Theater in Film: Shakespeare in Love

Shakespeare in Love takes a playful and delightful turn on the creation of Romeo and Juliet. A rather steamy, inventive, and somewhat parodic take on William Shakespeare’s approach to writing one of the greatest classics of all time, screenwriter Tom Stoppard energetically blends the drama and fiction of playwriting with the constructed fiction of the screen, doing so both through language (the whole film is written in iambic pentameter) and through parallel stories (the fictional biography of Shakespeare and the actual play). The fluidity between these parallel universes speaks to a larger conversation on the relationship between art and life. This is something Stoppard visually plays with during the brawl scene on stage when Lord Wessex challenges Shakespeare to a duel; during a suspenseful moment when Shakespeare is about to pierce Wessex through the heart, his choice of sword fails him and undermines his attack, bending as it humorously pokes at Wessex but also at us, the audience, and the spectacle of theater and of film-making. The film is able to so brilliantly convey a William Shakespeare as an everyday man that reminds us at most that he was a populist writer above all, something we oftentimes forget when we approach his work and place it on a pedestal.

Broadening English Requirements

I attended a Friday film night that showed “The Rose”, Shakespeare in Love and I have to say generally I was very surprised.

The scene and feel of the movie made it seem like a film that was based off of one of Shakespeare’s many plays. However, I was surprised as it intertwined an interpretation of how Shakespeare had the inspiration for Romeo and Juliet and I generally enjoyed the film. However, what surprised me the most was that by presenting the play of Romeo and Juliet in a way that made the audience had a glimpse of what the love story would have played out and meant in real life made me able to understand the lines of the play a lot better.

I think it showed that no matter what language and style that something is written through, they are written all about the same universal experiences. I remember how difficult it was for me to understand the lines back in high school. However when the lines were intertwined with imagery of an actual relationship, it became much easier.

Shakespeare is often portrayed as something so difficult to understand, not relatable, and not relevant for modern times. Now I understand that it really is just another language speaking about the same feelings and I hope that English teachers will continue to try to “universalize” Shakespeare writing.

Violence and Twists

I was excited to see that Fight Club was the first movie being shown for movie night. It is a movie that’s reputation precedes it. It is nearly two decades old, but I’d taken great care to make sure that I went in without any spoilers. I will stick to analyzing a few small aspects of the film since there are literally books written about the film.

After the film Professor Hill discussed some of the cinematography choices in the film. He highlighted how the background will often contrast what is being said in the film. That was something I hadn’t noticed, but I think it is very important to understanding the underlying themes.

The fight scenes were some of my favorite scenes. They were executed very well, and I would disagree that they were gratuitous. I heard a few comments after the film that the violence was over top. I think that is one of the places that Fight Club showed it’s age. Compared to something like Game of Thrones, the fight scenes were downright subdued. Even the most violent scene between Norton and the underlying he is jealous of won’t make a top 10 list for violence in 2016. If a message of the movie depended on the amount of violence depicted, I think that message is a little lost watching it now.

In terms of the plot twist, the split personalities was given away a little too early for my liking. It was fairly obvious in the first few scenes of Marla in the house. Maybe keeping the plot twist a secret wasn’t the point of the movie, but I feel a little more mileage could’ve been gotten of the Pitt and Norton dynamic without the audience knowing they were split personalities.

The actual plot twist for me was the explosions to me. I was expecting for the other members of fight club to be figments of Norton’s imaginations. I am still not convinced that they aren’t. The whole theme of Norton fighting his true desires doesn’t seem to fit with him successfully destroying credit card companies. Norton seems to live in his world yet he is someone how able to successfully execute such a huge plan.

I can’t really go into dissecting the ending more than that since I still am trying to process all the themes from the movie.  The movie is still well worth a watch almost two decades after it initially premiered.

Does Art Imitate Life?

Shakespeare in Love depicts the birth of a masterpiece, Romeo and Juliet. In attempting to answer the question of how Shakespeare came up with the story, the movie makes his world his influence. I think it is highly probable that Shakespeare’s environment fed into his creative processes. The best ideas happen when people come together, so there were most likely many people in his life who helped him create some major ideas. I don’t think solitary geniuses can create masterpieces that resonates with so many people.

Another theme of the film was whether plays, or any literary vehicle, can actually portray love. Although Queen Elizabeth contends that Romeo and Juliet portrayed love well, there is a conflict on whether something as complex as love can ever be depicted justifiably. In my opinion, art is when people attempt to portray the most difficult concepts in our world. Although they might not completely illustrate the concept, humans create ingenious masterpieces when they attempt to describe such ideas.

