Week 10 – The Pagoda Close Reading

Page 222

“Mr. Lowe.” Omar hung like a crusted effigy in the yellow doorway.

“Call me Lau A-yin,” Lowe said. He was dressed again.

“Mr. Lowe.”

“Call me A-yin, damn it. Call me by blasted name.”

“Mr. Lowe.”

“You son of a bitch”

“Mr. Lowe.”

“Yes, Omar?”

“You want some tea, sir?”

 

This section of the Pagoda follows an emotional confession made by Lowe, in which he undresses and exposes his breasts and body to Omar. It is interesting to see how, despite being aware that Lowe is biological female and being physically confonted with Lowe’s naked body, Omar’s initial reaction still uses the honorific “Mr.” when he says, “Oh God, Mr Lowe”. After expressing his internal trauma from his father’s rejection of girlhood, Lowe contemplates on the meaning of love, hell, and fantasy in life. What is also very powerful is Omar’s persistent refusal to change the way he refers to Lowe after disgesting what had just occured. By giving each sentence its own line, Powell allows the reader to feel the relentless back and forth of the exchange, culminating in Lowe’s submission and Omar’s desire to comfort Lowe by offering tea.

 

 

 

Pao Reading Response pg. 115

“‘My whole life has been spent being white for Cicely to stop her feeling ashamed, and being black for Cicely to stop her feeling alone.  I had to be Catholic for Cicely because Methodist was too black, and I had to hold back at school for Cicely because being smart was too white.  I had to spend with style for Cicely so she could show off her new wealth and class, and I had to be prim and chaste for Cicely so she could protect the reputation of black womanhood.  And where me being Chinese came into all of this for her I don’t know.  But whatever I did she picked and poked and prodded, and found fault with me because in Jamaica the colour of your skin still counts for everything.’  And then she stop.  And then she say, ‘You think Independence is going to change that?” 

After hearing another group’s presentation about double consciousness, it made me think about this passage.  Fay is describing her experience growing up with double standards of being white and black.

Kerry emphasizes this by using a back and forth motion that gestures to and from the white and black expectations.  It serves to juxtapose the experiences of these two groups to gesture towards the conflicting strife Cicely is pushing onto Fay.  Repeatedly, words like “too black” or “too white” is stated for the reader to feel the push and pull of this inner turmoil Fay is experiencing.

At some point, it is no longer about Fay’s experiences.  It is about the life Cicely had as a black woman.  Fay states “…where me being Chinese cam into all of this for her I don’t know.”  The color of your skin is what Cicely sees, and the color of your skin determines your social standing.  She finalizes the monologue with stating Independence is not going to change this double-consciousness she experiences internally, and externally through people.

Week 8 – On Such a Full Sea Close Reading

Chapter 25

“They kept pace with each other for the rest of the length, their speed more steady than anything else, as if they wanted to be going side by side, as if the eyeing each other were building up their strength. Then, near the wall, Oliver swam beneath the lane divider and into Vik’s lane, and when they both flipped and turned, they were still neck and neck, but now flying. The commotion and sight of two swimmers racing in the same lane was now drawing the pool’s attention, such that people were collecting along the four sides to watch them go, crowding and leaning over one another, including Fan and Pinah the helper, so they could see these two, the long man and the short man, the gliding strides and the pistons, their arms sometimes tangling or even striking the other on the shoulder, the cap, the torsos jostling and pushing each other against the divider, riding up over it. There was a race to win but neither knew how long the race was, they just kept eating up lengths until Vik, longer and more fit for having been swimming all these years, began to pull away, one length becoming two, becoming three, until it was no longer a race anymore, Vik flipping and turning against a straggling Oliver and then turning again, clearly keen on reaching and lapping him.

By this time Betty was shouting for Oliver to stop, to get out of the pool. When Oliver saw Vik closing, he made a furious kick, perhaps for propulsion, but it caught Vik in the nose and instantly bloodied him.”

Chang Rae-Lee’s vivid description of the impromptu race between Oliver and Vik reveals not only the deeply tense nature of their relationship, but also adds on to Oliver’s competitive characterization. The sentences run on and build, much like the speech of a dramatic sports commentator. As the intensity of the moment increases, the reader might catch themselves leaning into the book, much like how the spectators closed in on the pool and even entered it to get a better look at the spectacle.

