, with moments only memorable because of how cheesy they were. Perhaps it was the style of the time and hasn’t aged well, but I found the movie boring.

On another note, it was interesting to see how revered Mel Gibson was at the time, and how much his status has changed. When he first appeared on screen, I heard some people around me give a mild groan. It was only 5 years ago that the tape of his rantings was released, I don’t expect his reputation to recover in such a quick time.

Some people I watched the movie with quipped that “oh this movie takes place in a future California,” referring to California’s severe drought. While that drought has thankfully ended, and their comments were in jest, the movie does show how crazy and desperate people become once natural resources are depleted. None of this will happen in the near future, or even moderate future, but like in the movie, people won’t hesitate to murder if it means they can get more water, or oil, or whatever scarce resources they need.

Overall, I wouldn’t watch Mad Max again. The film was simply too boring and predictable. It had a few redeeming qualities, but not enough to warrant a recommendation.

La La Land: Film as Spectacle

There are certain types of movies that make you think and there are those that make the movie theater a place to escape the realities of today and allow you to daydream a little. La La Land belongs to the latter. It is not a film I am interested in having a conversation about, but rather the type I might watch on a Sunday afternoon to unwind from the chore of going about routine.

I have been taking a course on cinematography this semester, and I admit that I have a newfound appreciation for what it takes to achieve certain images (lighting design and camera movement) as the Director of Photography as well as how one’s role on set plays out with the dynamic between the entire cast and crew. The camera movement in La La Land achieves that state of dreaminess through swooping crane motions that add to the fluid transitions from one scene to another. From the opening scene, where a continuous take is interjected by dancing bodies and opening car doors to the pool party scene where the camera dives in with the actors, there is a constant sense of grandeur that renders characters always on a stage: life as a performance.

La La Land received so much acclaim because it revived a long history and tradition of American musicals on film. However, I find that it lacks the maturity and complexity of Damien Chazalle’s first film from two years ago, Whiplash. There is something funny in La La Land’s approach to diversity: the opening scene is the only one that includes people of color. It then narrows down to follow the whimsical struggles of two rising white LA artists whose dreams simultaneously bring them together and pull them apart. Overall, I found La La Land a poorly-performed musical (both the acting and the singing were lousy). The film is spectacle: it’s interested in itself and the constructed image. In that respect, it is very much like theater. It wants to be watched for the visuals and nothing more.

Well, They Look Like Sitting Ducks

Last week, Rose House Graduate Resident Fellow Esmeralda took a group of six curious students to the Cornell Cinema to watch one of the classic Marx Brothers films called Duck Soup. As we got to know a little bit about one another before the movie, it was clear that we were all there because this event fit well with our schedule and we were all interested in seeing what was so famous about the Marx Brothers. Personally, the name was one that I would easily admit to having heard before, but before that day, I would not have been able to comment on it at all.

The movie began with a scene in which the country of Freedonia was deciding on whether or not to make Firefly, Marx brother Groucho, leader of the country in order to receive aid from Mrs. Teasdale, a very wealthy woman who’s finances are essential to the government. As the movie goes on, it shows the adventures that the Marx brothers go on, each playing a separate role, until in the end Freedonia is saved, for the most part. Without a doubt, this movie was a classic comedy production, there was a point that I found myself laughing uncontrollably due to the sarcasm and constant quarreling amongst the actors. My favorite brother was Pinky, famously known as Harpo, for he played a completely silent character but found himself in the oddest of scenarios. I certainly enjoyed a large amount of light-hearted laughs and found the sexual innuendos and stereotypes to be quite amusing and appropriate to the time the movie was produced.

As to why the movie was called Duck Soup, I thought it was because for a large part of the movie, and in particular, in the final battle scene,  the four brothers seemed helpless and immediately the phrase ‘We are sitting ducks’ came to mind. No matter what they did, it seemed that bad luck always came their way, [spoiler alert] and only a miracle led to the end of the war and the victory of Freedonia. I think that this old-time film is one that many people may enjoy and certainly all can learn from. It says a lot about the time in which it was created, with black and white pictures, no actors of color, the degradation in a woman’s purpose and abilities, and what was funny back in the day.

I am really glad that I attended this event, for I was given the opportunity to meet more of my fellow Rose Scholars and also enjoy one of my favorite pastimes, movie-watching. I am interested in watching the other two Marx Brothers films; I think there is only three total. All in all, this movie experience was one of a kind, my first black and white film ever watched, and it reminded me that there are various ways to learn about the history of our country

Shameless plug: Cornell Cinema screens old and newly released movies on a regular basis. All students should check it out at some point during their Cornell experience.

You have been supplied with a false idol

After my second time watching The Matrix during this Scholars event, I must say the action sequences were just as captivating as they were during my first viewing of the film. Fortunately, I was able to divert some of my efforts from amazement into dissecting the film. And now I question if Neo truly a hero

A cursory study of Neo’s character will reveal he seems to fall within the archetype of The Chosen One seen more commonly in literature; Rand al’Thor and Katniss Everdeen are two such examples. The archetype starts with the Chosen One being whisked away from a simpler life into a grand quest to save the world from a shadowy evil. The individual is guided by an older, wiser teacher more knowledgable in the ways of the world (Morpheus, the god of dreams, guides Neo into the real world. The reason for this selection is some incredible power or potential ability that the Chosen One possesses (Neo’s unparalleled control of the Matrix). During this screening of the movie, I’ve concluded that Neo actually isn’t a Chosen One. Yes, by the end of the film Neo pulls a Gandalf, undergoing a resurrection that changes him from someone special to one possessing God-like abilities over reality as perceived by the rest of the world. But what is his quest?

Neo ends the film with a promise to show the rest of the world that they have been living in a horrifyingly real version of Plato’s cave, that reality as they know is a lie. But what’s his plan after he has freed the oppressed? Humans have razed the Earth, and it would be impossible for this final refuge, Zion, to host all of the freed captives. The much-maligned sequels to The Matrix complicate the hero narrative of the first film with the revelation that Neo is a construct of the system he seeks to free the populace from, a counterpart to restore the balance disrupted by Agent Smith. Is Neo a hero if the future he promises to lead his followers into is worse than the blissful reality they know? Is Neo a hero if he is not the arbiter of free will that he makes himself out to be?

7.8/10, too much soup -IGN

What I found most surprising about Duck Soup was how much I actually enjoyed it. Most comedy is difficult to appreciate outside of the time and place where it was originally conceived. English subtitles for Japanese romantic comedies often alter jokes entirely because the translators know that the original joke will be lost on viewers from another culture. I rarely find myself laughing when listening to comedians like Jim Gaffigan and Louis C.K., whose stand-up jokes generally revolve around fatherhood. However, the jokes in Duck Soup, despite being written more than 84 years ago, still had a whole theater of modern moviegoers in fits. I think this is the result of two factors. First, the Marx Brothers’ comedy routines do have some sort of universal appeal that can transcend the barriers of time and social context. Their use of straightforward wordplay and physical comedy, along with the lack of pop culture references, result in a style that can be enjoyed by almost any viewer. Second, I think our current cultural context is close enough to the culture in which the film was created for us to enjoy it. We’re in the same country, speak the same language, have the same expectations for/criticisms of our leaders, and understand the same historical references. And yes, I’ll admit it: While the original audience for the movie found Rufus T. Firefly amusing because he reminded viewers of Mussolini, modern viewers still find the character relevant because of Donald Trump.

Thoughts on a genetically engineered future

Last week, I watched Gattaca at the Flora’s Films event. It was an interesting commentary about the upcoming age of genetic engineering, and the potential consequences of the future.

Overall, I enjoyed the movie. It was nice seeing the protagonist, Vincent, achieve his dream of piloting a spaceship; however, it does strike me as very irresponsible for him to to do this when his heart is in danger of giving out at any moment. Sure, there are incredible places that pure willpower can take you, but it can’t prevent your heart from giving out due to a genetic defect. Piloting a ship when his heart was already past its deadline sort of soured the feel-good story that the movie was aiming for, at least in my experience.

In the movie, there exists a sort of class hierarchy between those who have been genetically engineered and those who haven’t. This happens even though there was a law designed to protect against “genetic discrimination.” I thought this was interesting–if an employer such as the Gattaca space center is given the option of hiring a genetically superior person over someone like Vincent for piloting a critical mission to Saturn, of course they’re going to choose the former. It’s really impossible to guard against genetic discrimination–it’s like passing a law today to outlaw “ability discrimination.” A person cannot be hired over another based on their abilities. This makes me wonder if there’s any way to make life fair for non-engineered humans if a scenario like the one in Gattaca appears in the future.

Not impressed…

Last Friday, I watched the movie Gattaca. I did not enjoy the movie because there were some unrealistic things going on. Vincent faked his identity in order to get a job at Gattaca, which he would not have gotten otherwise due to his inferior genes. In order to bypass the system, he used an alternative route to fulfill his dreams. What I found a bit odd was that despite his brother’s “superior” genes, Vincent still beat him in swimming. In addition, there was no climax to grasp my attention. Vincent basically joined Gattaca by faking his identity, and as soon as he was about to start his space mission, the mission director was killed. Later on, the culprit was found, someone who was considered “valid.” I wanted to see what would’ve happened if Vincent was caught. Would he be punished or let go? If he were to be punished, what punishment would there be for this?  The movie ended on Vincent fulfilling his dream of going to space. The movie also ended my expectations of the movie.

Hard Work or Talent?

For last week’s movie screening, we watched Gattica, a movie about a man and his ambition to go to space despite his losing edge in the gene pool. The workers of Gattica only consist of people with near perfect genes, meaning that they were not prone to diseases, had good physical attributes, long lives, etc,. However, a man by the name of Vincent, whose parents decided not to give him the edge of bioengineering, lives the life of a ‘normal’ person by letting chance decide the makeup of his genes. And it is precisely this that bars him from achieving this goal to fly to space.

I thought that this was interesting how society progressed to a point where people needed to have superior genes to be eligible for a job like that. In addition, I think this movie shows how the power and influence of one’s work ethic, along with motivation is enough to offset the competitive edge that other people have. The fact that no one ever knew that Vincent had inferior genes since he lived under the life of Jerome proved that it wasn’t Vincent’s genes that stopped him from achieving his goals, but it was the standards that society wanted to preserve. I also found this movie to be a bit more emotional and sad that I expected it to. Jerome’s sacrifice at the end of the movie when he cremated himself in the very chamber that Vincent would go to to rid himself of his inferior genes stood out a lot to me. Despite not being able to achieve his own goals, Jerome let someone else use his identity to help achieve their goals. I definitely felt bad for Jerome, but I think this movie shows that natural born talent isn’t the only thing that makes someone successful. It’s the hard work and effort that counts.

Uma Thurman and Ethan Hawke Were Married

I thought GATTACA was a good movie, but it had a really low energy to it.  Even during the more suspenseful parts of the movie that involved committing felonies and space travel, I didn’t really get that excited.  One of the major characteristics of the society in the movie is its pragmatism.  So while some parts were slow, it all seemed to add to this sort of business-oriented model of living.  In this world, job interviews consist of genome sequencing to analytically hire the most genetically favorable applicants.  By choosing the “best” applicant for a job, firms avoid follies and optimize efficiency in the workplace.  That’s sort of how the story-telling felt to me: straightforward and fairly unemotional, especially considering some of the subplots that were being told.

I do enjoy underdog stories, so it was nice to see the main character end up where he wanted to be.  Though as someone already pointed out, nothing major changed for the society.  This did seem anticlimactic as much of the movie was spent seeing how different businesses function and how individuals of different genetic castes live their lives.  At the same time though, it seemed more realistic and also more tragic to see just a small snapshot of this future world in the form of one person’s story.  The movie does investigate the world, but its main focus, the main character’s triumph, is small and personal.  The lead character’s own concern does not seem to be in line with the concern of the audience.  Instead of worrying about how to completely override the system, Ethan Hawke’s character simply wishes to cheat the system so that he may personally benefit.  In this way, his character is relatable.  His character already has to spend a great amount of time physically and mentally sharpening himself so that he might be accepted into a space program, so the audience can imagine what it would be like to start a full blown revolution.  Still, I wanted to see more of a hint of change for the world that was presented.

Tragedy of Expectation and Failure

The movie GATTACA was not only interesting because of the unique plot line of a society that is founded on the information that can be retrieved from a genetic code but also because of the relationships that were depicted in the film. The relationship between Jerome and Vincent was an interesting situation where the audience can see the resistance that Jerome has while relinquishing his identity. However, he wants to be the Jerome that Vincent has created. Jerome has lost his will to live because he deems himself as worthy of second place, never first. When he sees Vincent excelling in his prospects and succeeding in his personal life as well, Jerome starts to crave his identity that Vincent has fixed. We knew that his suicide was inevitable yet, I still loved his character and it almost brought me to tears to see him end. The general dissatisfaction with what he has become and the bitterness of what he was is what characterized Jerome. His change from being a difficult character to a sidekick didn’t signal that he was getting better. Instead, his cooperation with Vincent goes against his character and made his intentions questionable. He was doing things without being asked and it seems he realized that he became dependent on Vincent. Jerome or Eugene became number two to Vincent’s Jerome and Jerome realized that he is nothing without Vincent. If he cannot supply his urine and blood, Jerome is nothing to Vincent, especially when the spacecraft flight mission was finalized.  Watching Vincent succeed was like adding nails to his own coffin. He was proud of Vincent but mad at his own inadequacy.

Letter to Julia 3/24

Dear Julia,

I certainly can see why Gattaca was chosen for Film Friday event; it checks a lot of good sci-fi dystopia boxes and it’s well made. That said as much as I wanted to enjoy the film, it kept rubbing me the wrong way in small ways. Ethan Hawke is a very particular actor to me–he’s just so specific– and seeing him in a thriller like this one felt jarring. I also thought that generally the film was very melodramatic at points. Example: the incredibly homoerotic swimming race between Ethan Hawke and his brother. I get what they were going for there and I thought it was interesting, but the cinematography and the score and the acting all together distracted–not intensified–the drama. I also thought that the film had some questionable politics about disability. I understand Jude Law’s character’s arc, but it just felt like bad posturing to have the one paraplegic character decide that life was not living due to his disability. For comparison–I think Forrest Gump does an excellent job with the character of Lieutenant Dan. His disability is one aspect of who he is, and his strengths and weaknesses as a person exist both within and without the context of his disability. Jude Law’s character on the other hand seemed like a perfectly capable and interesting person–he spends over a year helping Ethan Hawke assume his identity only to kill himself when he can’t exist to benefit someone without a disability. Beyond that though the entire premise of the movie bugged me. If doctors could assess you through your genes as depicted in the film, wouldn’t Ethan Hawke be a prime candidate for working at the company he sneaks into? The film’s message is that Ethan Hawke’s drive and passion and intelligence are more important than his limitations, but wouldn’t the test at his birth show all those qualities as well? That’s how things worked for Uma Thurman–who also had a heart condition. Furthermore, regardless of Ethan Hawke’s intelligence and wherewithal, I think that a high probability of having heart problems is a perfectly valid reason to prevent someone from going on a perilous space mission. It’s amazing Ethan Hawke could get a spot on the mission despite the adversity he faced, but by being there he could be endangering the lives of his crew and the success of the mission. Even today there are certain physical requirements astronauts need to meet–surely a heart condition such as Ethan Hawke’s would have precluded him even now. Oh well, despite my criticisms I still think the film was worth watching and thought provoking.

Love,

Robert

GATTACA (TGCAAACTGATTGCCAT…)

I’d first like to mention that the title of this movie is ingenious–supposedly named after the city of Gattica, but spelled GATTACA so as to look like a string of DNA. The name actually refers to guanine, cytosine, adenine, and thymine, which are the nucleotide building blocks of DNA. Therefore, the film’s subject matter is known before the movie even starts, and I found that pretty cool.

I also found the subject matter of the movie, genetic discrimination, incredibly relevant. Congress is considering repealing GINA–the Genetic Non-Discrimination Act of 2008–which prevents employers from discriminating against employees, and insurance companies from discriminating against clients, because of one’s genotype. While it is not common for most people to have their genome sequenced or analyzed, it is a fast-growing trend. In my class, Personal Genomics, the Professor made it possible for all 150 of us to have our DNA tested for ancestry. We used a direct-to-consumer genetic test provided by 23andMe, and the group also provides health screening. This means that they can not only trace your DNA back thousands of years across the globe, but they can also tell you whether you are a carrier for genetic diseases (or if you have one). They can even tell you if you have a high chance of getting Alzheimer’s–a disease which currently has no cure. These types of companies will lead to more and more people getting their DNA analyzed for a lower and lower cost, and this is why legislation like GINA is incredibly important.

I’m not saying that if GINA is repealed we will fall into a class system based upon DNA like in Gattaca, but it may well be the first step towards having DNA be an everyday part of the workplace. As for the actual movie, I really enjoyed it. Though it could be argued that Vincent simply aligned with the status quo instead of trying to change the system, I got the sense that the system was so intractable that he would have been unable to do anything. At least he never would have gotten to go into space. And sometimes it’s okay to just focus on fulfilling your dream instead of trying to change the world. I saw how exhausting it was for Vincent to keep up the charade of being a “valid” person, and I think that’s all he had strength for. Changing a set status quo requires a change of public opinion, and that requires numerous people to sacrifice themselves for the goal of making the world better eventually. I’m not saying I wouldn’t have wished for Vincent to somehow tell everyone who he was and still go into space, but I understand why he acted the way he did. All in all, the movie raised important issues that society needs to consider, and the sooner the better.