Overall, I thought the movie was very well done. It was engaging and the acting was superb! I really enjoyed the costumes and setting. It also explored complex ideas about the possible factors that could have influenced the formation of Shakespearan literary masterpieces.

Fight Club–What was the purpose?

It’s been a week since I watched Fight Club, and I’m still not sure exactly what to make of it. Obviously I had heard all the pop culture references to the movie, and I knew it was popular. I was expecting a thrilling blockbuster similar to The Matrix, but Fight Club was something entirely different. I felt uncomfortable throughout almost entirely the entire movie. When fights were shown, I wanted to look away. I felt horrified when Tyler pointed a gun at the shopkeeper in order to get him to pursue his dream. Even at the end of the film, when the protagonist defeats Tyler Durden, instead of feeling release and relief, I only felt sickness from the bullet wound in his face.

I’m guessing the emotions that I felt are intended. The purpose was to get me to understand something about masculinity or violence or something like that. And I guess I did feel a bit of resentment towards Durden’s values. But the point seemed forced. The big reveal at the end was that the narrator was Durden all along. Seriously? Talk about an underwhelming deus ex machina. It was almost as bad as the “it was all a dream” cliche. In the end, I didn’t have any big epiphany about human existence. I didn’t particularly enjoy the film. I just walked dazedly to my dorm room and sat in the dark for a minute just trying to figure out what the hell I had just watched.

A Fight

The movie was very disturbing in some ways. I thought that there was too much violence depicted in the movie, some which was unnecessary. But the protagonist felt that he was ignored and created an imaginary character which he wished to be. All of actions by the imaginary character was what the protagonist wanted. This made me remember the group of people who felt neglected this past election season, and who thought of Trump as the savior. They felt as if the establishment was ignoring them and their problems, and there came this “miracle” who would save their miseries. Just like the main actor in the movie, they wanted to show the world their individual power.

The Art of Life

I loved how Shakespeare in Love offers the audience a new perspective from which they can view a work of art. Rather than seeing the product and wondering about what inspired its ending or who was the source of inspiration for the hero or heroine, the audience gets to watch the process while continuously looking for parallels between life and the artwork it inspires. In flipping this arrangement, the movie conveys several important points about how an artist creates a work of art. First, Shakespeare in Love reminds us that art needs an audience. The power of art rests in its ability to move an audience. Some told Will they wanted a comedy, others told him they wanted a play involving battle, and still others told him he should change his title. The array of suggestions with which Will constantly met underscores the fact that audiences are not passive observers. Rather, they have expectations and stories they want to see come alive. A writer has to find a story that resonates with all these desires or transcends them to create a new common desire to fill through his or her story. Also, Shakespeare in Love communicates that art creates a story out of the beauty, tragedy, excitement, suffering, triumph, and so on of the world. As the relationship of Will and Viola changed, the script transformed to reflect these changes. In a way, the parallel the film creates between life and art serves as a reminder that people should find the aspects of art that move and inspire them in real life. It assures us that the adventure, love, mystery, and passion found in art exists in the world as well.

In addition to challenging the way audiences usually view art, the film also challenges notions of love. Will had a wife, and Viola was betrothed to another man. When their relationship overcame one obstacle, another one sprung up in the distance. Will and Viola acted out their love on stage but were forced to part once they left this stage. As opposed to capturing the love story that ends with two vowing to grow old together or not grow old without one, the film captures the power of a love that will “never age or die.”

 

 

Who’sThe Boss?

The movie Fight Club, which I saw last Friday, examines the loss of the masculine identity in gray-collar workplace. This is the second time I have seen the movie Fight Club. This movie succeeded in being thought provoking. The movie starts out with a nameless individual that we later know as Jack, and shows how he met Tyler Durden. It is later found that Tyler Durden is actually Jack’s alter ego. Jack had a boring, routine life: wake-up, go to work, and go to support group meetings, while Tyler was a rebel who wanted to live his life the way he saw fit. Tyler and Jack created an under-ground, male-only fight club. As the movie continues, the under-ground fight club evolves into Project Mayhem, which is made up of gray-collar workers. The movie succeeds in analyzing the masculine identity created by our society. Overall, I thought that the movie was very interesting as it played out moments in our every-day lives and the struggles that arise. I feel that this movie needs to be seen multiple times in order to be understood completely.