Week 6 – And China Has Hands Close Reading

Chapter IV

“Ah! Ah! Wong Wan-Lee was going to receive his girlfriend, Pearl Chang. Wong Wan-Lee came out of the bedroom and passed the drying room and lifted up the curtain and then he saw . . . A woman . . She was beautiful: The eyes! The lips! The mouth! Everything! But . . . She was not Pearl Chang. She was nobody! Wong Wan-Lee suddenly lost his enthusiasm and assuming a commonplace expression, said,

“Good morning, madam!” “Don’t be so dignified! Can’t you remember me?” the lady asked. “Me no see you before!” Wong Wan-Lee replied. “I guess I’ve made a mistake. Well, anyway, how are you? You know…” the lady said. “Fine, thanks!” replied Wong Wan-Lee. “How is business?” the lady asked him. “All right!” “If business is good, why can’t you have a good time?” inquired the lady. “I have good business, I have good time! Anything to sell?” Wong Wan-Lee asked. “Sure!” replied the lady. “Let me see!” Wong Wan-Lee said. “Be snappy, I’m working for a syndicate and I can’t afford to waste too much time on one customer,” replied the lady. “No see, no buy!” said Wong Wan-Lee, innocently.

“What? Do you mean . . .” asked the lady. “No can do,” answered Wong Wan-Lee firmly.”

 

Here we witness Wong Wan-Lee’s disappointment when Pearl Chang does not return. Prior to the portion of the text, Tsiang builds up the expectation of her return by describing every detail of Wong Wan-Lee’s preparations.

It is interesting to see how Tsiang uses punctuation to pace the rollercoaster of emotions in this moment. He first uses exclamations to express excitement, but after realizing the woman was not Pearl Chang, the exclamations represent a sort of performance. Wong Wan-Lee just wants to get through the conversation, and is most likely speaking loudly to compensate for any shortcomings in his command of English. This transition in exclamatory purpose is marked by the use of ellipses, which slow the reader down and symbolize Wong Wan-Lee’s realization.

 

Black Quantum Futurism

Also, something we looked at during the elaboration of our soundtrack :

Black Quantum Futurism Theory and Practice – BQF Collective

“Black Quantum Futurism (BQF)* is a new approach to living and experiencing reality by way of the manipulation of space-time in order to see into possible futures and/or collapse space-time into a desired future in order to bring about that future’s reality. This vision and practice derives its facets, tenets, and qualities from quantum physics, futurist traditions, and Black/African cultural traditions of consciousness, time, and space.”

-> When Sun Ra meets Quantum Physics and the non-linearity of time, I guess 🙂

To be honest, I really don’t get everything, but I’m convinced there is a lot to learn if you have time to go deeper into scientist considerations. In terms of philosophy, it is fascinating.

“Are you ready to consider that Capitalism is the real problem?”

https://www.fastcompany.com/40439316/are-you-ready-to-consider-that-capitalism-is-the-real-problem?fbclid=IwAR3VPdUrG6zvH8oWHjaJ8aD4iiPH_Qy7StUG4DWw0aPDhIUoltOqp-N2u-M

I just read that article, and it rings a bell with a lot of considerations we shared today during our showcase 😉

Because it’s time to stop with that myth of a perpetual economic “growth” in a limited world, with limited resources. Resources that don’t belong to us, that exist by themselves and are way more connected to the rest of the world than we are.

Because what makes life worthy can’t be measured by GPD.

” The choice is stark, and it seems people are waking up to it in large numbers: Either we evolve into a future beyond capitalism, or we won’t have a future at all.”

Asian Settler Colonialism

Eldred Harris’s question at the presentation session in class about the role of Asian students at a university founded for white students to build the American nation in a land-grant university forced me to think again and contend with the place of Asian people in the America. For me, his question is one that is central to this class and the conversations between Africana studies, Asian American studies, and other ethnic studies.

Raven and I interviewed Professor Evelyn Hu-DeHart (at Brown University) earlier in the semester when she gave a talk about “Spanish Manila and the First American Chinatown,” and our conversation with her also touched upon many of these issues of belonging and of place. Professor Hu-DeHart was a key figure in the transformation of area studies (Asian studies, etc) to ethnic studies (Asian American studies, etc). Although this development was one that is critical to our place in the current-day university, the questions that surround identity within the university (and outside of it) are still being asked. Sometimes, they are asked in different ways, couched in the logic of affirmative action . . . or funding for different departments . . . or programming for international students to help with adjusting to a new environment. Regardless, these questions all deal with our place within a space like Cornell and other spaces where whiteness tends to dominate.