Expanding My Cultural Literacy

This evening I went to a showing at Cornell Cinema of the Marx brothers’ film “Duck Soup” from 1933. While I had heard about the Marx brothers in multiple history and film classes I’ve taken at Cornell, I had actually never seen even a clip from one of their movies, so I saw this event as a good opportunity to expand my cultural literacy.

At first I was somewhat surprised by the structure of the film and its style of humor. I’d read online that the plot involved Groucho becoming the dictator of a fictitious country, so I was expecting a type of political satire along the lines of Charlie Chaplin’s “The Great Dictator.” Instead the film’s actual plot was very limited and most of the humor revolved around puns and one line jokes with an occasional silent slapstick routine. Initially I wasn’t sure I was going to find it that entertaining, but by the middle of the film I had definitely changed my mind. One of my favorite scenes involved Harpo accidently turning on a radio while attempting to break into a safe. The scene went on for several minutes without any dialogue, but it was actually one of funniest skits I’ve seen in a while.

All in all, I really enjoyed the film once I got used to the style of humor. It was nice way to unwind after a long day of studying and if Cornell Cinema ever shows another one of the Marx brothers’ films I will definitely plan on going.

Gattaca: Could be better

I did not enjoy Gattaca. I found the acting forced, and the writing clichéd. I suppose, based on the subject matter, that this might be the result of intentional stylistic decisions, but I disliked it nonetheless.

I struggled to sympathize with the character of Vincent, though he was ostensibly the protagonist. His character was closed, angry, and one-dimensional. His anger was, of course, understandable, and justified. Because of his “inferior” genes, Vincent was denied the opportunity to join Gattaca, despite being-it would seem from the film-more than qualified. He was forced to take on the identity of another, and suspected of a crime he did not commit simply because of his genetic identity.

While I understand the plot of Gattaca is supposed to be a demonstration of power of the human spirit, Vincent struck me as being a “power feminist”-one of those women who have incredibly successful business careers, and write books about them, and are supposedly feminist icons for doing so, but who don’t really do anything to change the status quo. Vincent made no attempt to change the system in which he lived. Instead, he found a way to cheat. I think that of undermines whatever allegorical purpose the film intended. It seemed like it was saying that discrimination is bad, but so long as you try hard enough (and borrow someone’s blood) you can be whatever you want to be, anyway.

Near the end of the film, there was a moment when the Gattaca doctor revealed he had known Vincent was not Jerome Morrow for a while, and implied Vincent made him believe in the potential of his son. But really, this just proves Vincent could come back from his space mission, say, “Hey everyone, I’m not Jerome Morrow, I’m a normal person”, and actually change a few minds.

I know I am reading a little far into the “meaningful themes” aspect of this film, but as I said, as entertainment, it is abysmal. So I hoped the message the film told would be redeeming.

Gattaca, Commentary on Eugenics and Discrimination

Gattaca, the sci-fi thriller shown at Rose House this past Friday, depicts a “not too distant future” in which society is driven by eugenics and organized hierarchically on the basis of genetic perfection. The film, beyond painting a vivid picture of the social consequences of eugenics, provides potent commentary on the role of discrimination in our society.

While this film is largely about the consequences of eugenics, I think that it truly speaks to a larger issue of systemic discrimination. By presenting such an extreme case of discrimination within this fictional society, the film encourages viewers to be introspective about the discrimination present in their own lives and society. One moment in the film which particularly struck me was when the main character, Vincent, described the various ways in which employers skirt the laws to discriminate against “in-valid”, or not genetically-modified, people. There are a variety of ways this kind of disregard for legality currently exists in our own society, specifically related to discrimination against women or people of color. In the way this connects to our own experiences the film potently displays how, even outside of the context of eugenics, the organization of our society fosters systemic discrimination and marginalization of specific populations. This speaks to the necessity of certain other social changes that are required before our society is capable of using eugenics as a solely beneficial tool, or rather if it is possible for eugenics to exist in our society without this kind of social consequence.

In regard to this concern, the film’s opening quotes present two opposing points on the issue of eugenics in stark contrast;
“Consider what God has done: Who can straighten what he has made crooked?”
-Ecclesiastes 7:13
“I not only think we will tamper with Mother Nature. I think Mother wants us to.”
-Willard Gaylin

On a side note, I take slight issue with the use of a biblical quote to describe the concern with eugenics, because it implies that objection to eugenics is seated in a sort of reverence for humans as a creation of a deity. I think that there are a variety of objections, on the basis of social and ideological impact, to eugenics which are not grounded in religion or necessarily “unscientific.” These revolve around the kind of sociocultural mechanisms which are in place in our society which create an environment which would breed detrimental consequences.

It seems that if there is a place in science and society for eugenics, it must be strictly controlled. If anything, it seems that this film depicts the slippery slope scenario of this practice, and perhaps speaks to the need for some degree of social or political change in regard to this issue and other issues of discrimination. This brings up a strong point about if we should participate in eugenics, given the damaging social practices that such a practice breeds. I would hope that there would eventually be a way to try to help people with the use of eugenics, without creating a damaging sociocultural cycle which creates the kind of dystopia presented in Gattaca.

Glossing Over the Details

Last week I went to the Flora Friday Film night where we watched the 1997 science fiction film Gattaca. I particularly liked Gattaca because I’m taking a personal genomics class this semester which touches on many of the same issues as the film. Of course, the film simplifies many complicated situations in order to send a message, the message being that using gene editing technologies could have disastrous consequences for society. Gattaca told the emotional story of a man who had unedited genes in a world where everyone was designed for a role in life. Since ___’s genes were unaltered, employers would not hire him because it was riskier than hiring someone whose genes were better for the job. Even though there’s no guarantee the gene edited individual would perform better in the job, the simple fact that they had a higher probability of success was enough for __ to get rejected. Despite all its criticism of gene editing and its social consequences, Gattaca did not propose or mention any superior reality other than the current “unedited” world we live. This is because the film was made for entertainment, not for serious scientific or social debate. Most, if not all, of consequences we see in Gattaca can be avoided by government regulation and societal ethical standards. It was briefly mentioned in the movie that employee genetic discrimination was illegal but it made no difference because all employers ignored the law. The two sentences dedicated to this idea in the movie seem completely ridiculous. It’s similar to saying that there’s no point to passing the American’s with Disabilities Act because all employers would ignore the law, which is obviously not the case. No employer is brazen enough to openly discriminate like the employers in Gattaca did; Even if they tried to break the law, we live in the United States, people would sue.

In addition to glossing over possible regulations, the movie didn’t explore the possible benefits of gene editing. If gene editing becomes cheap enough, many science fiction scenarios can become real. Many diseases will become nonexistent, and the average IQ could become in the hundreds, which in itself will have major positive consequences we can’t anticipate.

Overall, I love Gattaca. Sure, I don’t think the dystopia it depicts will become real (or that it’s even likely), but it was a great piece of storytelling that makes the viewer think about issues they might not have if they hadn’t watched the movie.

On Gattaca: Life is What You Make of It

My mother has always told me that life is what you make of it. People don’t start out with the same opportunities, but if you work hard enough you might make it to the top. This is a very American sentiment, its really just the classic “American Dream” story we’ve all heard before. The film Gattaca explores how this great “Dream” would change in a society where opportunities are manufactured through genetic engineering. Vincent is the main character who was born without any genetic modification, and is therefore considered a risky investment for any possible employers. Nevertheless Vincent passionately wants to go to space and is willing to try anything to get there. He eventually assumes a new identity and pretends to be someone with a great genetic profile. He defies the odds and achieves his goals. In the film, Vincent becomes the best worker in the space program through determination and sheer force of will. Near the end of the film Vincent meets his younger brother Anton, one of those genetically modified super humans. Anton asks Vincent how he is able to beat all these other people who on paper should be so much stronger or smarter. Vincent explains that as a kid he never saved any energy in reserve, he always gave it everything he had.

As an audience we look up to Vincent as a hero for the common man. He has no special genetic ability, rather he has what we all could posses, a never give up attitude. There is a hope for us all that we too can strive for excellence and even get what we want despite not having an advantage at the start. This dream has permeated throughout American thought and is seen as a cornerstone of what it means to be American. Of course everything is more fair, and much more desirable, if we provide everyone with the same opportunities, that way everyone can reach their full potential. Unfortunately, the current political situation in America seems to disregard equality so all that we are left with is Gattaca and our hero Vincent. So what should we take away from the film? We need to put all the energy we have into achieving what we want and making America a better place for everyone. We can still progress and get what we deserve even if the government sets up arbitrary disadvantages or takes away our opportunities. America is home to this great Dream, and we can work hard and work together to make things right.

 

Gattaca: Interesting Concept, Poor Execution

This past Friday I attended Flora’s showing of the movie Gattaca. This film showcases a futuristic world in which the use of eugenics has resulted in a society of unequal treatment and opportunity. This is a wildly interesting concept, and thus I expected to be wowed by the film. Instead, I was left underwhelmed by sub-par acting, despite the presence of various well-acclaimed stars including Uma Thurman and Ethan Hawke. Unfortunately, these actors delivered emotionless, static, and scripted characters in whom I was not invested. In fact, even the love story between Thurman and Hawke’s characters was implausible and forced. There was absolutely no chemistry between them, as they barely conversed with each other. Therefore, why should I have to care about their so-called romance? It didn’t even advance the film’s plot.

Furthermore, I was disappointed by the film because there was no great villain to root against and despise. The people of the futuristic society who hired mainly genetically superior people were the antagonists, and I certainly did not agree with their practices. However, they were not outwardly evil enough to be despicable. Once they solved the murder in the movie and justly indicted one of their own genetically superior workers for the crime, that was it! Problem solved! No great battle ensued between the hero (Ethan Hawke) and the villains. Hawke simply went to space and accomplished his dream without serious issue. This movie simply did not sufficiently advance a conflict, furthering my lack of investment in the film.

The other big problem with the movie was that I did not feel sympathetic towards the hero, Ethan Hawke’s character. He had a heart condition and thus faked his identity, disguising himself with good genes, so he could accomplish his dream and travel to space. Although I am certainly not an advocate for eugenics, I still don’t believe that people like Hawke with serious cardiovascular conditions should be allowed to travel to space, as they would be endangering their comrades and themselves. Hawke’s character couldn’t even handle running on a treadmill without nearly dying. Therefore, it’s hard to feel sympathetic and root for Hawke’s character.

Thus, overall, the film left me uninvested, as I didn’t care about the supposed hero, was too apathetic towards the villain, and was underwhelmed by bad acting.

Nature vs. Nurture

What struck me most about the movie “Gattaca” was the notion that society is leaning towards genetically defined discrimination, because I simply cannot imagine a world where we depend solely on what genetic code and machines, however mistaken they may be, tell us about a person. This idea alone undermines the impact that nurture has on people and what differentiates us from machines that can be programmed to do exactly what we want. As a species, we depend on motivation and emotion to drive us besides what we are physically capable of doing. The mere thought that hard work can get people further than natural talent seems to frequently escape the minds of many people. I would like to argue this movie from two perspectives: psychological abilities and physical abilities.

I read a book a few years back, titled “Outliers: The Story of Success” by Malcolm Gladwell, that I relate to the topic of psychological ability. This book introduced me to the theory that genetics and IQ are merely benchmarks of people’s potential. As I recall, the book theorized that a higher IQ can make it easier for you to learn certain things, but after exceeding a certain threshold a higher IQ will provide no further benefit. This speaks for the effort that a person must exert to reach a certain potential. We are not born with innate ability to swim or read, we learn these traits the same way that we must learn other skills for what we wish to accomplish. While I personally believe that a large part of what we are capable of comes from emotional motivation and nurturing of interests as well as talents, I think there is validity to the argument that because genetically influenced traits may be mere thresholds, it is difficult to dictate what a person will be capable of accomplishing from a sequence of genes.

From a physical perspective, I think the movie overlooks the fact that a person born with the slightest chances of illness and disorder may fall into a pitfall of malnourishment or lack of self-care that will influence their capabilities. We don’t see olympic athletes that do not train hard every day or athletes that exclusively eat junk food and can keep up with physical demands. How we choose to take care of ourselves plays a significant role in what we can do. I believe that as long as there are educated people in the world that understand these complexities of the human mind and body, it is impossible to categorize people based on genetic code. Vincent beat the unlikeliest of odds by taking care of himself. He trained for his physical stamina. He studied to understand the logistics behind space travel. Nobody can predict with certainty what can or will happen under the correct conditions.

Cidade de Deus

City of God is based on a true story in the 60s in one of Rio’s favelas, or slums. The film revolves around two main characters, Lil Ze, a notorious drug dealer,  and Rocket, an aspiring photographer whose lives intersect all too often, despite Rocket’s attempt to stay out of trouble. The film is separated into chapters which depict the different stages of the boys’ lives in a crime-driven neighborhood.

To my surprise, most of the actors featured in this film have no prior acting experience which made the film feel all the more authentic and showing of the violence that occurs within the slums of Brazil, and other parts of the world. One of the scenes that resonated the most with me was when one of the ‘runts’, a group of children involved with crime, was caught by Lil Ze. Prior to this scene we see the same child stealing from a local store with other runts, enjoying his spree. The runts seem to see themselves as as adults and arguably act as such throughout the movie, however, in this moment the boy is depicted as what he truly is: a boy. When he is threatened and eventually shot, we see him cry and let out a high pitched squeal, bluntly reminding us that he is only a child. This scene, along with the first chapter of the movie, show us how inescapable crime is for these children. There is no other option. And for those who do seek to escape, it could just as easily cost them their lives. For example, Knockout Ned, a handsome young man who has gone to school, served in the military, and works modestly as a bus fair collector, is suddenly drawn into a viscous brawl with Lil Ze, by chance. After Lil Ze rapes his girlfriend and kills his brother, Knockout Ned is out for revenge which consumes the rest of his days until he is killed by one of his ‘soldiers’.

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Crime and violence within these slums seems almost inevitable, especially since the law enforcement can be just as corrupt as the criminals themselves.

This movie has led me to do more research on the current situation of favelas in Brazil and what has been done since then. Although it can get a bit bloody, I highly recommend it. I’m sure it will also spark an interest for you.

 

 

GeneTiC AdvanTAGe?

Gattaca presents a vision of a future society driven by eugenics, where children are genetically manipulated to ensure they possess the best hereditary traits of their parents. Genotype profiling is used to identify “Valids”, whose genetic perfection qualifies them for professional employment and higher social status.  Conversely, the “In-Valids” are relegated to jobs that serve the former, such as custodians. While such profiling is illegal, the new social system inherently favors those who are deemed genetically superior.

The film follows Vincent Freeman, played by Ethan Hawke, who was conceived without the aid of genetic manipulation. He is thus born with predisposition to several disorders, one being heart disease, and his life expectancy is about 30.2 years. Hawke must struggles to overcome genetic discrimination to realize his dream of traveling into space. The film addresses concerns over reproductive technologies which facilitate eugenics, and the resulting impact such developments would have on society. It also explores the idea of destiny and the ways in which it can and does govern lives. With so much of people’s lives already predetermined (in the early portion of the film, it is mentioned that as soon as you born the manner and time in which the individual will die is already known), Ethan must struggle against society and with himself in order to find his place in the world and challenge the destiny assigned to him by his genes.

I enjoyed the film, and it made me think about my own thoughts on genetic manipulation. I think that anyone would want what would be best for their children. But what if, for example, a couple learns that their child would be born with severe autism or a mutation that would render the child paralyzed? And what if through genetic manipulation, the child’s life could be improved? The film depicted the possible consequences of genetic manipulation, but does it reject all manners of it, if it could improve the quality of life of an individual? I’m not sure that I have an answer. I thought that the film raised interesting questions about conceptions about the human experience, and found Ethan’s journey to be a message that you are more than what you appear to be, and in his case, more than what his genetics indicate.

Gattaca and Perseverance in An Unjust Society

Gattaca is a firm believer in the potential of the human spirit. The society depicted in Gattaca is not unlike the world we live in today. Even though racial and gender discrimination is illegal in the workplace today, this practice is firmly embedded in the hiring policies of human resource departments in companies all across the world. Likewise, Gattaca’s society has an additional glass ceiling based on the genetic fitness of an individual, encompassing traits such as cardiovascular fitness, probability of developing attention-span disorders, and propensity to commit violence. That is where the protagonist Vincent dares to challenge the status quo.

Since a young age, Vincent has been disadvantaged both in society and physically due to being conceived without the aid of genetic selection. He also has big dreams. As he repeatedly looks up at the stars in awe and wonder, he hopes that one day that he will be able to venture into space as a navigator, despite being genetically disadvantaged. Despite his frail disposition, Vincent believes that he is more than his genetic makeup. And so he struggles against the unfair system, impersonating the disabled ex-swimmer Jerome until he can realize his dreams of navigating the stars.