Perceived and Presented Reality in Fight Club

Last Friday, I watched Fight Club at Flora’s Film. Having never heard of the movie, I naively expected it to be an overall dry movie with sporadic fight scenes dispersed throughout the movie. However, I was surprised by the depth of themes portrayed within the dialogue and unique cinematography, extending the themes far beyond those typically associated with fighting. Perhaps it was the intention of the film, but I left with my eyebrows cramped into a permanent furrow — feeling utterly rattled and disturbed. Yet, I didn’t seem to observe anyone else’s discomfort. Though I am not someone who particularly enjoys violent films, I have watched them in the past and my overall takeaway has never affected me like it did with this film.

Prior to watching the film, Dr. Hill urged us to look beyond the misogyny and focus on masculinity that is often associated with the film. I would have to say that this was a wise point, as the film covered much more than these themes, especially focusing on self-identification and the difference between the projection of oneself and the ideal of oneself.  I think it is primarily the disconnect between these two and the actions that manifested that made me so disturbed. Without realizing it until the end, the narrator was responsible for making soap out of human fat, pulling a gun on people, forming an amoral, robotic army from humans, and being the ringleader of a group oriented solely to bring mayhem to different places. Until it was revealed at the end, I could not fathom how the narrator willingly worked with Tyler Durden, especially with the narrator’s growing disapproval and understanding of Durden’s actions. Perhaps it is the notion that someone is capable of so much damage yet cannot attribute it to his own responsibility that scares me; the greatest loss of oneself is the loss of control over separating what you believe yourself to be and what you are.

This brings an concept of identity into consideration that is unrelated to the less obvious themes of the movie. Does one’s true self present itself as a combination of who you think you should be and who you think is you? If you adopt entirely different mannerisms, values, and attitudes than those in your past, are you abandoning them or are you merely attempting to hide them with the chance of them escaping?

Consequences of Missing the Point

Last week I watched the controversial 1999 film “Fight Club.” After watching it, I was initially shocked. The movie probably intends to give the viewer that feeling, with its jarring dream like sequences (which reminded me of modern Baz Luhrmann movies) and its extreme violence, Fight Club is meant to make the viewer feel out of place, and it succeeded. Since it became a cult classic, viewer have tried to decipher the other intentions and themes of Fight Club. People say it’s a coming of age movie that exposes the flaws in cult thinking, sexism, and violence by showing the sorrows of people who indulge themselves in those behaviors. People say that the movie uses gory violence as a story telling device, and to highlight the pointlessness of such behavior. However, I think these messages and themes can be told without resorting to the gore and brutality that fight club had viewers watch. The shots of violence seemed like a cheap way to make viewers feel something, similar to how jump scares are a “cheap” method used in horror movies. Much of the premise of the movie is based on the un-named protagonist’s view that society is repressing men from doing “macho” things like fighting, but it’s the opposite. Society is filled with messages encouraging men express their animal instincts. People think violence is in vogue, MMA is one of the most popular sports around, and that shooting guns is cool. So… what exactly are the men in Fight Club rebelling against?

With that said, the movie is partly redeemed in my eyes if it was intended to deliver a good message. Still, even if fight club says it shows all these terrible things (violence, sexism, anarchy) to convince the viewer that they’re pointless, the film did it in a perhaps too subtle way. Not everyone going to see this movie across America went home and analyzed it as a piece of art with a message, it is without a doubt that these good intentions went over some peoples’ heads. These stances may exist and the movie well intentioned, but if that is the case then the messages weren’t presented in any coherent way that sticks. In many ways, Fight Club sells the same deplorable ideologies that it wants to stand against. If most people don’t think the movie is a satire on masculinity and violence… then is it still satire?

Fight Me

When we first get a glimpse of Jack’s apartment, the camera pans across the space and CGI fills in the rooms with furniture and tools marked by descriptions and price tags as if from some shopping catalogue. Jack’s obsession with material goods is reflected in the consumerist society of today. But while Fight Club itself does not address the consumerism, I noted that the concept of consumption and waste is present throughout the film. In nearly every scene, there is a Starbucks cup somewhere, for instance, and in multiple times the flicking of a cigarette is made extremely apparent.

But there is also a theme of carpe diem as found in movies like Dead Poets Society and Bladerunner. What really struck me was the scene where Tyler held the convenience store owner at gunpoint. He asked the owner what he wanted to be when he grew up, and said that he will kill him in six weeks if he wasn’t on his way to becoming one. “The breakfast he eats tomorrow will be the best breakfast he’s ever tasted.” While slightly comedically relieving and thought-provoking; after all, we are all guilty of taking much of our lives for granted. But the method in which Tyler brought this to his attention is certainly troubling: should we all be held at gunpoint and be forced to believe we’re living our last seconds? Probably not.