Gattaca presents a moral dilemma through contrasting Jerome and Vincent’s situations. On one hand, the genetically flawed Vincent has had to try harder than all his genetically superior peers for the sake of even having a chance to become an astronaut. On the other hand, Vincent, practically flawless from birth, suffers from his own insecurities of not being a star athlete, despite being in top physical condition. In a society that unflinchingly categorizes the perfect from the flawed, how should people go about living their lives when the perfect ones fails obtain perfection while the flawed struggle to overcome barriers to even be on the same level playing field? And so Vincent eventually reaches for the stars, despite having struggled far more than his peers have while Jerome self immolates, unable to deal with the cruel fate he has been dealt with.

Gattaca does not offer any simple solutions. As parents, one would want their child to have the best traits possible to survive in an increasingly competitive world. But if everyone has that mindset, then what will society do with the children who have been dealt a bad hand of genetic cards? And what happens to the children who were told from birth that they were perfect but who eventually encounter obstacles that tell them otherwise? And so Gattaca looks to the source of inspiration that has led to greatness for the entirety of human history: perseverance in the face of overwhelming odds.

In The Not-Too-Distant Future

This week’s Flora’s films featured the 1997 science fiction movie Gattaca. This was my third or fourth time watching this movie, yet I found it to be just as enthralling as the first time.

The story takes place in the ‘not-too-distant’ future where science has advanced to a point where the majority of humanity consists of ‘designer’ babies. Parents choose traits, like gender and eye color, while the doctors guarantee that the child will not have any physical maladies, like heart disease or myopia. Nothing is left to chance.

The movie follows the story of an outcast who was conceived without eugenics and who must overcome societal genetic discrimination in order to achieve his goal of space travel.

Apart from being a great movie, Gattaca also warns its audience of what happens when science goes too far, a message that is very relevant today. The discovery and research of the gene-editing tool CRISPR-Cas9 indicates that it is completely plausible that we will see the making of ‘designer’ babies in our lifetime. However, a big threat to our freedom and protection from genetic discrimination is much closer than you may think. A U.S House bill aims to mandate genetic testing of employees who will otherwise face penalties, including a rise in insurance price. The House committee claims this will “promote a healthy workforce and lower health care costs.” From works of fiction like Gattaca or Brave New World, it is hard not to imagine all that can go wrong when an entity like the government knows every citizen’s genetic code. It is a slippery slope that is quite frankly dangerous to go down.

In our society, we may be at a point where science is moving much faster than political laws or societal consensus of scientific ethics. It is important to stay cognizant so that we will not end up in a dystopian society, like the one in Gattaca.

Cyclic Corruption

City of God depicts the extreme violence that is present in the favela and how it ubiquitously affects the lives of those in it. I was first introduced to the prevalence of the corruption and violence in Brazil while learning about the topic in high school. However, learning about it through a presentation is very different than seeing the visual aspects and internalizing the effects of continuously seeing dead bodies. The horrors of watching senseless violence become regular and as a result of incomprehensibly minute reasons becomes even worse as we see children cause this themselves. Further, the film depicts how often, the only way of surviving seems to be to participate in the corruption and violence themselves.

While this film was striking and seemed to create a sense of hopelessness, it is not surprising. There are large disparities between cities — a city can be teeming with extravagance while a neighboring city encounters death, corruption, and violence at extreme levels. It becomes more important to realize that these disparities exist so that cities do not become ignored and situations cyclically worsening.

Life in a favela

City of God was probably the best movie I’ve watched in the past year. It was an action-packed thriller, but it also got me thinking a lot about how it’s so difficult to break out of life in the favelas.

In the movie, a gang leader named Li’l Zé built up an enormous amount of power, coming close to controlling the entire “City of God,” a favela in Rio de Janeiro. For young kids, joining the gang was a way to not only be cool but also to make money. There were various different tiers of gang members, from sentries to soldiers to drug salesmen. However, it takes a lot of time for young kids to make their way up the totem pole, and as one of the “Runts,” a group of young wannabe gang leaders remarked, it wasn’t worth it. However, leaving the gang life was also difficult. One of the main motifs of the film was “a hood never stops, he just takes a break.” Once a boy gets involved with the gang lifestyle, it’s often too late. Maybe he gets hooked on drugs, and wastes his money away. Or maybe he’s unable to continue his education, and doesn’t have the skills to find a job in order to make an honest living. It seems that the movie’s message is that the situation never improves in the favela, for it’s clear when the Runts kill Li’l Zé that the cycle will just start all over again.

Choices

City of God was probably one of the most violent and R rated movies I have ever seen. Usually, the R rated movies are overly dramatic and violent, with little authenticity. As the movie progressed, I realized these are real choices people, often young people, make due to lack of mentorship and financial stability. These young men decided to turn to violence and crime in order to survive. Even good and righteous men like Knockout Ned turned to violence due to circumstances. I felt Li’l Dice was in control when his friend Benny was around him. After Benny passed away, Li’l Dice turned to even more violence and ended up raping Knockout Ned’s girlfriend, which I thought was against the gang’s rules. Nevertheless, that showed how important it is to have a positive mentor to watch over individuals stuck in these situations, surrounded by crime, gangs, and violence.

Going Separate Ways

Last Friday, I watch the film City of God. The film depicted the lives of two individuals- Lil Ze and Rocket who grew up in Brazil-and more specifically examined how the choices made throughout their lives, and how different role models, can shape an individual’s future and influence their choices. The first individual, Rocket, grew up to be a photographer that had a long, more-so peaceful life, than Lil Ze. Lil Ze never had a role model, like Rocket had, in his life and as a result, lead a brutal, short-lived life. He sought to prove himself through violence and, as a result, became a feared drug lord. The City of God painted a violent picture of how life worked in the Favelas (slums) in Rio de Janerio during the mid to late 1900s. I feel like this film accurately shows the violence and the quality of life that occurs in Favelas during this time period. The directors of this film, Katia Lund and Fernando Meirelles, used individuals that lived in Rio de Janerio, Brazil as extras in the film. This film showed how drug lords and gang leaders used fear and manipulation to control their favelas, leading to death, rapes, and trafficking. When the police attempted to intervene, this led to shoot outs in the streets between the police force and these gangs. Essentially, police did not have the ability to intervene in these favelas or stop gang wars from occurring. Personally, I thought this movie accurately depicted life during the 70s and 80s in Brazil.

Turfs and Drugs

Last week, GRF Tyler hosted the movie City of God, which depicted the life of two individuals in the same poor neighborhood. One of them became a photographer, while the other became the drug lord. I was pleasantly surprised with how the directors played with the power dynamics involved with drugs. For instance, at one point the main antagonist, Lil’Z, ensured the safety of the local residents by keeping raiders off the streets with his display of violence and cruelness. More interestingly, he achieved this kind of fame through drugs and by doing something “good” for his neighborhood, something that I certainly wouldn’t associate with a drug dealer.

But at the same time, I think the movie reveals a lot of the darker themes in life, especially in poor countries. From the beginning, the police force in their neighborhood didn’t prove to be of much help and many people would often be intimidated into helping the people who have committed crimes. In addition, there was lots of thefts, innocent deaths, and rape, things that plague poorer countries without proper law enforcement. One thing I found surprising was the scene when Lil’Z forced a child to kill another child in order for the latter to prove his commitment and bravery into joining the gang. His psychotic behavior certainly fit his role as the gang leader.

Overall, this movie was a bit too bloody for me, I didn’t really expect to see children killing other children, or children wielding guns for that matter. However, I feel that it depicts a lot of the structure that goes on in these areas run by drug dealers. While the drugs are bad, it seems that during times where there is a prominent leader, people benefitted from the “crime” control as opposed to what local law enforcement could do.

The World of Privilege

“Does anyone know how to write?”

That simple line from the end of the movie, when “The Runts” took over the City of God, could pretty much summarize my perspective on most events. It is clear from the very beginning of the film, The City of God, that the only reason Rocket (AKA Wilson Rodriguez, photographer) was able to escape the pull of the gang wars was the constant pressure to stay on top of his school work and the fear of being killed from involvement. One could even argue that if it wasn’t for the ties to his deceased brother, he would have eventually wound up in a gang himself. However, he was pushed to devote himself to school and obtaining an education in order to obtain a better life — the better life everyone was striving for. In a place where access to education meant not having enough food to eat, because it took away time from making a living, and the lack of mobility in social class without education, you had to pick very early on what your future was to be. You could struggle to make a daily living or join a gang and be part of the action. The people portrayed living in these Brazilian slums were simply thrown away and forgotten along with all the problems they brought with them. If someone had taken notice of the safety issues and corruption within their small society earlier on, many of the violence issues could have been prevented. All anyone wanted was the hope of moving up in society, and without being educated, violence was the medium through which they all obtained power.

For those of us who do not have to make a choice between survival and education, the choice is a lot simpler.

City of God

I don’t think I’ve ever watched violent movies on my own but, this was definitely one of the better films that I have seen. The idea of crime retaining a type of order in an area that has the full potential to be completely lawless. City of God depicts how, when in need of resources, people can start equating actions with survival, regardless of any moral restrictions that others have the time to worry about. I liked the idea that what can be perceived as morally wrong for some can provide life and order for others. The movie followed the idea that you cannot just read a label and determine whether it is evil. For example, most people think of drug cartels as evil and they are…to an extent. In the context of this movie, Li’l Ze was this horrible character but as long as he was in absolute power, there was peace.

Another aspect of this movie that I liked was that wrongdoings will always breed more wrong to come. Li’l Ze was an awful character from the introduction of his character and he does nothing to redeem himself. Thus, it was not a huge shock in how he died by the hands of his enemies/child soldiers. However, the transformation and fate of Knockout Ned was interesting. Knockout Ned was humiliated by Li’l Ze, his girlfriend was raped in front of him, and his family was killed. Regardless of his initial intentions of being a righteous character, Knockout Ned was also contaminated by the business he was involved in. Although he never became the merciless character that Li’l Ze was, Knockout Ned lost his path on the way of getting his revenge. The wrong done to him was continued by him to inflict another and that led to both his and his victims’ downfall.

 

Rule of Law

Before watching the film City of God (2002), I had known very little about the slums of Rio de Janeiro. However, what surprised me even more than the conditions of living was the lack of police forces in the City of God. The ability for crime and injustice to prosper was limitless, and as a result a lot of people suffered from any strong foundation of law and order. So, during the point of the film when Lil’Zé started to take over a majority of the City of God, it became very interesting to see a sort of make-shift hierarchy transform the community as a result of the actions of a murderer. Crimes of rape, theft, murder, and other serious crimes were harshly punished, and to some degree, for a time, order was reached.

This to me is a very interesting demonstration of a character like Lil’Zé. A murderer with a psychopathic personality, it would be easy for filmmakers to simply show him as pure absolute evil. Yet, there are glimpses of humanity in him. The death of Benny causes extreme pain to a man who feels no emotion when taking away the lives of others. He also bans the crimes that he himself commits, somehow determining that its incorrect for others to steal, rape, or murder, while excluding himself from those constructs. The audience will definitely not empathize with Lil’Zé, in fact, on the contrary. There is no ambiguity in the matter that questions whether he is a good person or not, he most certainly isn’t. But the very small contradictions that do occur make Lil’Zé seem like he was a real person. In that essence, it was extremely interesting to watch the actions and motivations behind Lil’Zé, as well as disturbing.

the good, the bad, the bad, the ugly, the ugly and the ugly

Before the movie began, I had wondered if it was based on true events. At the end (or was it the beginning?) there was that familiar line of text, “Based on a true story” or some variant of that. Doing a quick Wikipedia search right now reveals that the film is loosely based on true events. However, if the depiction of the level of violence is accurate, I’d be unpleasantly surprised. As the violence began ramping up in the film, I was reminded of reading online about the violence in Brazil (I’ve read grisly mentions of LiveLeak videos from Brazil, I’d recommend not Googling them). I couldn’t imagine living happily in a place like the film depicts.

One thing I found very interesting is how the most powerful gang leader in the city (Little Z) was depicted as being respected and even liked by the locals. Even though him and his gang peddled drugs and murdered, it seemed the people in the city gave more weight to the fact that he seemingly beneficently established rules that rape and robbery would not be tolerated in his “territory”. Perhaps because this kind of semi-organized crime is so normalized at this point in places like the city depicted in the film, people in these places just accept these crime lords and learn to look at them somewhat favorably.

This may seem an odd thing to focus on, but it stuck out to me because of a memory I have from Spanish class in high school. I lived in the southern tip of Texas in a city that shares a border with Mexico, where the majority of the population is Hispanic. Nearly everyone spoke Spanish, so the Spanish classes were not taken seriously at all, by neither the students nor the teachers. I ended up with an A in Spanish 1, 2, and 3, and I somehow don’t know how to speak Spanish. One distinct memory I have from Spanish class is when one day our teacher was talking about some iconic drug lord who was still at large in Mexico at the time. She related stories she’d heard of how he would appear unannounced in restaurants to have a meal. His goons would go around and collect everyone’s phones so that no one could call the police, and no one could leave while he was eating. After he was finished, people’s phones were returned and he would reportedly pay for the meals of everyone in the restaurant before leaving. The way she spoke of him stuck in my head, and I think of it every now and then. To me it seemed that she was actually praising him, and it seemed that other students shared her sentiment as they chimed in with their own stories of how magnanimous this guy was. I was appalled, and I was reminded of this as I was watching the film. GRF Tyler shared a Facebook post of a quote from a Brazilian man who grew up in a city like the one in the film, and even that gave off the vibe that the people in his city actually seemed to respect their crime lord for the little good that he did.

The Matrix, but Without Going Full Plato

An ingenious way of introducing possibly life-changing perceptions of reality, The Matrix pushes one to explore philosophical questions challenging ideas of fate and the “self” all the while entertaining the viewer with crazy action sequences and visual effects. I believe this is one of the reasons The Matrix stands as a movie favorite. Without being a complete esoteric arthouse snooze-fest, The Matrix tackles the whole “Is this the real life… Is this just fantasy?” with some snazzy characters and exciting narrative following the storied “chosen one.” As for what to particularly think or focus on while performing the mental gymnastics of grappling with the film’s philosophical side I can’t say as I believe one benefits the most from these types of experiences when they develop their own thoughts and understanding of how ideas they encounter impact their own life.

So ignoring all metaphysical ramblings that bringing up the phrase “the matrix” inevitably invites, let’s talk about the awesome experience of the other eighty percent of the film that even put this thing on the radar in the first place. Assuming you can get past Keanu Reeves’ signature acting style, The Matrix is beyond exciting as it’s first and foremost an escapist film for viewers. Any engaged viewer would take pleasure imagining themselves in the position of the hero who fights against the system in a world with no consequences and infinite possibility. No really—imagine that. You can fly, dodge bullets, resurrect yourself, and actually rock tight leather. Dream world if a movie could ever capture one. The movie creates a sandbox world that only the exceptional “free-willed” individual can fully enjoy, where all is permissible and nothing impossible. The ability to live outside certain physical and social confines delineated by the world we live in strongly appeals to the idea of independence and self-determination. A sort of rebellion against the dreaded status-quo, the film allows one to celebrate their eccentricities as identity defining and declares it our individual “superpower.” Even a programmer in his cubicle has a special, even empowering, uniqueness to him.

The Matrix is the type of movie where anyone can enjoy the cinematic mass marketing points as well as the underlying implications of the plot. You’re told being different is good and to resist against assimilating is to achieve some higher form of existence. At the same time you can enjoy the film that popularized “bullet-time,” featured, creative combat choreography, and displayed some high quality visual effects all to a pretty sick soundtrack. The plot and cinematography allow the film to stand on its own, and with the complexity introduced by the film’s invitation to more serious introspection The Matrix becomes a complete film that deserves to be called a classic.

No one knows anything in the City of God

The movie City of God pictures a slum called City of God in Brazil that is continuously affected by gangs that are in control of drugs and guns. At the beginning of the movie three of the people this gang seem to have good control of the slum. They loot and rob local businesses and share some of it with the members of the city in return of protection. One time they decide to rob a motel and tell one of the younger members Li’l Dice to serve as the lookout for the police. Instead what he does is that he shots everyone in the motel. This takes the police’s attention a lot and that’s when things start to get worse in the city of god. People tell the police that no one knows anything and a lot of innocent people become arrested and killed because of this incident.

 

Throughout the movie there are many instances in which children and very young people get involved with drugs and guns. At some point in the movie the neighborhood seems to have relative peace with the existence of one gang. It looks like both the nature of drugs and the presence of the police are making this whole community fall apart. One of the points that our GRF asked us to think about was that if it was better for that whole community to be under the control of one gang or for the police to try get control over the whole neighborhood. This question’s a hard one for me to answer. At first place, I would probably say for the police to take over. However, the police in this movie were so corrupt that they were making the matter much worse. Overall, I don’t think in long term for the gang to take control over the area would result in peace cause the gang was kind of destroying itself from inside.

 

The reason I thought this whole community was falling apart was because fear and the distrust between the people and the government. The fact that everyone is trying to hide everything they know because of the fear of a corrupt government was both making it worse for the people and the government. Closer to the end of the movie, the brother of one of the old gang Rocket members gets an internship with the newspaper because he takes a picture of the head of the gang Li’l Dice in the City of God where no one even dares to go. Rocket after getting the internship even secretly takes pictures of the police stealing Li’l Dice’s money and letting him go and Li’l Dice being killed. He eventually decides not to publish the picture of the police. Even when Rocket’s in a position that can reveal information decides not to; this is the whole reason everyone is suffering no one knows anything and everything has to remain a secret.

Even if it’s a dream, it’s a dream worth living

After the movie Matrix, we were asked one question: was the main character in a dream the whole time in order to prove himself that he was a hero? The movie asked a lot of other questions. Is our life a dream? Can our society be so ridged that it acts as a cage upon our free spirit? Can we break out of this cycle to live a “freer” life?

While I feel as though I should be scared about these life questioning questions, I really am not.

Even if our life is a dream, we should still live it fully. Unless we get a trigger that senses that there is a world out there, unless someone offers us the pill to learn the truth, we should always try to life our life to the fullest under the current constraints. By saying that there isn’t a point in doing anything because the world we live in isn’t the real one, it doesn’t make your dream fulfilling.

However, I think the question we should ask is how to live our life to the fullest. Since we only know this life of ours, we should life it to the fullest. That means questioning what is holding us back from our full potential. In this way the movie actually teaches some very valuable life advices. For example, when Neo is learning to jump and the advice is that unless he completely believes it, he won’t be able to do it. Unless we completely believe we can accomplish our goals, the goals will always just be dreams. It is also important to look at life and try to look at the possibilities it can bring beyond the day to day grind, to look at see what potential it can bring. Perhaps the money of structure and materialistic achievements isn’t everything.

The key that the Matrix taught us is to live your dream to the fullest but also understand how you can break out of the dream.

The Little Things

Last Saturday, Cornell experienced its typical Saturday — the snow was falling, the wind was angry, and there were at least a few students exhausted by the week. Yet for almost an entire two hours, an entire audience laughed nearly continuously at short cat videos compiled by a Will Braden. Going into the event, I expected to fall asleep at least once, because despite my affinity for cute things and natural exclamations when I see them, I hadn’t slept. Additionally, I have never considered myself an animal lover. However, at this event, these two hours brightened my, and I’m sure, many others.

At this event, Cornell Cinema was packed to its max, with a large part of the audience filled with children. As we saw cats make poor decisions, show their fear, pounce continuously on objects, and warm our hearts, it reminded me of how comforting it can be to see the silliness of ourselves in others. In this event, I heard laughs from adults and students as loud as any other laugh from the children. While of course we all strive to maintain our humor through our lives, it can sometimes be strained by the activities that worry us in our daily lives. The carefree ability to laugh uninhibited, and be amused by pets was a reminder of how little things in life can truly make our day better if we let it.

 

How to Run a “Charity Event”

I did not attend the Cat Video Festival because I wanted to watch cat videos.  I mean, I like cat videos just as much as anyone who has ever been on the internet.  I spend an inordinate amount of “studying” time watching cat videos.  I have seen all the famous cat videos.

I went to this event because I heard that it was sponsored by the Tompkins county SPCA and the Cornell Feline Health Center.  My entire childhood, my family and I were very involved in our local humane society — we did all the fundraisers, we fostered kittens over the summer, we volunteered at the kennels.  I’ve cleaned all the litterboxes, gotten all the scratches, and seen all the happy human and feline faces when a kitty goes to a new home.  Sometime in high school, though, that all ground to a halt.  We moved into a smaller house with only room for our own cat.  I was in band and NHS and IB/AP classes and all the crap that kids do to get into Cornell, so I couldn’t make it to the shelter every week.  Etcetera.

So, recently I’ve been wondering how I could go about getting involved again.  I don’t know if I would have the time and I don’t know how I would get all the way out to the SPCA regularly (the annex is in the mall, but the main building is apparently out by the Ornithology Lab).  I don’t even know if they accept volunteers, but regardless it’s something I’ve been thinking about.  The Tompkins County SPCA website is currently under construction, and has none of the relevant information.  So, I attended this event hoping to learn more about the organization, get information about how to get involved, and maybe even make contact with any staff members present.

Unfortunately, that’s not what the event turned out to be at all.  There was no SPCA representation.  Instead, I got to suffer through 20 minutes of small children being told to perform things like a “sexy meow”.  We learned some useless trivia such as how many toes cats have.  Then we literally just watched an 1.5 hour-long, mediocre compilation of cat videos.  (The videos themselves were fine, I just thought they were edited together somewhat haphazardly.  I thought the division of the videos into “genres” like action/adventure was peculiar, some videos were shown without proper context, some had repetitive content, and some inclusions I thought were just odd.  “Boots and cats” beatboxing, while mildly entertaining the first time you see it, is not a video about cats.)  Aaaand then we stood up and left.  That was it.

Now seeing as the average age of the audience was about 8, I understand that some of the topics that I expected to hear about may not have been appropriate to cover.  For instance, it might be frowned upon to tell a bunch of five year olds that 1.5 millions shelter animals are euthanized per year, because then you would have to explain euthanization and, you know, death.  The importance of spaying/neutering might have been left out because then you might have to explain where babies come from.  A moving video with graphic depictions of animal cruelty would probably have been out of place.

However, there were so many other important things that could have been talked about!  This event had (at least for the first 5 minutes or so) an entirely captive audience of largely children, and they didn’t think it valuable to actually teach those children ANYTHING about animal adoption?  Or the local shelter?  Or even cat ownership in general?  There was one singular video in which an owner advised getting an animal from a shelter and not a breeder, and that was the most useful part of the entire event.

How many animals enter shelters in the US per year?  How many are adopted?  What do you do if you find a stray animal?  Make sure to get your pets microchipped and vaccinated.  Don’t feed your cats milk, and use break-away collars.  Most shelters take donations of food and supplies as well as money.  Many shelters take volunteers, including children with parents.  It would have been wonderful if at least a minute or two was used to show pictures and videos of the cats currently available for adoption at the SPCA.  For god’s sake, pretty much the only thing on the local SPCA’s website at the moment is a bulletin about a camp specifically for kids 9-12 about learning how to take care of animals!  But no, no mention of that either.

10% of the proceeds from the event went to the SPCA, which is nice.  I do have to wonder where the other 90% went, but then, I’ve never run a charity event so maybe 10% is a realistic goal.  In any case, it seems like they could have raised far more money with any amount of additional effort put into the actual fundraising.  What about selling cat toys/bowls/collars?  Selling t-shirts and stuffed animals from that store they were partnered with?  Cat face painting?  Bake sale?  Maybe none of those things could have been profitable, I don’t know.  But for god’s sake, they didn’t even take approximately 3 seconds to ASK THE AUDIENCE FOR DONATIONS!

This event could have been a wonderful platform to teach an audience of largely children all about how they can take care of their animals and get involved in their community.  Instead, it was a mindnumbing 2 hours of squealing over how cute cats are, with absolutely no regard for how we can make their lives better or care for them properly.  The organizers of the Cat Video Fest seem to have put absolutely no effort into make this event in any way informative or valuable to the community.  In fact, is it possible to put NEGATIVE effort into making an event meaningful?  Because it seems like it would had to have been a deliberate choice to hold an SPCA benefit that doesn’t even once MENTION the role of the SPCA.  To conclude: have I learned something from this event?  Absolutely.  If you can get ~600 people to attend a charity event, then you have a wonderful opportunity to give those people helpful information about your cause and get them excited about your organization.  Do not squander that potential.

Urban Fabric in City of God

This was my third time watching the City of God, and with each viewing, I find that the film reveals a little more about itself; the dense, active, and chaotic space is somehow always punctuated with moments of clarity that interweave themselves in the urban fabric. De-centralized and continuously expanding, favelas are somewhat of an urban phenomenon. There is a self-organized spontaneity to them that inherently includes a logic of diversity. I was especially interested this time in following how the camera works with and/or against this urban fabric.

Within the film, architecture serves the purpose of facilitating fluid camera movement from one space into another, from one doorway through another, acting as stand-in facades that function not so much as set design as they do as tools to frame characters, as vignettes that introduce individual portraits of people in constant states of dislocation and relocation. The running camera immerses us into the layered dynamics of the neighborhood—the density as well as expanse of it. It follows one character and lands on another as the voiceover helps us transition between characters. We move quickly in and out of a lot of places, we witness many events, and as we remain confined on the microcosmic level of activity, we become even more aware of the macro systematic problems of gang violence and power vacuums.

When you can finally say you’ve watched The Matrix. . .

Whenever my friends would ask me if I’d ever seen The Matrix-and I responded no- they’d react as if I had sinned! To be honest I hadn’t even heard of this movie until 8th grade. So when I heard they were going to play the movie, I just had to go and see what all the fuss was about. I really expected more. I could understand why the film was so successful and why its legacy still continues, however, it really didn’t impress me as much as I’d expected it to (I guess a major reason why is because I’m watching the film 18 years later).

Here’s why:

The graphics seemed tacky and outdated (again, mostly attributed to the fact that I’m watching this 18 years later). The slow motion scenes with the ‘futuristic’ music playing in the background and the overdramatic pauses and lines just didn’t sell it to me. I think the most laughable scene was when Trinity and Neo had their major battle against ‘the bad guys’, in which of course, not a single shot hit them, despite their overexposure. Considering the movie started with a complex idea, I kind of expected it to end with a more complex scene. . . not just a fight scene. I also didn’t appreciate Trinity’s role in the movie. Yes, she seemed like a badass and a woman in control of her own destiny, but throughout the film she was a very static character with short lines throughout different scenes. Her only purpose was to ‘save’ Neo and confirm that he was the one.

Perhaps some of you may argue that I lack taste or appreciation for what this film represents, but here are some things I did like:

I appreciated what this film could symbolize. We are all so consumed within this ‘matrix’ living our lives day to day without stopping to question why and what could be beyond. What is our role within this capitalistic society? Are we just machines to meant to produce and maintain larger corporations and entities? If it came down to it, would we be willing to choose the pill that exposes an ugly truth or the pill that allows us to live blissfully ignorant? As constantly emphasized within sociological teachings, societies create their own social constructs which we perceive to be reality. But what would be of us if we were able to bend the spoon? What if we were able to recognize that the spoon is just a product of our imaginary creation and the only reason we can’t bend the spoon is because our social construct tells us we cannot. Now this, this was interesting.

Similar to works of literature and art, I could see how this film might have inspired other films and stories that follow this narrative (i.e. I thought a lot about Inception). I understand why this might be such a staple film.

Regardless, it’s satisfying to finally be able to say I watched the movie (and be able to understand all the memes related to this film).

Reality?

 

The Matrix could very well be a construct designed to save humanity. It could be that “The Machines” were originally created to nurture and help humanity. Humans, paranoid as ever, were the ones to first open fire upon the Machines. They rendered Earth uninhabitable, blackening the skies and salting the earth with radiation. Realizing that humanity’s greatest threat was humanity itself, The Machines encapsulated all of Humanity within its digital confines. The Machines knew that human mind would deteriorate if it didn’t have the illusion of Free Will, so The Machines created the original Matrix.

The original Matrix, as Agent Smith noted, was a paradise. It was also a disaster. Skeptics began to doubt the reality they lived in. Their world seemed too perfect, and to some people, too much of a good thing without any sort of bad thing as a consequence is wholly suspect. The Machines realized that humans needed struggle and adversity in the Matrix in order to make it more believable.

“But hold on just a second, David. Did you miss the half of the movie where, you know, they’re in the ‘real world,’ and the Machines are pretty clearly trying their darnedest to murder the living crap out of Morpheus and company?”

Then comes the question: How would you know if the “real world” was, in fact, “real?” One of the goals of the movie is to make people question everything. However, when faced with visual evidence on the screen and verbal evidence from Morpheus and company, most people would assume that the Hellscape known as the “real world” was the true reality.

Could it be that the “real world” is simply another Matrix, designed for the skeptics? Those who continue to doubt The Matrix are shown the truth… or so they think. It could very well be that the Machines had created another world, just for the cynics. If this were the case, then The Machines hit the mark: not a single Rebel ever questions the reality of the “real world.” It certainly looks hostile, and humans are definitely on the back foot. If strange things happen in the “real world,” then hey, maybe life outside of the Matrix is just supposed to be like that.

The real world is a Matrix. The “real world” is another Matrix.

Some people might agree and some people might disagree with my view. But the beauty isn’t in the agreement or disagreement.

The Matrix is an exploration into the concepts of Solipsism: nothing is certain but one’s self. The Matrix encourages anarchist thought, a discourse on the insular, docile mindset of the complacent citizen. The Matrix demands that you question everything. The Matrix insists that you are paranoid, and this is all an escapist dream. The reason why The Matrix is such a work of art is because one’s interpretation of the movie gives insight into one’s psyche. The reason why The Matrix is a masterwork is because it’s a positive feedback loop which takes in questions and outputs more questions.

There are no right answers. Only more questions.

Perception is Reality

My first time watching the matrix resulted in a questioning of reality, right and wrong, and annoyance at the portrayal of the only female character in the film.

Neo is faced with a choice to either take a red pill and be aware of the matrix or take a blue pill to return back to the matrix, ignorant of what the world truly is. When I first considered the decision, I decided on the red pill because it seemed like the right decision. After all, it was the decision the courageous protagonist made. Shouldn’t truth be valued above everything else?

After thinking about it, even though I value the truth in knowing what reality is, it’s not right for one person to decide the realities of many. Though Morpheus is a hero I respect and admire, perhaps his unending search for “the one” is not a worthy goal. Reality is what you make it. And unearthing the reality of the matrix throws an entire system into chaos. What I see facing the humans when they wake up is not more real, and it’s certainly less happy and certain. The red pill is overrated and taking it shows inconsideration of the fate of humanity as a whole.

Blue or Red?

Last Friday, I watched The Matrix for the second time at the Flora’s Films event. After finishing the movie, the GRF, Magdala, asked us whether we would’ve taken the blue pill or the red pill. This is referring to the scene where the protagonist, Neo, is offered two options: the blue pill, which allows him to forget everything about the Matrix and go about his ordinary life blissfully unaware of the real world, or take the red pill, learn about the truth behind the Matrix, and lead a life filled with struggle against the sentient AI focused on imprisoning the humans.

I voted to take the blue pill, and I was surprised to see that very few of the audience raised their hands to signal they would do the same. There was a much larger response to take the red pill instead. I wonder how many people who voted for the red pill would actually be willing to leave behind their friends, their dream of graduating from college, their life at Cornell. Personally, my life seems real enough for me, so if this is indeed just a computer simulation, it’s a pretty good one. I enjoy living my current life, so I’m frankly not interested in leaving it behind to join a struggle that it appears I will be on the losing side of. Maybe this is selfish, but I bet there’s a good chance that the AI is right about this one. Perhaps humans are indeed viruses and it would be better to have the computers take over. Just take a look at what we’re doing to our planet.

The Power of Artificial Intelligence

Last week, we watched The Matrix, a movie that talked about a simulated world for humans as their physical bodies were harvested for their body heat. Considered as science fiction, it showcased the advancement of artificial intelligence, which eventually overpowered the humans. And while the point of the movie is to address life in a simulated world, I have more interest in the technical side of things, specifically the artificial intelligence.

Having studied computer science myself, I always hear about advancements in the AI field, whether it’s AlphaGo beating a world champion at the game Go, the development of self-driving cars, or technologies that learn to recognize animals in an image. And in the movie, a character named Mr. Smith is a program designed to remove defective programs as well as maintain the stability of the matrix. However, after being eliminated by the main character, Mr. Smith becomes a virus and ends up wanting to challenge the matrix itself. I think that this was an interesting point because scientists like Stephen Hawking have expressed concerns about AI eventually becoming smarter than humans and possibly taking over. Could developed AI potentially take a turn for the worse and be like Mr. Smith?

And coupled with the uprising of virtual reality, which helps simulate digital environments through a combination of hardware and software, are humans not becoming capable of building their own matrix? With these new technologies, I think it’s clear that we’re not living in a virtual world, but this movie has certainly served as a gateway for many people to relate to on a daily basis. Since life seems so normal, is everything being simulated? Would we ever know? Who would be the first to find out?

I find it interesting that years ago, no-one would have thought that humans could be this close to creating virtual worlds like the matrix. And while I personally don’t believe that we’re living in a matrix, this movie has certainly left me entertained from the start.

Which pill?

In the movie the Matrix, Morpheus explained to Neo that the Matrix is a world where humans are unknown to external influence on them. He then gave Neo an option to pick one out of two pills: a red pill and a blue pill. The blue pill makes you believe whatever you want in the Matrix world.  The red pill brings you back into reality. If I had to choose between the two, I would perhaps choose the blue pill. I want to see how life would play out in the Matrix world, the world where I can live a happy life. I would rather be happy in a fake world than be unsatisfied in the real world. As we realize that there are external influences affecting our daily lives, we wish to take control of them. However, that is very hard to do. But in the Matrix world, you are unknown to the external influences on you, therefore you lead a happy life.

 

Are We Living In A Matrix?

Last Friday, I watched the movie The Matrix which is a science fiction film produced in 1999. This movie was based on the early philosophical thoughts of Rene Descartes. He created a thesis on the ability to think for oneself. He felt that some experiences-especially sensory ones- did not always match reality.