It’s still uncertain to me what the message the Fight Club had to tell, but at the moment I believe that the purpose of the film is solely cathartic. While the writers cannot (and probably should not) hold me at gunpoint, he can bring me into a film and put me in the victim’s shoes. In that moment, I feel like the convenience store owner. I feel that I’m being held at gunpoint, being entranced in the dear hope that I am not murdered by Tyler Durden. But in that way, the director gives me the benefit of being thankful for my life without actually making me kneel on the wet pavement grasping nothing but my life’s failed dreams.

Your life is precious. Don’t waste it. Don’t waste it like the huge heaps of used consumer goods you waste every day and forget about.

A Great Movie to Watch Many Times

Last Friday, I watched the film Fight Club. This was actually my first time watching the movie, although from what I saw, I really feel like it is the type of movie that should be watched multiple times. There was so much going on, and I know that I didn’t catch all of it. Plus, there are pieces of the movie early on that hint at the things to come–such as the brief flashes of Tyler’s character before we even met him. To be honest, when I first saw them, I just thought it was some sort of glitch in the film. Now that I realize that it was intentional, I would really like to go back and re-watch that part to find out what was happening when those brief flashes occurred.

I’ll admit that I’m not very good at analyzing anything after just one viewing–I need to see something at least twice–however I could tell that there were many messages that the movie was trying to express. For instance, the idea that we shouldn’t fixate on material goods was addressed: the protagonist initially seemed to be more interested in his Ikea furniture than his own life. What really interested me, though, was the whole twist about who Tyler really was. I felt like it showed that we all have multiple parts to our personality–although obviously it is not usually that extreme. One side of us may want to just do fun activities all of the time, while another part of us acknowledges the need for us to spend time on our classes, so that we can learn. I think that many times these different parts of us can be in conflict with one another (who hasn’t procrastinated on an assignment in order to do something more enjoyable?). We must all eventually learn which parts of us to listen to at what times–particularly if, like the protagonist in Fight Club, there are parts of us that wish to tend toward the extreme.

I could certainly go on about this film–there was a lot in it–but I really feel like I need more information. So, overall, I recommend watching this movie if you haven’t seen it already, and if you have, I recommend watching it again. I am almost certain that you will catch something that you missed last time.

You Don’t Talk About It

I attended the first Flora’s Film Friday programming, and although I had heard about it before and certainly about the first rule, Friday was actually my first time seeing the film Fight Club.  I had assumed that the film would be about a secret fight club (which, in a sense, I suppose it was).  However, I was surprised by the other aspects of the film: how the group went from being an underground fight club to a cult-like, almost military structured terror/chaos organization, the social commentary on things like masculinity, etc.

I thoroughly enjoyed the film, and from the flashing images of Tyler in the beginning (which I initially was unsure whether they were actually there or if I was just seeing things) to the twist at the end, Fight Club was definitely more than what the name implies.  But what stuck with me the most was not necessarily the frequent and visceral portrayals of violence and terrorism (elements from which I was not personally put off by, but I certainly understand why it might for others).  Rather, the realization that the film is perhaps just as relevant (maybe even more so) as when it was released.

Dr. Hill gave a small introduction and spoke briefly at the end of the film regarding his own analysis of the film, from the scenes themselves to themes to the social implications that arose when it first came out, as well as how the film might be applied to the world 18 years later.  For one, we watched Fight Club in a post-9/11 world, and thus the imagery of buildings falling due to an act of terror certainly carries more weight and perspective than perhaps it did in 1999.  One could draw connections between people of the contemporary world and the anti-corporate and anti-capitalist members of Project Mayhem.  I believe that Fight Club is one of those films that you could watch and every time notice something new or something that makes you consider something in a way you may not have thought of previously.

Back in high school, we would make the (obvious and although actually relevant) connections to our lessons on power projection and US Naval aircraft capabilities to justify to the substitute teacher why we should watch Top Gun during Naval Science class.  And while the relevance of Fight Club to our world today may speak to things that a (honestly) unnecessary beach volleyball scene would not, I would highly recommend watching Fight Club, and looking at it as more than a violent movie.  Just don’t talk about it.

Cult movies: Fight club

I always heard a great movie’s a one that raises questions not a one that answers them. Fight club was definitely one of them. I found it quite impressive how the simple fight club in the movie became into a professional crime group of the society. I was thinking all the time what happens that cults take shape. Maybe people have a need to adapt to a very odd ideology or maybe it’s just boredom with normal life. The main character of this movie was definitely bored with his normal life, so bored that he had insomnia and he started taking part in therapy groups with people that he didn’t have similar problems with and then he became the founder of the fight club.