The Matrix is about the main character, Neo, and his realization that he was living in a computer-generated dream world. His reality is not reality at all, but a dream world. During the film, Neo meets Morpheus who is the leader of a resistance group that is trying to combat the machines and break the matrix. Per the movie, machines put all human beings into a matrix as they are farming humans for energy.

Today, influential individuals such as Elon Musk feel as if we could be living in a matrix-like world. Some individuals feel that there is a very slim chance that we are not living in that type of world. The possibility that we are living in a matrix-like world is still being explored. Either way, the movie, The Matrix explores a controversial topic that we are living in a machine-controlled world. Overall, the movie was very interesting and fun to watch, though as I still do not completely understand it, I would recommend watching it again.

Simulation=Reality

Last week I went to the Flora Friday Film night where we watched the 1999 action film The Matrix. The Matrix is one of my favorite movies; I’ve seen it maybe 10 times. While its priority is obviously things like gunfights, stunts, and car chases, The Matrix brings up many classical sci-fi and philosophical themes. Real life philosophers argue about some themes gently touched on in The Matrix, like the notion that the world we live in is merely a simulation by a more advanced race.

There are real theories and scientific efforts to test whether or not we live in a universe that’s simulated by humanity in the future as an experiment to learn more about their past. Even Elon Musk, a prominent figure in the technological world, believes these theories to be true. I also personally believe it to be true. If we are to assume that running in a simulated universe is possible, then there’s no reason to believe that a civilization would conduct only one of these simulations at a time. Instead, they could run 5 or 10 or millions of simulations concurrently, all experimenting on different things by tweaking different laws of nature or creating different situations in those universes. Given the sheer numbers of simulations available to a civilization, a disparity arises between the number of real universes and the number of simulated ones. Therefore, the probability of us being randomly placed in a simulated universe is higher than being placed in a real one, simply because there are more simulated universes than real universes. In the end though, the debate doesn’t matter. It is incredibly difficult to test whether are universe is simulated or not, though some are trying. If we were to discover whether it’s real or not, it would make little difference. Our lives would continue as they have so far, and the physical laws that our universe follows would not change.

In addition to the theme of what is reality, The Matrix excels at its core goal, action. This movie has become a classic in western culture, with references to things like Neo dodging bullets in slow motion or Morpheus jumping through rain on to a helicopter available all over over the internet and different media.

Red or Blue?

Although I have watched The Matrix (1999) multiple times, as with any good movie (in my opinion) there is always more to be seen or analyzed with each viewing. One characteristic of the film that I found very interesting was the concept of the red and blue pill and the perspective the film took on heroism. For those who are unaware of the red and blue pill, taking the red pill will bring you out of the matrix, while the blue pill will sedate you and bring everything back to “normal”. The film paints the heroic option as choosing to fight for the real, to bring oneself out of the matrix, and fight the evil army of machines enslaving humanity.

Yet, the ultimate question starts to discuss the difference between the world of the matrix, and the world as it really was in 1999. Most people can agree that in order to live in society, in the real world, we are required to work. Our basic necessities are fulfilled by helping the machine of society operate, through a multitude of different jobs and responsibilities. But, even in a first world country like the United States, a vast majority of people are forced to worked for small amounts while the few in power reap the profits. Is working 10-12 hours everyday, without vacation days, without health insurance, without other benefits or retirement plans freedom? Is the system that our country operates upon that different from the world of the matrix?

Of course, the main difference is not how the world operates, but how machines are taking advantage of all human lifeforms and using their body heat for energy (which by the way wouldn’t work, but who cares). It seems that even though the world and the experience of living in the matrix is mostly the same, and probably even safer in the Matrix (there’s no chance of world destruction, nuclear war, pandemics, or giant asteroids), simply the idea that the world isn’t real makes people want to escape.

Therefore the choice of the red pill is something more than simply escaping the matrix, it is a comment on the human disposition to want to have control of one’s destiny. People seem to rather live in a cruel world where they know their decisions can inflict real outcomes than live in a false reality where they know their actions cause no consequence. Ultimately, we as a species want to mean something, it isn’t just about our comfort and happiness, but our consequence.

Cat Videos: Good when they’re for a good cause.

One day during finals last fall, I got a text from my mother. It said “Look who I brought in from the cold.” Attached was a photo of a black cat. According to my mother, the cat was feral, and had been poking around the house for couple of months. It was one of the coldest days of the year, so she had brought him inside, worried he would freeze to death.

My initial reaction was something along the lines of “ha ha ha, you really think you’re keeping that?” Little did I know, because a little over a year later, the cat who came to be known as Midnight is still happily sleeping on the back of our couch.

Our relationship with cats is weird. Dogs were bred to herd livestock or pull sleds; we brought them into our lives for a purpose. But what do we get out of owning cats? I can tell you that it’s not pest control; if you’re cats are anything like mine, they love nothing more than to bring dazed mice into the kitchen, drop them on the floor, and stare confusedly while they dash to safety under the oven (why is the thing I’m trying to murder running away from me?) If you really think about it, the only thing we get out of the human-cat relationship is cat video worthy moments of humor.

Our relationship with cats brings out the best and the worst in us. On the one hand, a lot of people, my family included, really love their cats. On the other, as cat videos bear out, we also seem to really love torturing them. What are cat videos, really? A lot of them are humans purposefully annoying cats, or scaring them. We love our cats, but it doesn’t seem to bother us to do things to them that they cannot possible enjoy (see attached photos of Midnight in outfits). What we have with cats is not so much a symbiosis as a truce.

And yet, if the relationship between humans and cats is a conflict, we clearly have a massive strategic advantage. We put down millions of cats every year, and millions more are in shelters. I argue that, if a cat’s choices are living in a metal cage for most of its life, or living with a human who’s cool for the most part, but sometimes provokes a war with the CD tray to film it and put in on the internet, the choice is pretty clear. If cat videos help cats find loving homes, more power to them

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Fantasy vs. Reality

As someone who just watched this movie for the first time on Friday, I felt as though The Matrix posed more questions than it answered, in similar ways that Inception did. It all comes back to choosing what we believe is our reality, and what we have control over, versus what our dreams or fantasies are. Neo chose to believe that his reality should be the one where he had to fight in order to save the world, despite his doubts about why he was chosen and if he would be able to live up to the task. He chose to believe in something that was difficult for Cypher to cope with, which is why Cypher betrayed Morpheus and his crew. Cypher did not want to believe that there was little hope of survival and living under constant threats. In his confession scene with Mr. Smith, we learn that he would much rather have the “fantasy” word once again become his reality. He decided that ignorance is bliss and he could enjoy his life more freely without consciously knowing that other people were constantly influencing him in what he felt were acts of his own free-will. This seems a very relatable struggle for many of us on a day to day basis. What does our personal reality consist of? Do we choose to acknowledge the hardships we see others struggle or does the ability to compartmentalize allow us to keep our fantasy world existing despite the wrong doings we witness in the world?

On the other hand, an argument could be made that education and the pursuit of knowledge is the equivalent of our “red pill” in the real world. We try so hard to understand everything that happens around us, and keep going deeper into the rabbit hole, out of sheer curiosity to explore the world. We know that the steak we eat is not just delicious without reason, but the way our brain perceives olfactory chemicals being emitted by our food and taste chemicals binding to our taste buds. I think everything can keep its wonder, despite how harsh reality seems at times, if we allow ourselves to keep an open mind and be amazed by what we know rather than turning a blind eye and opting to feel disillusioned.

Would I actually take the red pill?

In The Matrix, the protagonist, Neo, lives in a world simulated by machines. At one point, he is asked to take one of two pills the blue pill or the red pill. To take the blue pill is to stay as he is, living in a simulated world. To take the red pill is to know that he lives in a simulation.

This is the second time I’ve seen the movie, but Magdala asked us all an interesting question: which would you have taken? Originally, I had thought that I wanted to take the red pill, because I, as curious humans do, generally want to know things. Also, I thought it’d be fun to try to save the world. But have you ever heard of the phrase “What you don’t know can’t hurt you”?

If I couldn’t do anything to save the world and it was simply a matter of choosing whether or not I knew, then I think the right decision is to choose the blue pill. If it was out of my control, then why bother? Why bother knowing the pointlessness of our lives? I’d rather just live it out as if it were real. Because for all we can know and do, it is real.

 

No choice

Last Friday I got to watch my childhood movie: The Matrix.

I remember watching this movie when I was 13 years old. Back then I was naïve and young. I thought how Keanu Reeve’s hair was weird and disgusted by the skin drilling scene.

When I watched the movie again, I remember being so bizarre. Primitive CG, awkward her act, awkward storyline and etc.

However, I feel like the Matrix reflects on how I have been receiving a daily dose of the blue pill. Back when I was a child when I lived in world of imagination. When watching a bizarre movie like the matrix or spirited away, I never judged how ‘real’ it was. However, as time went by, when I had the chance to take the red pill through books, movies, and etc, I always prioritize reality questioning everything in the imaginative world.

I feel like the matrix made me rethink about myself and how I see my world. One thing I realized is that in order for me to survive the world I am in right now, I have to keep my head in reality. Rather than choice, I am fed with the blue pill. Will there be one day I will be able to have a choice of my own? Because red pill sounds so nice…. Running away from reality.

27 Reasons Why Cat Videos are the Death of Culture (Number 24 Will Shock You!)

(Sorry, the title is a lie- this post contains exactly 0 reasons why cat videos are the death of culture. I wouldn’t be surprised if they are, though.)

While watching the Cat Video Fest at the Cornell Cinema, I couldn’t help comparing these innocuous home videos to a very different compilation of animal videos, the animal rights documentary Earthlings. Directed by activist Shaun Monson and narrated by celebrity vegan Joaquin Phoenix, Earthlings explores five reasons for human exploitation of other animals: pets, food, clothing, research, and entertainment. The film is composed entirely of real life footage of human treatment of animals in the United States. The pets segment mostly focuses on the cruelty of breeding practices, and the entertainment segment only covers circus animals, but I think the way that we use our pet cats for entertainment is also worthy of criticism.

Sitting in the packed theater, I found myself slightly disturbed each time the crowd erupted into laughter at an animal getting injured or frightened. On one hand, cat videos are a perfectly normal and mostly harmless form of media, and I can see how my reaction would appear to be a bit irrational. It is natural to find humor in these situations: Cats are generally graceful and vicious animals, so when a cat reacts strangely to something, the unexpected behavior makes us laugh. Also, we enjoy watching videos of other humans getting hurt or scared as well, as proven by the long-standing popularity of America’s Funniest Home Videos. We don’t just find cat videos funny because of “speciesism,” since we enjoy watching the same things happen to our own species.

However, I do think that there is a key difference between videos showing humans getting hurt and videos showing animals getting hurt: consent. An animal cannot agree to releasing footage of it being hurt or scared, and it is difficult to gauge the extent to which it was harmed in filming. I’m not saying that these types of cat videos are inherently immoral, but I do think there are some bizarre elements of sadism and exploitation inherent in cute videos of kitties being scared ¯\_(ツ)_/¯

What Did I Just Watch…

So I actually do not really like cats, but I am curious with cat-obsessed culture. I came into college really wanting to challenge myself to learn new things and to try harmless and enlightening things that at first I might have been really opposed to. Because of that aspiration, I decided to check out this cat-video fest and make observation not only of the video, but also of how others would react to it. I must admit, that I actually enjoyed the video-fest quite a bit and I was glad to try something new and very culturally disconnected from what I am used to.

The Matrix Through an Older Eye: The Presence of Sexism and Acceptability of Blissful Ignorance

This past Friday, my friends and I attended Rose’s showing of the classic sci-fi film The Matrix. I last saw this movie when I was in middle school. Therefore, this time around, I viewed it through the lens of a more mature, critically-thinking, experienced young adult. My new perspective resulted in different opinions on the characters and situations within the film.

First of all, my position on the “blue/red pill dilemma” has changed. For those of you who don’t know what I’m referring to: in the movie, our main character Neo has to choose between taking a red or blue pill. The red pill would allow him to escape the Matrix, which is a happy, but false and simulated reality created by robots for humans. On the other hand, the blue pill would return Neo to the Matrix. As a child, I thought the red pill was the clear choice, as I reasoned that I wouldn’t want to live a lie, no matter how much more blissful life would be in ignorance. But now, I see the blue pill as my obvious selection. I’d rather be happy in a simulated world than unhappy in the real world. Outside of the Matrix, what kind of quality of life would I be getting? I would be confined to a little hovercraft with only a few other “roommates” not of my choice, constantly in fear of attack by the ruling robots. This is not a happy existence. Who cares if it’s the reality? I’d rather live in the Matrix, where I’d be more content, with a greater variety of friends, career options, travel destinations, and so on and so forth. Furthermore, reality is such a relative term. What makes something real? The Matrix was real to the people living in it and would be real to me. Therefore, in this specific case, I’d prefer the blissful ignorance over the harsh reality. This choice is situational though, and were I given a different set of options not having to do with the Matrix, my choice between ignorance and reality may be different.

In addition to my transition from the red pill to the blue pill, as an older viewer, I found the female character Trinity to be frustrating. As a young kid I thought she was awesome: she’s a talented, aggressive, agile, and strong warrior, and thus breaks gender roles left and right. However, I now recognize that Trinity is quiet and reserved with barely any lines, and is only in the movie to serve as Neo’s love interest. She falls for Neo for no clear reason, as they barely exchange any words throughout the course of the movie. In this way, she’s seen as kind of a mindless/thoughtless/superficial being, as we are left to wonder, does she only love Neo for his strength? His masculinity? Therefore, as hard as she tries, Trinity is not the ideal role model for young girls, as she is quiet, not outspoken, mindless, and only present in the movie to offer the main male character love.

 

War of humans and machines

This was my first time watching the matrix and I could definitely tell that this was totally relevant to what the modern society is going to face. In the movie the Matrix, the main character Thomas Anderson(alias hacker name Neo) starts getting puzzled by the fact that he’s getting this cryptic messages from the Matrix. Trinity contacts Neo telling him there’s a man called Morpheus that can tell him the truth about the Matrix. When he meets with this man he is asked to make a choice between the red pill which will allow him to know the truth about the matrix or the blue pill that returns him to his normal life and Neo takes the red pill. Morphues explains to Neo that The Matrix was some kind of computer simulation that humans were living inside and he and his team are trying to save humankind from this simulation.

Before the movie our GRF Magdala brought up this quote from Descartes “I think therefore I am”to think about while watching the film. This statement is based on Descarte’s philosophy that  was built on the idea of radical doubt( in which nothing that is perceived or sensed is necessarily true. The only thing that remains true that there is a mind or consciousness doing the doubting and believing its perceptions). While watching this movie there were many moments that reminded me of this quote. The point that the main character doubts why is he getting messages from the matrix(the thought that he thinks in a real world does not necessarily mean that it’s the reality)  or the fact human thoughts have the power of creating of a computer simulation that raised to the existence of completely different world.

As a CS major I could definitely see that what the movie was picturing is what a lot people are fearing about at the moment: A rise of an artificial intelligence that will overtake humans and a war that in which the machines have a higher chance of winning since already they have exceeded humans in many skills. This is the complete opposite of what happened in the movie in which humans won the war at the end. However, the movie wasn’t trying to say this, it was trying to convey the message that human beings like living better in a free world that is free from computer manipulation.

Is the Matrix bad?

What is real? The film The Matrix delves into this question as it is revealed that the protagonist, Neo, lives in a giant computer simulation. He is brought into the real world by Morpheus in order to fight against the machines which have subjugated humanity and forced everyone to live in the Matrix program. Neo struggles to accept that what was “reality” was in fact an illusion. In the end he defeats the machines by fully recognizing that the Matrix is merely a computer program. After this realization, he no longer sees the objects in the Matrix as things but rather as they really are, computer code. Humanity wins, reality is restored to its proper place. However, a different question is raised by the film which seems to be left unaddressed. Why was Neo’s fight to bring back reality so important?  Basically, we all assume that living in reality is better than a simulation. In the film, one of the villains is a human named Cypher who has been “unplugged” from the Matrix and now lives in reality. Nevertheless, he is willing to betray his friends and destroy the last human resistance against the machines just to be returned to the Matrix and have all of his previous memories erased. He doesn’t care whether or not the food he eats is real, he simply wants to be happy.

So why do we value reality over fantasy, why is Cypher such an evil villain and Neo the hero? Agent Smith tells Morpheus that the first version of the Matrix provided an idyllic life for humanity, without any wars, diseases, or problems. This sounds like a utopia but Agent Smith informs us that this original Matrix program was rejected by humanity as people couldn’t accept that it was real. The machines were forced to produce a “more real” version of the Matrix which included all the things which make life difficult. People gave up a perfect life for something that felt like reality. And Neo chose the red pill so that he could find out the truth and leave the Matrix. We constantly strive to find things that are genuine and natural. I think the reason for this is free will. In a fantasy world like the Matrix we are required to live under the whim of others. Our happiness in a simulation is not our own, it is given to us by the controller of our world. Reality, therefore, is synonymous with freedom and we shouldn’t give up our free will in order to be happy. Neo is the hero because he is fighting for our right to chose our own destiny, he is fighting for our freedom.