Other than raising so many questions for me about cults and boredom with normal life, this movie also made me question whether this movie had a message in a wider sense about the society. The fact that the fight club had entire influence over the society made me think that maybe there’s a secret cult that has huge influence and control over the society or maybe we’re all part of a cult that we don’t know about. Maybe the cultish ideas make us so blind that we don’t see the people who suffer from cult practices. These thoughts kept occupying my mind all the time. At the end I thought the movie was trying to make people think of what would happen if power fell in the hands of people with cultish types of ideology.  

The Accomplishment of Gender

I’ve watch Fight Club numerous times. It’s one of those movies where you always find something new. The first time I watched Fight Club, I didn’t notice any of the tricks in the cinematography or any other nuances. The second time over, I started to notice hints early on in the movie that Edward Norton’s character (Now referred to as the Protagonist) had created an ‘alter ego’ named Tyler Durden. On this occasion, the movie’s portrayal of gender caught my attention.

By looking at the Protagonist’s pattern of behavior, it is clearly evident that Fight Club functions to ‘accomplish gender’. Initially, the Protagonist used to visit support groups, under the false pretense of being ill. The support groups were areas where the Protagonist could be emotional without fearing potential judgment from a society where crying may be viewed as a threat to manliness. Later on, the Protagonist stops going to support groups, and focuses on Fight Club instead.

Fight Club, is in itself a representation of toxic/hyper masculinity. During their meetings, members of Fight Club cheer on as two men fight until one taps out, conceding the other’s victory. Victory, in this sense, is neither cash nor a prize. Rather, these fights function as a proclamation of masculinity, in which the members may find catharsis.

In this way, the movie highlights how gender is a dynamic concept: something that can be ‘accomplished’ by actions and behavior. Another crucial aspect of gender is appearance. For example, Bob was a man who had developed breasts due to complications with testicular cancer. During one of the support group sessions, Bob says to the Protagonist that, ‘We’re still men’. For Bob, participating in Fight Club was a way to reclaim his masculinity while dealing with changes with his body.

There are countless other examples which could be linked to gender. Overall, this movie highlights the social construction of gender and the dangers that arise from trying to use a dichotomy to categorize human behavior.

A Cult Classic

Last Friday I attended the first Flora Rose Film Friday, where we watched the movie Fight Club. I had never seen the film before, but I’ve heard a lot about it. Before starting the movie Professor Hill mentioned that it was released in 1999. The turn of the century was a turbulent time, as many were afraid that society might fall apart due to the formatting of dates in computers.

Today could also be considered a turbulent time. The main character’s resort to violence and isolation can be paralleled with the approach of the current US administration. However, I think that the film uses the extreme isolation and violence as sarcasm, using the extremes to show how ridiculous the main character’s lifestyle becomes.

To me it seems that the main character may have been suffering from insomnia, and bipolar and/or multiple personality disorder. I didn’t like that the film maker took his behavior to an extreme. It seems like he could have been taking advantage or making light of metal disorders just to make a point. Seeing this film could influence people to think that people with mental illness are totally crazy and unbalanced and discourage people who are struggling from reaching out.

I was taken by surprise that the Tyler Durden character was actually the narrator. However, I was wondering pretty early on in the film (and am still wondering) whether the Marla character was real, or a figment of the narrator’s imagination. Although Professor Hill mentioned that the film is often written about as being misogynistic, I think this is a rather one-dimensional view. I think that Marla could be another projection of the narrator, or even that rather than fighting, as he claims, Marla is the narrator’s true reason for living. The later interpretation is actually rather romantic.

I think for future film viewings it would be interesting to have a short conversation afterwards to ask questions and share interpretations.

Black-less and Blackness in America

The film “I am Not Your Negro” was a painful and powerful film for me to witness. I really enjoy learning about the Civil Rights era and studying race relations in the US. I am a first-generation US citizen, with most of my family being from, and still living in, Kenya. Growing up, I lived in calm, safe, white suburbia. My family pretty much made up the entire integration for our town in Maryland. I really liked my neighborhood, but I did not realize how the shelter it proved actually blinded me. When I went to high school, I went to a pre-dominantly Black school in a pre-dominantly Black neighborhood (located near Southeast DC)  for the first time, and experienced a culture shock I never imagined I would ever experience. At first, the culture of my own people frightened and confused me, and I was taunted for being “not black enough” quite often. I really appreciate the intimacy of the pain and visions shared in “I am Not Your Negro” because it reminds me and encourages me to love the people that look like me more deeply and to love myself and my intersectional identities–to be proud of where my history has brought me and to not be ashamed to move forward.