Hero Syndrome

First, I just want to begin by saying I really like this film! “The Matrix” is a like an older psychological thriller that gets more and more relevant as time passes. It focuses on the story of Neo, a hacker, and his insane experiences as he comes to realize his dual existence in the world around him and the world that “is”. When asked if I would take the red or blue pill in Neo’s situation, I honestly am not sure what I would choose. I think that my curiosity would drive me to take the red pill, but I am not sure how much I would do with the expose I would have received afterwards. Which leaves me to ponder about the message of the film and the greater general human desire for knowledge. So much of society’s driving force for creating knowledge comes from just “wanting to know”, but how much does this really matter?

The Cat’s Meow

Earlier today I attended the Cat Video Festival through Rose House. At the beginning of the event, the staff announced that the money from the ticket sales would be given to the Tompkins County SPCA (Society for the Prevention of Cruelty to Animals). Then there was a trivia contest, and a hilarious cat impression contest. And then they rolled the comical and adorable hour long cat video compilation. The event was a ton of fun, and I would highly recommend it, especially if you are a cat fan.

It was great to see so many people come out to support the SPCA. Over half of the animals in shelters end up being euthanized. Donations help the SPCA to continue to shelter these animals. It is also important to remember that if you are looking for a pet to opt for a rescue animal over an animal from a pet store. There is currently an overpopulation crisis in the pet world. Animals in pet stores are often the product of breeders, and every animal bought from a breeder is a rescue animal that could have had a loving home but will have to be euthanized. Breeders often don’t neuter their animals, further contributing to the overpopulation. They can sometimes treat their animals poorly, and inbreeding to generate purebreds or specific breeds of dog can cause genetic defects which can be painful or even deadly. So if you or someone you know are looking for a furry friend, #adoptdontshop.

Which Pill Would You Take?

On Friday, Flora’s Friday Film showed The Matrix, a 1999 science fiction movie depicting a dystopia in which humans live in a computer simulation created by sentient machines to control humans.  Thomas Anderson (Neo) is a computer programmer who works at a highly-regarded software company, but believes that something is wrong with the world in which he lives.  He reluctantly joins Morpheus and his crew to escape from the Matrix after discovering the truth of mankind’s current state of existence.  A particularly striking technological advancement in the film was the ability for people to gain knowledge and skills (such as martial arts) from a wide array of disks.

The film raised several important questions, which we discussed with GRF Magdala after the movie.  For example, do people in the Matrix have control over their destiny, since they are in a carefully-programmed computer simulation?  As a computer science major, I felt a strong connection to the movie, realizing the impact software has on our lives.  In addition, this film is particularly relevant today, with the rise of virtual and augmented reality technology which enables us to enter other realities, similar to the Matrix.  The last topic we discussed was whether we would take the red pill (as Neo did to join Morpheus and the crew and leave the Matrix) or the blue pill (and return to our current way of life, living in a simulation).  I think I would exhibit the same reservations that Anderson did, but ultimately would take the red pill to try and free humanity.  What would you do?

Freedom in France

Last Friday, I watched a short documentary called They Call Me Muslim, which was about the two different experiences of Muslim women in France, a democracy, and Iran, a theocracy. It gave me some insight into the political situation in France, which is very different from that of the United States.

In 2004, the French government instituted a law that banned the wearing of religious symbols in public schools. This law was enacted to maintain the separation of church and state in France. I believe this approach was a radical one. The government is taking away the freedom of Muslim girls to practice an important principle in their religion, but the students aren’t interfering with the government’s role in preventing religious influence. Headscarves aren’t tearing down the wall between church and state.

I’ve read that Europeans generally have a different attitude towards immigrants than most Americans do. The United States is different from European nations because the nation was built by immigrants. And although there are anti-immigrant attitudes in the US, they are not as prevalent as they are in Europe. In places like France or Germany, there is public pressure to maintain the western culture. In the documentary, some of the girls mentioned that the ban of Christian symbols wasn’t enforced. I wouldn’t be surprised that this ban was passed because politicians noticed a  mistrust of Muslims by the public and sought to gain political points.

To Wear or Not to Wear

Last week, Flora Rose screened “They Call me Muslim.”  One of the main controversies the documentary investigated was the effect of France’s legislature that banned wearing the hijab in public schools.  One of the first things that came to my mind is what if the hijab, instead of being a piece of cloth draped around the  head, was a bowler hat.  Then, students in French public schools would be banned from wearing the bowler hat.  I realize that the two hats have their own histories and that the hijab often displays a level of piety in the Islamic religion, but I can’t help but view the physical construction of any article of clothing as being at least a little arbitrary.  This kind of makes the end purpose of the passed legislature also seem a little arbitrary.  The idea of a cloth being somehow wrapped around the head is also a fairly common one.  It makes me wonder if someone wearing a head covering similar to the hijab but for a different purpose, like a Spanish mantilla, would be affected by the law.  Or maybe there is someone who has no affiliation with Islam or any religion but looks outside one day and sees it’s windy and cold.  She looks through her house but can’t quickly find a hat more conventionally worn in France and needs to get to work on time.  So she grabs a scarf or other rectangular piece of cloth and wraps it around her head to keep her ears and face warm.  Is she not allowed to do that because it may look like a hijab?  If she is not allowed, how would federal enforcement even know whether or not it was for religious practice.  This hypothetical person has no affiliation with Islam, yet if she told law enforcement that, there’s not really a great way to prove whether she’s telling the truth or not.  I personally think wearing a hijab doesn’t directly affect others in a negative way and should therefore be allowed in public schools.  Even putting myself on the side of French legislation, though, I can’t think of a good way logistically to enforce the law without having to make some judgements about religious affiliation without substantial evidence.

I want to be me!

Last Friday I viewed a documentary, They Call Me Muslim. This film explored how different policies from various countries in the world have impacted the lives of Muslim individuals that live in the depicted countries. One country examined was France. In France, a law was established that did not allow female Muslim students to wear the hijab in public schools. As a result, some Muslim students were expelled from school and others had to go to school without their hijab. One student felt like this law did not allow her to express herself fully. This film highlighted that even in a democratic country like France, that women still struggle to express themselves and what they believe in. Across the world, in Iran, Diana Ferrero, the filmmaker, interviewed a woman who was trying to express herself differently than the individuals in France. Unlike those in France who were not permitted to wear their hijabs to public school, K who lives in Tehran, does not necessarily like to wear the hijab. Therefore, K wears a translucent scarf as a hijab, putting herself at risk of being arrested. These two individuals from different sides of the globe have different views on how they should be allowed to express themselves, although they both depict the right to want to express control over their own bodies. This film brought up very controversial topics and stressed that women should be allowed to express themselves.

Defining Freedom

Last week I went to the Flora Friday Film night where we watched the 2006 documentary film The Call Me Muslim. Despite its short run time of less than 30 minutes, it was by far the most thought provoking film of the Flora Friday Film nights so far. The Call Me Muslim interviewed two Muslim women from very different countries. Samah, an 18 year old Syrian girl living in Paris, France, and “K” a 20 something college graduate living in Tehran, Iran. Samah chooses to wear a hijab despite French law prohibiting it in public schools, while K chooses to resist Iran’s law that hijabs are absolutely mandatory.

Going into the movie my initial thoughts were that laws regulating religious garb or religious behavior in any way is unethical, and my view hasn’t changed. However, seeing all the interviews and different perspective in They Call Me Muslim, I have a better understanding of the two sides of the debate and see how someone could take either side of the debate.

As a non-muslim who has lived in the United States my whole life, I probably missed a lot of socio-cultural context that other viewers in Rose may have picked up on. One audience member commented that they thought comparing K and Samah’s dilemmas was misleading because the two laws and societies are so different. This was surprising to me, because I thought there was a clear likeness in the two laws that tried to control a citizen’s religious behavior. I wish I had asked for clarification on his comment, maybe there are nuances that I missed. Regardless of my experience level or exposure to the subject, the question of banning or making hijabs mandatory seems like a fundamental ethical choice. In my opinion, Iran should not require the hijab, and France should not ban it in public schools. Both laws infringe on a person’s religious freedom. Whether or not the incentives to wear a hijab are positive or not is a separate and irrelevant discussion. No matter why someone chooses to wear or not to wear a hijab, they have the right to make the choice themselves.

Hidden Oppression

In the film “They Call Me Muslim,” I found very interesting perspectives. In a western country, a young teen wanted to wear a hijab as a choice. In another country where women aren’t given the freedom and rights western countries give, a mother didn’t want to wear it. What I found hard to comprehend was that France, being a “free” country, oppresses a woman’s right to wear a hijab by calling it oppression of women. I see this in itself as a type of oppression. We have fought for women’s rights for years and are still continuing to do so. It is a women’s choice if she wants to wear a headscarf as respect for her religion. This is called freedom of religion,  a right many western countries seem to be proud of.  It is ridiculous that in the 21st century, women still have to fight for their rights. For a country to call itself a democracy, it needs to respect every person, not just the ones who comply with societal norms.

Freedom of Choice

In the film “They Call Me Muslim,” two Muslim women were followed as they struggled to balance their personal beliefs with the public expectations imposed upon them. In France a young girl was faced with the decision to remove her headscarf or be expelled from school. In Iran a mother was forced to remain in her apartment in order to retain her freedom to dress as she pleased. It was clear that neither situation was a desirable one to undergo, the girl from France even admitted that if given the chance she would gladly move to another country which was more accepting of the hijab. These two women are faced with the same problem that the government is attempting to enforce personal ethics on its citizens. Ironically, the girl in France and the woman in Iran are suffering under the exact opposite conditions, one wants to keep her hijab and the other wants to go out uncovered. The solution to both of these problems is to accept that everyone has the right to decide their own personal ethics such as what is appropriate to wear. Governments and laws are necessary to enforce rules which protect citizens from harm and provide a healthy place to live. However, by overstepping its boundaries, governments can have a stifling effect on its citizens.

In a way, both France and Iran desire to be a Utopia. France imagines itself to be a country of secular perfection, where liberalism is applied everywhere and to everyone. Iran wants to be the best Islamic country in the world, where sharia law is applied to everyone. Both states assume that by enforcing their rules, either secularism or sharia law, that they will produce harmony and peace. The film “They Call Me Muslim” is evidence that this is not the case, that the world is diverse and individuals have greatly varying opinions. The girl from France was not forced to wear her hijab, she chose to herself. And the woman in Iran does not feel compelled to wear a hijab as she thinks that seeing a woman’s hair isn’t a problem. These personal beliefs go against the popular assumptions held by the cultures in which they live. I believe that it is important to allow varying personal beliefs to exist within a culture. This strengthens that culture and provides a diverse set of outlooks on any given societal problem. Banning a hijab or making it mandatory is counterproductive to society and leads to unhappiness. The government should focus on public issues, and the individual can handle their own personal ethical questions.

A Divided Religion

The short film “They Call Me Muslim” sought to shed light on a garment called the hijab, which are worn by Muslim women as a way to demonstrate devotion to their religion. And while it seems like the choice to wear the hijab or not should be defined by the religion, rules in Iran and France say otherwise.

The first half of the documentary talked about a college student in France and how, during her younger years, she was prohibited from wearing the hijab because France had wanted to ban religious symbols from public schools. Like many of the other scholars present at the discussion as well as the girl being interviewed in the documentary, I felt that there was a hint of discrimination towards the Muslim religion despite France trying to make it seem like it’s a universal policy. The show mentioned that people were allowed to wear religious crosses while the Muslims couldn’t wear their hijab. Is wearing the Christian cross not a religious symbol? But while these issues arise in France’s public schools, it seems that on the private or university level, these problems do not exists. And for this girl, wearing the hijab was a symbol of her dedication to her beliefs.

The latter half of the documentary revolved around a woman who lived in Iran. And contrary to France, Iran required that all women wear their hijab at all times. Interestingly enough, the woman felt that wearing the hijab did not show her dedication to the religion, but rather she did it because she had to follow the rules. She described of an instance wear the Iranian police force had arrested her because they saw that she wasn’t wearing a hijab. A few scholars, including myself, thought that it was interesting when she described that “after a few days, everything was okay”. It was as if something occurred behind the scenes, but she couldn’t say anything about it.

Overall, it was interesting to watch a film about two very opposing opinions about the same religion. On one hand, you have individuals who willingly follow the customs of the religion when they are oppressed, yet you also have individuals who refuse to follow the customs when forced to wear it. It seems as if the enforcement to do one or the other is causing more and more people to take a stand for themselves and an argument can be made for either side.

to wear or not to wear (the hijab)

To begin, I don’t have any intention of arguing a point, I just wish to discuss what I saw and what I thought. ‘They Call Me Muslim’ is a short documentary (directed by some UC graduate student studying journalism) that portrays what are suggested as two seemingly opposite situations concerning the hijab and it’s symbolism as either expression or oppression.

In the first half, the context provided is France and it’s ban on wearing religious symbols in public schools, and the focus is on a girl who chooses to wear the hijab in order to practice her religion. Although she chose to begin wearing it at an early age, I wondered if she would have been made to wear it at some appropriate age if she hadn’t chosen to. Although this half of the documentary only showed the perspective of this one girl’s family, I think it’d be safe to say that different Muslim families in France would have varying opinions on enforcing that women wear the hijab. I believe it was some university scholar or government official being interviewed, who said that the policy sought to accommodate those who might choose not to wear the hijab. The scenario he proposed was that if some Muslim women wore the hijab, conservative Muslims would use them as examples to encourage women in their lives, who might not wish to wear the hijab, to do so. Someone mentioned afterwards that it was also stated that no Muslim women were invited to discuss this policy when it was being made. However, I felt that whether there is a policy or not, some issue concerning the hijab would be present, since it seems to be somewhat controversial.

In the second half, the focus is on a woman living in Iran who loosely follows the religious law that requires women to wear hijabs, not because she subscribes to Islam but rather only to abide by the law. Witnessing her lifestyle, it seems she doesn’t follow the religious laws established in Iran simply because she doesn’t consider herself a Muslim. From the perspective provided by the documentary, it seems that her freedoms are being infringed upon because of Iran’s theocracy. This woman isn’t the only case where Iran’s theocracy could be considered oppressive to women, as was seen recently in the Women’s World Chess Championship held in Iran. Some of the top women chess players in the world chose not to attend in protest, as they would have had to wear hijabs in order to compete.

In any case, I feel that if one believes that France’s policy be retracted, one should also think it appropriate for Iran to stop enforcing the hijab. In both cases, it seems clear that arguments can be made that rights are being infringed upon, whether religious or social.

Letter to Julia 3/3/2017

Dear Julia,

I always feel woefully undereducated on rights issues for Muslims. (I still have that NY Times article about the Israeli/Palestinian conflict saved for later after all this time. There’s really no excuse for my lack of exploration into this topic at this point. Speaking tangentially of which, I’m glad you showed me Waltz With Bashir the other day. That was a really fascinating and powerful movie.) So, that said I was excited to go to this event showing the documentary film They Call Me Muslim. I love documentaries (as you well know), and I was particularly interested in this one because it focused on the experiences of Muslim women specifically. The film itself was only about a half hour long so we had a bit of a discussion afterwards to fill out the time a little more. I thought Piragash made a very interesting point about how the film conflates two issues that aren’t comparable. Yes, women in France can’t wear the Burqa and women in Iran are required to, but Piragash’s argument was that women in Iran face a systemic oppression of which the burqa is only a symptom, which is distinctly different from the discussion over the legality of the burqa in France. I thought the film still was worth watching just for the perspectives of the women it presented, but after turning this around in my mind for a couple days I’m inclined to side with Piragash that it might have simplified a complex problem to make its comparison feel more salient.

Love,

Robert

They call me Muslim

Last week’s Rose Scholar movie They Call Me Muslim depicts the lives of two women who wear the hijab in two very different cultures. One woman lives in Paris and chooses to wear her hijab despite France’s secularization policy. The other is a woman living in Iran who refuses to wear her hijab which is required in order to enforce modesty. This is against Iranian theocratic law that imposes Islam in all areas of life. The film shows that the policies both women are challenging are not enforced equally, but are equally restrictive for these particular women. For example, France’s policy has forced Muslim girls to take off the hijab in school, but does not forbid crosses for Christians or skullcaps for Jews. In the case of the Iranian woman in Iran, Muslim women are able to go to the mountains and take off the hijab to experience freedom. In my opinion, the question is not whether or not the French secularization policy or the theocracy in Iran should be allowed. The question is whether a certain group is being singled out, and what can be done in order to make such discrimination stop. Why is the French secularization policy focused only on Muslims as opposed to other religions? This policy definitely is based on fear because of threats of terrorism, but this fear should not translate into law. More recently, France has continued enforcing its policies because of the burquini debate. It was interesting to note, that in both women’s cases, the hijab is used as a symbol of power. It empowers one woman to refuse to take it off and the other to refuse to put it on. It gives the women a choice of whether or not to wear it, and in making that choice, the women are asserting themselves. It made me question what articles of clothing or accessories give women in our less-restrictive culture such power?

The Right to Choose

Last Friday, the screening of ‘They Call Me Muslim’ was an insight into the lives of two Muslim women in France and Iran, and their views on the hijab. In the context of growing Islamophobia, this issue gains greater relevance as the hijab becomes a more conspicuous part of clothing.