letter to julia 2/8/17

dear julia,

my first rose scholar event for the semester was watching fight club–as you well know since i brought you along! i’d seen it once before so it was nice to catch some of the lines of dialogue and use of the mis en scene that foreshadow the film’s conclusion. naturally most of that had gone over my head on my first viewing a few years ago. i stand by what i said when we finished the movie the other night. while fight club is undoubtedly a good movie, and very well made, it’s a weird one to have as your favorite. whether or not it embraces or satirizes anarchism and violence is likely a fruitful topic of discussion for students of film, but nevertheless i doubt i’m alone in thinking that i walked out of the movie with more desire to get in a fight than when i walked in. this to me speaks to a certain fetishization of violence and hyper-masculinity–even if the film is, beneath the surface, rejecting that perspective. i certainly see the arguments for it being a commentary–a critique–on what it depicts of course. to that end though, you and i often discuss the nuances between merely depicting something morally reprehensible and saying something about that morally reprehensible activity through the depiction. so what do you think julia, if fight club‘s commentary works so subtly that you need to speak with someone with a PhD in film to fully grasp how, does the film really succeed at conveying its message? (or as the saying goes, if you have to explain a joke then isn’t it not a very funny joke?) then again, maybe this line of questioning is exactly what fincher intended–that you could get out of fight club what you put into it so to speak. from my experience with a couple of his other movies, i certainly enjoy his work. of the other movies in his canon i’ve watched–the social network, se7en, zodiac, and gone girl–all were impeccably made films. (i’ve read that the game is good too; we should add it to our list of movies to see at some point) with those films though, while they were each challenging, the challenges felt like they were driven from the characters, not the film itself if that makes sense.

love,

rob

p.s. where is my mind by the pixies is a great song–and a well chosen one for fight club‘s closing credits–but i still think gouge away is my favorite pixies song. the guitars hit you harder in gouge away than edward norton hits jared leto in fight club.

fight me

I read three or four of Chuck Palahniuk’s fiction books during high school and whenever the subject came up between me and my friend, he would urge me to read Fight Club. After reading a couple of his books, there’s a pattern that you can discern and the different stories start blurring together. Each story starts somewhat normal, and then oddities are introduced and a series of ridiculous events happen until the story devolves into chaos (with variation in ideas and themes, of course). I think that’s why I didn’t want to read Fight Club, as I’d heard enough about it and expected a similar experience to reading Palahniuk’s other books. As I was watching the movie this past Friday, I was surprised to find myself settling in to the reading-a-Palahniuk-book mindset I’d experienced maybe five years ago.

As for the movie itself, it stirred up some primal sense inside me and made my testosterone pump, as I’m sure it did for other guys in the room (Robert Boehlert). At times, it made me feel like punching someone and starting a fight. I didn’t act on these feelings, obviously, but the fact that the movie elicited this response from me was impressive. The themes mentioned by Dr. Hill were pretty blatant, and I couldn’t help but think that showing this movie to the wrong people at a time like this might spur them to actually incite violence, given our country’s situation. Considering the riots going on right now, I don’t think that it’s far-fetched to think that some of those people rioting might have been influenced by watching this movie at some point in their lives.

Behind Violence and Vulgarity–Review of Fight Club

The Fight Club is definitely one of the most thoughtful films I have ever seen. It has adopted many theories into producing the seemingly violent and ‘twisted’ scenes, such as Herbert Marcuse’s critique to consumerism, Sigmund Freud’s idea about projection and displacement, and Judith Butler’s idea about the performativity of identity.

First of all, the film intends to criticize commodity fetish. At the beginning of the film, the protagonist owns a condo, desires to buy everything in IKEA catalog, and wears designer brands; he points out that everything is single served, even passengers/friends met on the flight. His life, just as any other white-collar workers, is supposed to be perfect–perfectly boring and numb–“The things you used to own, now they own you”. It was until he starts the fight club, where people fight and relocate their emotional instabilities and senses of imperfection. I find these scenes corresponds to Marcuse’ idea about commodity fetish, which criticizes capitalism that makes people think they can find  happiness in commodities. Yet the happiness created by products is not real, as the the fight club members enjoy their violent and vandalizing behavior immensely.

The idea about consumerism is linked to the performative nature of identity. When the protagonist wonders “what type of dining set defines me (him) as a person”, the director not only implies that commodity fetish is so great that it has becomes part of people’s identity, but also alludes to the idea that identity is performative. In the film, the protagonist that follows all the rules of the society until he meets Tyler Durden, who has almost the opposite characteristics. Tyler lives in a dilapidated house–owns a few items, breaks rules, hates goods, and starts the fight club. It was until the very end of the film that it reveals that Tyler and the narrator are the same person acting differently. This has two meanings. On the one hand, what we perceive as one’s identity depends on how one acts–the narrator could be described as an ordinary and obedient white-collar worker while Tyler is a handsome and masculine (starred by Brad Pitt!) vandalizer, rebel, and even leader. On the other hand, there is no essence in one’s identity, as the narrator and Tyler are one person–what he acts decides what we see as well as define his personality/identity. While some might find the plot twisted, I think it is a brilliant adoption of Freudian idea about displacement that makes the performativity of identity clear. In other words, the narrator displaces his discontent (towards commodities and ordinary life) in his subconsciousness onto an imaginary other that he sometimes hates and other times idolizes. Now thinking back, I found many scenes hinting the idea that Tyler is an imaginary self of the narrator. For instance, when they two first meet on the flight, they have the same briefcase; and when he goes to the doctor to fix his face or challenges his boss at the office, he said the exact words Tyler says.

In short, it is a well-crafted film with brilliant ideas. My suggestion to people who want to watch it is that do not get too caught up in the fight scenes but see how the director uses techniques to tell his ideas; just as Tyler tells us not to get too caught up in commodities but see effects of advertising behind them.

Fight Club and Buddhism – An Interrogation of Distractions

Fight club is an ever-evolving beast. Upon each viewing of this film, there is always some new insight to be gained or some small subliminal message that becomes apparent. My viewing of Fight Club on Friday was the fourth time I have seen this film and I was surprised to find out that my relationship with the film has changed since my last viewing. Having studied Buddhism in my own free time, it was interesting to see the similarities in Fight Club’s ideology with buddhist ideology regarding finding one’s true self and how our possessions is what prevents us from discovering our true nature.

The one quote in particular in that film that echoes with Buddhist ideology is “It’s only after we’ve lost everything that we’re free to do anything.” Buddhists believe that in order to discover what one’s true nature really is, one has to discard everything superfluous from one’s life, useless material possessions and other distractions in particular. Buddhists believe that our unfocused minds are like glasses of water mixed together with sand. Through meditation and focusing one’s attention on the things in life that matter can one be able to allow the sand of distraction to settle and allow our minds to be clear like water. Likewise in Fight Club, Tyler Durden believe in living a simple, stripped-down life and through entering a trance-like state by fighting can one be able see where one’s true heart really lies.

“The things you own end up owning you.” Even after 18 years this quote is still relevant to every confused and distracted person living in a capitalist society today. While capitalism has given people a great deal of abundance, this abundance often results in too many distractions that steers us away from the causes worth persisting for. Education, inequality, the environment. These issues are among the many that are complex in nature and if we continue embracing or distraction-prone ways, we will never be able to interrogate the root causes of each of these issues. Like Tyler Durden would have championed, let us stop basking in the light of the phone screen glow and engage with the world without a filtered lens, embracing it in all its beauty and cruelty.

Hidden Feelings Behind the Fight

Fight Club struck me as the movie to incorporate many themes of every day life that we neglect to discuss without probing. One overarching theme evident in the movie deals with oppression and perpetuity, the primary reasons for the start-up of fight clubs. We can compare this club of fighters to children acting up in search of attention. Those to join the club sought to channel their anger and  discontentment, at having their day-to-day concerns overlooked, as well monotony in every day life, into actions that would attract public interest and attention. Fight club attracted these people because it provided variance from their every day life. They dealt with their problems in a “secret club” and left them there, with their suppressed feelings towards social structure.

Another interpretation for fight club could be that these men merely sought companionship and camaraderie. For instance, Bob appeared to me a symbol of loneliness because he is introduced as a man who has lost everything. His children didn’t care for him; his career was compromised after being diagnosed with testicular cancer; his wife divorced him; and the first person he sought out at the testicular cancer meetings was the protagonist, whose sole reason for attending the meetings was to have his feelings acknowledged. Yet after his death, fight clubs across the US acknowledged him and his name as someone who sacrificed his life for standing up for the lower-class and castaways of society. His death was the protagonists first attempt at acknowledging that the members in fight club were real people, with real stories, that they should all care about. He acknowledged that he had lost one of his true friends.

Yet the loneliness analogy can be translated into lack of love. While I agree that the movie was in ways misogynistic, the protagonist tells us from the very beginning of the movie that none of the chaos would have occurred if it wasn’t for Marla. We see her in many scenes primarily as a symbol of lust in sex scenes, yet she is also the reason that our protagonist comes to realize his psychosis and errors. Marla, as I see it, is the reason our protagonist realizes he wasn’t alone in feeling disregarded by his boss and the rest of the world. She, like him, would attend the illness-related group therapy meetings in anticipation of death and hope of compassion from others without actually being ill. I believe his courage for standing up to his alter-ego, Tyler, was a result of his realizing that Marla was back in town and would not be safe if he did not own up to his makes and acknowledge his problems. Marla, our only female character, was the catalyst for resolution in the story.