Both women had largely different experiences: one lived in a theocracy while the other in a democracy. However, they were both faced with issues that challenged their freedom of choice and agency. Today, it appears as though political forces view the hijab as a symbol of Islam as opposed to an article of clothing.

In the case of France, the singular ban on the hijab, and not other religious objects, could be viewed as a repercussion of the growing Islamophobia over the past years. In Iran, the enforcement of the hijab could be viewed as the agenda of a theocratic government. In neither case, does the ban/enforcement of the hijab make individuals more or less Muslim.

These laws are attempts to define public spaces according to a dominant voice in the system, denying the women their freedom of choice and agency. Often times, measures like these are aimed at women rather than men. This is evident in both cases, as political entities dictate what women should or should not wear. The issue with the hijab is a religious aspect of a general larger discourse that attempts to characterize people by the type of clothes they wear (Slut shaming, etc).

Difference in Perspective

I was able to watch, Flora’s film They Call Me Muslim. The film followed two women’s lives in France and Iran that had two different perspectives on what it was to them to be Muslim. It was filmed between December 2004 and January 2005.

In France, they have a democracy, they passed a law that banned the Islamic headscarf. This created an outcry in the Muslim community. The Muslim community makes up 10% of France’s population. 800 Muslim students were affected, 47 of them expelled.

The first woman was an 18-year-old named Samah. She had been wearing her headscarf since she was 14. When this law was passed she was still in high school and she felt that her identity had been violated. The Hijab makes her feel confident because she feels that a woman is an object that needs to be hidden.

In Iran, they have a theocracy, which forces the women to wear the Hijab. To rebel and also protest, the women have been able to wear the hijab in different ways.

The second woman is K, she is a mother of two and she feels that she should be able to wear what she wants. She smokes and she dances which are two things that the religion shame. While in her home she was wearing a tank top and shorts and said to the camera, “They call me Muslim…but do you see me as a Muslim? What do you have in mind for a Muslim person?”

This film showed the two different perspectives of what it meant to be Muslim. I felt that if they wanted to they could have included more women from different places to make more of an impact on showing what being Muslim meant to these women while also educating others.

They Call Me Muslim; a comment on human ignorance

Flora’s Friday Film They Call Me Muslim contained a documentary style that called attention to the problems associated with social enforcement in both Paris and Tehran. In Paris, a teenage girl named Samah is forced to take off her hijab while in public school. Our protagonist in Tehran, code-named “K”, is a woman forced to do the opposite, wear her hijab at all times in public places. The film discusses with each side the problems associated with these different types of enforcement, and show the toll taken upon the persons and their families.

More than anything else that caught my attention through the film was the ability for two completely different governments that were forcing opposite policies on their populations to accomplish the same thing. The fact that both governments enacted policies that, in a very one-sided manner, condemned other ways of life in order to eliminate differences amongst their populations surprises me. Regardless of opinions associated with what may or may not be the correct way of doing things, in this case in concern with the question should women wear hijabs, there is a much more fundamental question of human decency being left out. How does any government have the right to enforce a way of life on its peoples? Forcing women to either remove or wear hijabs commits the same act, as forcing our opinions on others in most cases of such severity is nothing less than tyrannical. The film dances with this concept over and over again, using both protagonists from both cities to exemplify how the argument is not at all about the hijab, but the question of who has the right to determine who wears it and who does not.

Raising Awareness

This past Friday I attended a showing of the documentary “They Call Me Muslim” filmed in 2006. While the film is from over a decade ago, I found the topic very relevant considering the quantity of misinformed rhetoric that is currently circulating in our culture in regards to Islam.

The film focused on two parallel narratives of women involved in a controversy over the wearing of the hijab. Samah was a college student living in France where the law forbid her from wearing the hijab inside public educational institutions. On the other hand, “K” was living in Iran where the hijab is required for women who are in a public setting. In each case, the women wanted to do the opposite of what the law mandated them to do. During our group discussion after the film, I realized we had not all taken away the same message from the film, with some seeing it as portraying the French laws as potentially beneficial for society. For me, however, the overarching message of the film was that any regulation by a government on the wearing or not wearing of the hijab is a restriction of women’s right to express themselves and their beliefs.

Regardless of the film’s stance on the French restrictions, I felt that it spread a positive message by showing two Muslim women with differing beliefs and circumstances. When I attended the campus teach-in on Islam recently, one of the speakers emphasized that an important part of increasing understanding of Islam is highlighting the diversity of Muslims. For me this film was an important step towards achieving that goal.

Women’s Oppression

The film screening last Friday of the documentary They Call Me Muslim was interesting and insightful. However, another Rose Scholar, Piragash, has pointed out in his blog post already, there are a few shortcomings of the film.

Let me just say what I liked about the documentary first: it gave us an interesting perspective and it definitely exposed me to cultures/thoughts/ideas that I don’t really get to hear about in my day-to-day life. I thought the women they chose were interesting and independent.

As for the shortcomings of the documentary… as Piragash said, the juxtaposition of the two women were kind of weird. They tried to frame the documentary as “two sides of the same coin,” when in reality, a women living in a theocracy in Iran is very different from a woman living in a democracy in France. The topic of the hijab just felt like a topic of convenience to make this juxtaposition work, when in reality, they could have highlighted women’s oppression living in theocracies or even women’s oppression in what we consider “developed” or democratic countries like the U.S. or France. Those would have been better juxtapositions then two women from two entirely different backgrounds from two drastically different countries and putting them as part of a 30-min. documentary. Perhaps the juxtaposition would seem more appropriate given more context, but in a 30 minute film, that’s near impossible.

I will say, however, that the women’s stories were interesting and I enjoyed listening to their reasons for wearing or for not wearing head coverings in their religion. I particularly admire the second women in her acts of defiance–it definitely takes a lot of courage to do something that can result in legal repercussions and I appreciated how she mentioned that if showing her hair/head “tempts men,” then “that’s their own problem.” Though a different scenario, it kind of reminded me of high school dress codes in America–how girls’ shoulders must be covered so it “doesn’t distract the boys.”

The last thing I want to touch on in this blog post is something entirely different from what I mentioned before. I would just like to touch on the French lawmaker’s words on how banning headscarves/religious symbols “protects” the women. I feel like this is a classic example of men making laws regarding women (not unlike abortion laws in the U.S.), and of course, it is problematic because they are making decisions on issues that don’t even pertain to them.

Even though the juxtaposition in this documentary leaves much to be desired, one thing is clear: the oppression of women around the world is still a huge problem. Regardless of the society you live in, whether it be a democracy like France or a theocracy like Iran, if you are a woman, decisions you make about yourself is not always yours to make, and we still have a lot of ground to cover before we reach true equality.

 Unpacking “They Call Me a Muslim”

“They call me Muslim” was a 30-minute documentary film which was produced in 2004, after the French Republic started instituting laws against women in France wearing Hijab (veil or a headscarf) –of course, this headdress is usually worn by Muslim women around the world, and it’s a symbol of Muslim women’s identity in may cases.  However, this documentary seems to be revolving around Hijab or the veil. It attempts to do a comparative case of Hijab in the French Republic and the Islamic Republic of Iran in the mid-2000’s (~2005).  I am not sure what was the message this documentary intended to convey, but it could be easily mistaken and misrepresented. The French Republic, under the disguise of secularism, targets Muslim women and ban them from wearing the Veil in Public places- particularly in public schools. And, the documentary interviews some French Women affected by this law- who felt as their government was attacking their core of their identity- and their resistance to this law. Also, the documentary included some French officials claiming that the law was meant to protect the Muslim-French women from oppression and to protect the French Republic’s founding philosophy- “secularism and separation of church and state”.

Then in the other half of the documentary revolve around an Iranian woman, who grew up in the United States, who is targeted by laws regarding women’s attire by the Iranian Theocracy. The documentary portrays her creative methods of dissenting against the requirement to wear a veil/Hijab in public places. By juxtaposing these two cases in a 27 min video, without giving adequate context this documentary could be taken as the story or the two sides of the story of Hijab; thus, the documentary was presenting two sides of the same coin. But the only common thread in this documentary was women’s oppression – in the French Republic and in the Islamic Republic of Iran.  Not the Hijab. Also, the modern nation states that were presented here seems to be portrayed as equally guilty. I want to take a step back and consider the fact that the French Republic presents itself as a secular democracy whereas the Islamic Republic of Iran is a Theocracy.  Women’s oppression in Iran is clear, visible and voiced in international arenas. However, the despotic and the oppressive nature of French Republic is neither clear, to many, nor visible and never voiced in the international arena. Couple of the women interviewed in the first half of the documentary mentioned that in the public schools there was no laws restricting   wearing of crosses or Yakama- in the very secular French Republic- in fact, one girl pointed out, the public school buildings had Christmas trees decorated for the celebration of Christmas. Thus, arise the question what secular democracy, then French president Jacques Chirac, bloviate about?  Neither this a unique problem for France nor this is uncommon in the “secular liberal democracies”. In almost all cases, where there is a form of government that legitimizes itself through the “people” or to be even more accurate, through a “majority opinion”, what does secularism mean?  But, ultimately if this documentary’s objective was to portray the oppression of women by the state, it could have juxtaposed Iranian case with the women’s reproductive rights in the U.S or French case with some other example of women’s oppression. But doing this comparison, this documentary did not get to the heart of the issue surrounding Hijab neither in France nor in Iran.

I want to take a step back and consider the fact that the French Republic presents itself as a secular democracy whereas the Islamic Republic of Iran is a Theocracy.  Women’s oppression in Iran is clear, visible and voiced in international arenas. However, the despotic and the oppressive nature of French Republic is neither clear, to many, nor visible and never voiced in the international arena. A couple of the women interviewed in the first half of the documentary mentioned that in the public schools, there were no laws restricting wearing a Cross or a Yakama- in the very secular French Republic- in fact, one girl pointed out, the public school buildings had Christmas trees decorated for the celebration of Christmas. Thus, arise the question what secular democracy, then French president Jacques Chirac, bloviate about?  Neither this is a unique problem in France nor is this uncommon in other  “secular liberal democracies”. In almost all cases, where there is a form of government that legitimizes itself through the “people” or to be even more accurate, through a “majority opinion”, what does secularism mean?  But, ultimately if this documentary’s objective was to portray the oppression of women by the state, it could have juxtaposed Iranian case with the women’s reproductive rights in the U.S or French case with some other example of women’s oppression. But doing this comparison, this documentary did not get to the heart of the issue surrounding Hijab neither in France nor in Iran.

They call me Muslim

This documentary made me again think that there is such a wide variety of ideologies between people who believe in Islam. The narrative of the film started by showing how banning hijab in France in public school has had deep effects on Muslim women. A relatively large group of women became deprived of the right of getting an education because this policy. Even though in some interviews with the French authorities they claimed that this law will prevent Muslim woman from being dominated, it did the exact opposite of making them more suppressed.

After interviewing Muslim women in France (which is secular country) who thought their freedom was taken away from them by the ban, they showed an interview with a Muslim woman from Iran (which is a theocracy) who thought that being enforced to comply with the society’s Islamic values had taken away her freedom. These two interviews had a lot of contradictions in their scenarios and what I thought was that it is not a good way of thinking, comparing these two. These two people were from completely different Islamic backgrounds and that was one of the reasons they had different experiences with Islam: one was a Sunni Muslim from Syria (Being Sunni was obvious from the way she was praying) and the other was a Shia from Iran (majority of population is Shia). These people did not have the same the same historical backgrounds and they did not live in the same societies. The problem is that our understanding of the world is relative and we learn in context. As a person who has lived in Iran before I thought I would relate to the second person better. Despite that I thought that I must try to understand the first person’s issues from her own perspective. After watching this film, I wished that we could have better understandings of people’s ideologies.

Secularism and Religion–Review of They Call Me Muslim

This Friday we watched the documentary They Call Me Muslim. The film included two Muslim women, Samah, living in France, and K, living in Iran, with opposite government policies and different opinions on hijab. On the one hand, the French administration banned hijab-wearing in public schools on the ground of promoting secularism; and Samah genuinely believes the teachings of Quran and decides for herself to wear hijab. Samah questions whether the government could associate freedom with veiling. On the other hand, the Iranian government requires every female to wear traditional hijab. K does not like the idea of wearing hijab, resisting the policy by wearing hijab in alternative ways that do not fully cover her hair. K questions the idea that women tempt men and should cover themselves with hijab; instead, K thinks it is not a women problem but rather men’s.

This film has provoked lots of questions: what is freedom? what counts as a religion? Is someone considered to be free only if they are not bound by any religious doctrines? Personally, I do not think hijab itself is a symbol of oppression but rather a cultural and religious expression. As Lila Abu-Lughod suggests that for Muslim believers, wearing hijab is an expression of modesty and demonstrates higher social status for women. Moreover, as Samah’s mother mentions in the documentary, hijab could just be a fashion statement (and I do think the silky and colorful veils Samah wears in the film look very nice). In this sense, hijab is no different than high heels or chokers–they are items that one wears to perform their identity as a woman. Thus, I think that the French administration should not police the meaning of hijab for its citizens. In my opinion, if some girls feel pressured to wear hijab because their classmates question their identity as Muslims, it is better to address anti-bullying policies in general rather than specifically targeting at a certain ethnicity. Furthermore, I question government’s ideology which authoritatively associated individual freedom with secularism. As many ethnographic studies have pointed out, science is the characteristic of modern/western society rather than a universal trait. In other words, while our society is organized around the belief of science, other societies are organized around their own beliefs. Moreover, Clifford Geertz points out that religion serves to maintain social solidarity and offers means for humans to make sense of the world. Thus, while we view beliefs other than science as religion, others view our belief in secularism as religion. Consequently, the idea of secularism is essentially separating one religious belief (in this case, Islam) from another (in this case, science), rather than preventing region from intervening non-religious affairs.

I believe sometimes power creates binaries to establish modes of hierarchy; and in this case, the religious and the secular are coined by power dynamics to legitimatize prioritizing secular ideologies over religious ones. If we blur the boundary between the secular and the religious, our lives might be more free and more livable.

 

References:

Abu-Lughod, Lila. “Do Muslim Women Really Need Saving? Anthropological Reflections on Cultural Relativism and Its Others.” American Anthropologist 104.3 (2002): 783-90. Print.

Geertz, Clifford. The Interpretation of Cultures: Selected Essays. New York: Basic, 2000. Print.

Shakespeare in Love

Shakespeare in Love is a movie that made me remember why, after 400 years, we are still reading, enjoying, watching and reciting the words of The Bard. The premise of the movie is that Shakespeare’s experiences, in this case with love, gave him inspiration to write his plays. Here, his love for Gwynth Paltrow’s character is his inspiration for Romeo and Juliet. Paltrow’s Oscar-winning performance is riveting as her precise pronunciation keeps the audience hanging on every one of Shakespeare’s words.
Sara asked us to ponder possible inspirations behind the writing process, and to consider whether or not a script can truly express the feelings of love to its audience. In this case, I believe the answer is a resounding YES! The layers of the true actor, playing the stage actor who is Shakespeare, inspired by falling in love and playing Romeo, to convey love to his stage audience as well as to the movie audience, stretches the concept a bit far. However, it enforces the idea that the conveyance of the meaning of love to the audience really comes from the viewer’s interpretation through his/her own emotions and experiences, much like Shakespeare’s character in the movie conveyed his experiences through his writing. In his own words, “Love looks not with the eyes, but with the mind.”
Lastly, the movie did leave me wondering if all of Shakespeare’s plays were inspired by real events or people in his life. If so, his must have been a crazy life!

Fight Club at Rose

Last Friday the Flora Rose Movie kicked off the semester with Dr. Hill’s interpretation of the meaning behind Fight Club. While the violence in the movie was sometimes hard to bear, our discussion beforehand gave the movie a much deeper meaning. Several scenes in the movie symbolized how our primitive instincts can overtake us if we let them. The script also explored the issue of how and why we conform to society’s expectations. Dr. Hill’s discussion and insight added to the movie’s depth and to my experience watching it. The group also discussed how cultural expectations were both defied and reinforced throughout the movie, especially for the main character played by Ed Norton. Dr. Hill wore a kilt, a family heirloom, to demonstrate how something that is traditionally thought of as a sign of feminism, could be seen as a sign of masculinity in some cultures. I have to say, I enjoyed the chat before the movie and was excited to learn that Dr. Hill had written several papers on Fight Club. His insight, his enthusiasm, and his costume, all made for a memorable event! I am looking forward to the next movie night at Rose.

Project Mayhem: A metric for Values

Fight club, a movie that must be watched-I was told as a teenager by my friends. And I have watched this twice before; however, watching it this time in Rose with Dr. Hill’s preamble and closing and also with my evolved value system gave me a different impression. Fist time when I watched fight club, the fight scene and the surface level visibility of masculinity was something that I admired and revered. I think when I watched it the second time, after developing a critique of materialism and state-supported corporate capitalism may be 6/7 months ago, I admired the revolutionary theme in the movie. Given, that I didn’t expect my reading of the movie to change much. But, watching it this time my impression of the movie did change, I saw and felt differently.
I definitely saw the very deep, but subtly placed critique of masculinity and violence. Also, I am not very sure about its radical revolutionary message either. The brilliance of the movie lies in the ambiguity of the message it carries. I got the impression that the movie was conveying a message that radical revolution leads to mindless violence and total destruction; therefore, it will behoove us to not rocking the boat too hard. After watching the movie for the third time and hearing Dr.Hill’s closing remarks on the movie, I understand this movie’s messages are deeply woven in the script, only a close reader of the film will understand it. I think Fight Club is a movie that I want to watch every couple of years to see, how my understanding and values have evolved.