With respect to masculinity, it can be argued that it materializes differently with corresponding social status. I think it is safe to say that if masculinity is the male display of power, people of higher status exercise their power through bureaucratic means as opposed to the violent displays of the disregarded and oppressed.  When the protagonist’s boss attempts to fire him, he does not initiate any physical confrontation. Instead, he calls security guards to exercise that power. As for all the members of the club, they embrace their masculinity through acts of violence, such as destroying landmarks, blowing up condos, kidnapping, and fighting.

These are all issues that are relevant in today’s society, and will likely remain relevant for the rest of time. Oppression, loneliness, love, and power are universal topics that most of man-kind can relate to in one way or another. It is part of a journey of self-discovery, but how we choose to deal with these issues are what will set us apart from the events of the movie. After all, they aren’t entirely far-fetched.

The Fight Club

The movie Fight Club left me with a lot of confusion and mixed feelings. Dr. Hill’s explanation about the significance of the year 1999, which is the year the film was released shed some light on the ultimate point of the film. It was critiquing the anonymity of young professionals at the time. The nameless main character seemed to be yearning for an outlet, a way to display his dissatisfaction with his life. He did so by creating a “fight club,” in which he used violence to express himself. While violence is never the answer, Dr. Hill explained to us that the point was not for the audience to focus on the extremely violent, disgusting, and vulgar scenes, but to understand the anti-consumerism message of the film. However, I feel as if whatever broad world-view the writers and producers meant to convey to the audience was lost in the distasteful vulgarities displayed in the story.

Another aspect of the film that I found disturbing was that the film’s main character had no family or actual, proper friends. His divorced parents seemed to have really impacted his life in that he had trouble building normal, real relationships with normal people. He even had a difficult relationship with himself. He seemed to not really know who he was or who he wanted to be in most of the scenes. He also went to support groups in the beginning because he was emotionally unwell. I think that the support groups did not really help him with his problems, since he eventually spiraled out of control. In fact, I think what he needed was faith. He needed to believe in a positive power bigger than himself. It would have helped dispel his loneliness and given him better ways to improve his life and his dissatisfaction with consumerism. He needed to believe in a higher power instead of his material possessions.

In conclusion, I am not really sure what the point of the movie was, but I think that it would have been better without the extraneous violent and vulgar scenes. I definitely did not like the movie overall. However, I think that seeing Tyler’s many issues demonstrate the flaws in his dangerous lifestyle, and the fact that he had not faith in anyone other that himself.

Real Fighting with Deep Thinking

Fight Club is the first film of Rose House film series. Dr.Hill started off by giving us a brief introduction about 1990s when this film, along with other great film like Star Wars were made.

I have seen this movie before and I remember it to be violent and imaginative. [Spoiler’s Alert] The Protagonist (interestingly unnamed) is a automobile specialist who suffers insomnia and loneliness. He lives in a comfortable combo but feel mentally empty. After another regards business travel, the protagonist goes home, only to find his condo has been blown away during to a gas leak. So he called up Tyler, a person that he just met on the airplane and went to live with him. In contrast to the protagonist, Tyler present himself to be free, wild and brave. The protagonist see in him everything he want to be, so they became friends. Soon after, Tyler former the Fight Club, a daily night event where everyone can come and duel fight. With the club becoming increasingly popular across the country, the protagonist found himself isolated from rest of the group. Determined to find out the cause, he tracked Tyler’s whereabouts around the country, only to find out that Tyler is actually his illusions self.
Fight Club begins to get more violent and Tyler created the Project Mayhem, a secret operation to destroy multiple construction through extensive explosives around the country. Realizing what his other self has done, the protagonist is determined to stop the madness. He ended confronting Tyler and put a bullet through his cheek, killing “Tyler” but surviving himself. The protagonist ended the film, holding hand with Marla.

To be honest, I found the idea of the film quite disturbing and twisted, not just the physical violence but also the psychological disorder of the protagonist. Dr.Hill suggests its link to the ongoing political drama but I didn’t really understand his hint. Please excuse me for not wanting to discuss further about this film because when I think of the fighting and death scene I find it hard to go to bed with it. Still, it is a classic movie that have a IMDB score of 8.8. So if you are interested in a complicated psychological movie, by all means, you should check it out.