Shakespeare in Love

This movie helped me gain a deep respect for Shakespeare while questioning my assumptions about love. Love is a big motivator for many people including Shakespeare who is inspired by Viola to write Romeo and Juliet.

Romeo and Juliet has always been my favorite play by Shakespeare. I admired their dedication to each other and the power of love, killing themselves over one another in the end is a grand expression of love to me. Thus, I was disappointed in the movie when the two lovers ended up going their separate ways. This may be a lot more realistic, but it was painful for me to watch.

I learned that there are many circumstances that play into love and that those circumstances cannot be avoided in the real world. However, the power of love is not diminished by the movie. We clearly see how a singular woman has inspired a young Shakespeare to write, translating his feelings he felt for Viola into a play. Even in today’s culture, much of our art is inspired by love and stories of love, from music to movies to novels.

Love is an irrational force that makes us all human, learning to channel its powers will help each of us achieve what we want to achieve in life.

Perspective into a different era

I enjoyed Shakespeare in Love. It was a decent feel-good movie. Even though William Shakespeare and Viola de Lesseps were unable to stay together, it didn’t feel too sad because both knew that it was impossible to live together, and it felt like both were simply making the most of their time together. I liked how the movie featured Romeo and Juliet while also making reference to Twelfth Night. I was not familiar with the latter play, so I did a bit of research, and it turns out that there’s also a character named Viola in the play that disguises herself as a man. The way that the movie interwove elements of both movies was clever in hindsight.

The historical introspection that Shakespeare in Love gave was also interesting. The way theater in the Elizabethan era was produced was interesting to me–no females were allowed to perform and it felt that Shakespeare was under heavy pressure from the theater owners to produce material. It seemed that the owners themselves had sole rights on producing a writer’s work. Furthermore, the competition between Shakespeare and Marlowe was often comedic to experience–Shakespeare seemed to go out of his way to inconvenience him. I was very impressed by the actors’ accents in the film. They were exactly spot on with my expectations of what speech might’ve sounded in that time. I wonder if that’s actually an accurate representation of how people talked back then. How would we know about the kinds of accents that people spoke with in the 16th century?

Love is Art

We constantly strive to portray the abstractions of our lives as physical things. We desire to control everything around ourselves to remain safe and secure. And is there any better way to exert control than to take what was once invisible, merely a concept, and create a tangible thing which can be studied and dissected? Science takes a falling apple and produces physics, history takes an event suspended in time and creates a book, William Shakespeare experiences love and creates art. Art is humanity’s attempt to study and evaluate emotions by making physical representations of what we all experience. Therefore, it follows that in order to make great art the artist must understand great emotions as well.

Shakespeare in Love is a film which tries to show this to its audience. Shakespeare is not a man who imagines what his characters are feeling as he writes, rather Shakespeare knows exactly what Romeo and Juliet are going through. There is a bet in the film that no one can accurately portray love in a play, however Shakespeare has faced love and loss. With his experiences and a significant talent to convert feelings into words, he wins the bet by writing Romeo and Juliet. This speaks to the necessity for artists to go out and experience life to fully understand their subject emotions. And it becomes easy to understand why some of the greatest artists of history often had troubled lives, since they had to deal with hardship in life they could easily portray hardship on the canvas, or on paper, or in song.

Art was somewhat of a mystery to me, I never took a particular interest in it. But now I see art’s importance to society. It is how we understand ourselves and our interactions with others. Art is love, happiness, sadness, loneliness, and every other emotion you can think of. Shakespeare in Love is a not just a film about Shakespeare’s tragic love life, but a story of Shakespeare “in love” as an integral part of his artwork.

Behind The Scenes

Last Friday I viewed the film Shakespeare in Love. In the movie, Shakespeare is in the process of writing  the play Romeo and Juliet. This movie was completely fictional but hypothesized where Shakespeare’s Romeo and Juliet originated. In the beginning of the movie, Shakespeare unknowingly casted a woman for the part of Romeo, due to the fact that she pretended to be a man, at the time known as Thomas Kent. It later turned out that Thomas Kent was in fact Viola de Lesseps, a woman of the upper class that Shakespeare would have a love affair with.  At this time, the play started to shadow his interactions with Viola. Later in the movie Viola had to marry Lord Wessex, creating an end to their affair. During the final scenes of the movie, Shakespeare had to play Romeo while his love interest, Viola played Juliet. As they thought these were their final moments together they expressed their love for each other in the play. Unlike in Romeo and Juliet, Viola and Shakespeare had a happy ending in comparison. Neither of them died, but Viola did marry Lord Wessex. Overall, I thought that this movie posed an interesting question to where Shakespeare’s idea for Romeo and Juliet had originated. It is possible that these events did occur, but it is unknown. I thought this movie did a wonderful job in portraying the Elizabethan era, I for one was disgusted by the majority of everyone’s teeth during that time period. The movie did a good job highlighting the cast differences and explaining a potential hypothesis on the origin of Romeo and Juliet, as it was not thought that a love like Romeo and Juliet’s could be caught on screen.

What is Love?

Before this past week, I had never really heard of Shakespeare in Love (I’m not really a movie person), but when I looked it up, I saw that it had won seven Oscars, so was interested to see what it was going to be like. Overall, I’m going to say that it was an okay movie. There were definitely parts I enjoyed, but others I found kind of cringeworthy. Before watching the movie, GRF Sara asked us to consider the process of creating a masterpiece of art and if love could be captured in a play or such a movie.

I thought the question about the creation of art was interesting in the case of this movie. Clearly, someone is telling Shakespeare expectations they have – like it being a comedy about pirates or that there needs to be a dog – but his mind takes him in a different direction. But at the same time, he experiences writer’s block, which everyone does. When he talks to Marlowe, you can tell that they don’t have an actual rivalry with each other, as Marlowe just talks about certain ideas that might work for the a star-crossed lover play. Doing this makes it even more impactful on Shakespeare when Marlowe dies, as first, he thinks he is the cause of the death, and two, that no one really source of every part of a large piece of work. It is entirely possible that some of the masterworks we know and attribute to one person could be the combination of many ideas from many different places, not something churned out by a solitary genius.

On the subject of creating a play or movie about love, I don’t know if I think either the original play or the movie capture that. When thinking about the play, I think while Romeo and Juliet clearly had feelings for each other, they could not have possibly been that in love. I guess this point of view may be different for those who believe in love at first sight. That is not to say that I do not enjoy the play. I appreciate Shakespeare’s writing and found myself reciting lines of the play as they either rehearsed or performed them in the movie, because certain prominent lines sort of stick with you unknowingly. I do not know, however, if I find the play to be a great love story.

As for the movie itself, I agree with another poster that it is somewhat tacky. While I don’t know much about fashion at that time, the fact that Shakespeare was always wearing those same strange pants and that he could get away with being a nursemaid to accompany Viola was ridiculous. Also the fact that a woman with so much hair and pretty feminine body language could get away with a fake mustache and a wig was ludicrous. The part of the film that resulted in the most visceral distaste was the reading of the play cutting between Shakespeare and Viola in bed and Viola and the actor playing Juliet in rehearsal. It just seemed contrived and unnecessary. At least to me, it was one of the most unromantic parts of the movie.

All this being said, I really don’t know if love can be fully portrayed in a play or movie or any work of art. Love is such a complex internal emotion that encompasses lots of different thoughts and actions, and is experienced differently in different people. While I think there are definitely instances where love is expressed in art, I cannot say there is a work of art out there that truly captures the feeling of love for everyone.

Shakespeare’s Juliet

I have heard plenty of mysteries regarding the identity of the famous Shakespeare. Many people believe that Shakespeare was a lower-class fellow because writing was not a respected profession back in Elizabethan times. Others believe that the degree of education held by this master of playwrights could not be obtained by anyone other than nobility. That is to say, Shakespeare could have been a mere alias to a nobleman looking to save face. Yet I never considered the origin and inspiration of his stories to have relevance in identifying the man behind the works until I watched Shakespeare in Love at this week’s Rose Movie Night.

Whether he was a solitary genius or a man of social experience was not a question that had crossed my mind, but I believe that in order to get inspiration for masterful poetry and other forms of expression, a person must be emotionally driven or inspired by experience. While I realize that the movie was fictional, it brought to consideration a valid point. Shakespeare must have drawn inspiration for his numerous sonnets from something, even if it was mere observation of his surroundings and the interactions between others. He may even have been a confidant amidst the drama in the life of others. Yet, there is a very likely possibility that he drew from his out heart-wrenching, emotional experiences in order to concoct his masterpieces. Like the Shakespeare portrayed in the movie, Shakespeare in the real world could have used writing as an escape from his internally conflicting emotions about what was happening around him, without actually having lived through struggles similar to his characters’.

Whoever the real Shakespeare was, he could not have been a lonely man without friends or family to depend on. His life remains much of a mystery, but his poetry contains universal struggles and messages applicable to people of different time periods, heritages, and social classes, that would be overlooked by someone solitary and without personal experiences. Maybe Shakespeare wasn’t being threatened for stealing a forbidden heart, but I truly believe he must have had his own real-life Juliet.

A Perfect Valentine’s Day Film

Last week I went to the Flora Friday Film night where we watched the 1998 film Shakespeare in Love. The movie was pretty much a polar opposite from last week’s film, Fight Club. Shakespeare in Love was a romance full of lighthearted jokes, fun, and non-controversial topics, very different from the violent themes of Fight Club. I don’t know if this was done on purpose, but I loved seeing the two dramatically different styles of film-making so close to each other. These two movies were also made within one year of each other, making them an even better comparison between the two film styles.

I liked Shakespeare in Love because the movie knew what it was. It knew it was a romance, and did not attempt to do much else. It instead focused on telling the romance story between Shakespeare and Viola well, giving time to develop the characters so that the audience is invested in the story. With that said, I was surprised at how much erotic content and nudity was included in the story. Perhaps sex was useful tool to convince the audience of how much Shakespeare and Viola are in the love with each other, but it excludes a large audience by restricting the movie rating to R. Since the rest of the movie was so innocent and would have catered well to a younger audience, I’m surprised the director decided to include the sex scenes.

Another plus of this movie was the stories’ similarities and references to the works of its subject, William Shakespeare. Many of Shakespeare’s comedies involve ridiculous situations with deceit and miscommunications. The plot of Shakespeare in Love captured this style by having Viola’s to be husband think he killed Shakespeare, and by having Viola dress as a man so that she could become an actor. Both of these scenarios would not be out of place in an original Shakespeare play. This movie was not a masterpiece, but it was a good homage to Shakespeare and a perfect choice for Valentine’s day week.

The Nature of Genius

Genius is usually seen as something you are born with. It’s an innate quality you simply possess. It’s just what you are. Our narrative of genius essentially posits that either you have it, or you don’t. You cannot claim genius, no matter how hard you work, or become a genius. Genius is conceived of as effortless.

“Shakespeare in Love” is not the sort of movie I would chose for myself. Romances of any sort are not my speed. But, it is interesting in the way it conceives of genius. As “Shakespeare in Love” tells it, genius is not so much an innate characteristic as something which happens to you-genius, it seems to say, arises from brilliant experiences, rather than originating in the self. In the film, the young playwright William Shakespeare draws heavily upon his lived experiences while writing Romeo and Juliet. As the film tells it, the great love story in “Romeo and Juliet” is so meaningful because it is inspired by the real life love between Shakespeare and Viola de Lesseps.

While the actual movie is somewhat tacky, its narrative of the creative process and of the nature of genius is compelling. It is far more democratic than the traditional narrative. Of course, you can tell yourself you are a genius-but there are a lot of other people in the world, all of whom are free to tell you that you’re wrong. But, no one can really stop you from seeking out brilliant experiences. If genius is experiential, anyone can be a genius. You can try and fail, and fail a lot, and still be a genius, once you find the right story (or idea, or experience, etc..).

All said, I enjoyed this movie. It presented a unique take on the creative process, and on the nature of genius. It was also a fairly effective love story.

 

Watching a Somewhat New Movie about an Old Playwright

“Shakespeare in Love” definitely felt like a 90’s movie.  Its visual quality and props were a little subpar to today’s standards, and it kind of added to the feeling of historical times.  William Shakespeare, a fledgling playwright, falls in mutual love with a rich woman by the name of Violet de Lesseps who is already arranged to marry Lord Wessex, a jerk, and move with him to the New World.  First seeing each other at a party hosted at the de Lesseps castle, the two bond through their love for poetry, as Violet is one of the few people already well versed in several of William’s works.  For several nights, Shakespeare manages to sneak his way into Violet’s room where the two enjoy their ripe fruit of intimacy.  While this showed both’s desire to be together despite being caught, it also allowed the two to wake up startled by the morning bell, which counts down the few days left before Violet is set to leave for the New World.  I liked how the imminent end of their relationship periodically presents itself throughout the movie, and how it both prevents and promotes romantic scenes.  While the couple can’t realistically expect their relationship to persevere, it makes imagining their future that much more tempting, as their dreams are the only place they can live their longterm desires.  These dreams find themselves untouched by time and by the less romantic aspects of reality, sealing the the couple’s passion for one another.

I was thinking on my way to lunch today, how much better it feels to be hungry and eating than to be full and satiated.  Throughout the movie, Violet and William are feverishly feeding their want for each other because they know they will not be able to in the future.  They are able to maximally enjoy each other at the tall peak of their love, at a height that has been set by their inability to be together later.  While relationships can and sometimes do flourish in the long run, there is a charm to being in love with someone when their presence still feels new to you.  For that reason, I don’t think their relationship is as tragic as it initially seems.

The Second Civil Rights Movement?

Previous to watching this documentary, I really did not know much about James Baldwin. I only knew that he was a novelist and a playwriter, but that was the extent of my knowledge of him. It was interesting to hear another persepective of the Civil Rights Movement and racial tensions in America. The scary thing for me is that many of the things that Baldwin said in the documentary can still be applied to conditions today. In the documentary, they showed images of the present day with Baldwin doing a voiceover. It’s amazing, or actually chilling, to see how many things of the past are still relevant today. One thing that resonated with me was when Baldwin said that the problem white people have with black people is a fear that exists in their heads. I totally agree with this because I think sometimes people are living in the shadow of the horrors of slavery and the guilt that comes with it. They feel as if they keep black people oppressed, there will be not retaliation or revenge taken on white people. Granted, there are some blacks who have this idea of “black superiority,” however, a majority just want the chance to be the best version of themselves without the color of their skin determining everything. Personally, I think people who are racist, have a mental illness because we are all human beings yet sometimes we treat each other like we are from a different species. It makes no sense. It is so exhausting that we still have to have these conversations today. I really don’t know if anything will ever change, however, I always have to push myself to keep fighting and standing up against oppression of ALL kind, no matter how tiring it gets sometimes.

*SIGH*

So, I am not really the greatest fan of Shakespeare. Oddly enough though, “Romeo and Juliet” is one of my favorite stories because of its extreme absurdity and corny-ness. (Fun fact: I own about 7 different versions of the play, including one written almost entirely in emojis!) I think that, like “Romeo and Juliet”, “Shakespeare in Love” also does not really do much to bring justice to the the intricate complexities of “love” and instead just takes a one-sided static viewpoint of “love” and exaggerates it to a point that is almost comical. Even with that being said, I enjoyed the film , for that reason, and I can understand why it sold so well with many audiences.

Dear X people

February 8th, 2017.It was the first day I learn about him, James Baldwin. First I was skeptical to go at this event, but I ended up going because I had to. Personally, I do not regret my choice. I actually felt in love with him, and I wanted to read more of his works. This documentary was very powerful I like the fact that the mixed the past and the present and wrapped everything with his voice throughout the movie. It was a powerful documentary, but I was mostly impressed with what he said at least some of them. I do not agree with everything, but I was glad that he shared some of my beliefs.  For this reason, I felt the need to share more of my thought here, but first I would like to warn any sensitive person not to read the rest of this post. If you do not feel like you will read with an open mind, I would advise you already not to read the next line because I do not guarantee you that it will not challenge your beliefs. It took me a while to write this draft because I do not want to seem judgy at all. This is my opinion feel free to add a comment. If somehow it upsets you, I am sorry but I recall that I advised you not to read if you were sensitive.

I am a black woman born and raised in an African country; however, I was not aware of my skin color until I landed to America. That is when I learned that it was a thing to “be black”. I knew the story of the slave in America. I knew what the black community in America was enduring every days, but I guess at some point I thought it was getting better. I have never gotten electrocuted by a cop because I am black. Neither then I got beaten for my skin color. I already faced racism however, but my point is that my point of view of this situation might be different than someone who were born and raised here. Nevertheless it does not change the facts that I am black, that I am now living in the US, and that it destroys me to see this situation it still exists. In my opinion, the fault is shared between the opponents. They are all stuck in the past, and as long as they refuse to let it goes this situation will perpetuate from generations to generations. It is exhausting,