When I answered this question in class, I have to admit that I was uncertain where Eldred was coming from, and my answer might have reflected a quiet but certain irritation that naturally comes when someone implicitly questions your sense of belonging, the community you have made in a place, or your motives and/or morals for being somewhere or doing something. Perhaps the three cups of coffee and five hours of sleep that were part of my Sunday night and Monday morning had to do with it, too.

To be clear, I wanted to re-affirm the diverse perspectives and lives of Asians in the Americas. Yes, there are international students from China, but there are international students from Thailand, from South Korea, from Burma. Yes, there are international students from China, but there are Asian students from the United States, all of whom have different permutations of living as Asian Americans.

Then again, who is to say that the international students from other countries or Asian American students are “better,” in any sense of the word? First, is it wrong to participate in structures that perpetuate capitalism, if it’s something that’s required for finding a livelihood? This is a question I’ve struggled with constantly in my personal life: I am an economics major, although I have a keen interest in different avenues of critical scholarship. But, I also really enjoy economics – the strain that some may denigrate as “neoliberal” and the harbinger of accelerationist collapse. Second, it bears reminding that we should not be judged by our nationality or citizenship, but rather think about our individual actions and the ways we can interpret and deconstruct institutional or societal structures. Prof. Goffe discussed this somewhat at the end of the class, but we’ve also been conversing about these topics through our study of Audre Lorde’s poetry and “finding our yes.” As students, we have an obligation and ability to think critically about these questions and act accordingly.

I was reminded (although I didn’t say it at the time) of Asian settler colonialism, which is a new(er) and less-studied sub-field of Asian American studies that deals with Asian American participation in settler colonialism, or the logic of elimination and erasure of Native peoples. It is also one of my favorite fields of inquiry because of its unique take on how we as Asian Americans act in ways that are harmful to Native people. Professor Dean Saranillio (at NYU) gave a talk at Cornell last semester on this topic, and his book Unsustainable Empires (Duke Press: 2018) is a particularly fascinating one because of its exploration of the history of Asian American exploitation of Native people and land in Hawai’i. I bring this up to point out that there is no objective “better” or “worse” in many contexts. We can only knowledge the past and our current trajectories and lives. Then, we can consider the futures we want to create as individuals and in coalitions or groups.

Afro-Asia isn’t well-defined. Its place in the university and outside of it will constantly be questioned. For Asians, this is true as well – are we a “successful” minority, or should we seek to redefine what it means to be Asian? For black people, troubling stereotypes and the libidinal economy (or socialization, or whatever theory of race you prefer) should be redefined, too. All of you have made incredible comments, thoughtful posts, and created an inspiring body of work through the video projects and the forthcoming essays. Wherever you might go, I hope that we can continue to recognize how our individual and group identities play roles in defining and redefining our place, whether at the university or outside.

 

Some other works about Asian settler colonialism that you might want to check out:

Alien Capital (Day, 2016)

Asian American critique and Moana Nui 2011: securing a future beyond empires, militarized capitalism and APEC” (Fujikane, 2012)

Decolonizing history as an aesthetic political enactment: Asian settler colonialism in Hawai’i” (Isaki, 2008)

“Anachonda” – Nicki Minaj (“Venus in Two Acts”)

Saidiya Hartman’s “Venus in Two Acts” made me think of Nicki Minaj… well really all Black female artists who are glorified and worshipped for their figures. Throughout history, women of color, especially Black women have been exoticized. Hartman talks about the impacts of history on the present and I think one of the impacts of male colonizer, slave traders, and masters is the dehumanization and sexualization of Black bodies. During the times of slavery it was said to be impossible to rape a Black women because they were “always in heat”. Looking at the present day, yes, many of these performers choose to sexualize themselves, however, money is still going into the pockets of the White male executives who work in the upper levels of the records labels and the music industry. The present is a reflection of the past.

Black Anime Characters

I made a post a couple months ago about Black girls living in Japan. Yesterday I posted about The Boondocks being a Black anime. This article talks about more Black characters in animes and whilst touching upon The Boondocks, talks about others as well. I really love Black anime characters because I think it’s really cool to see Japanese artists wanting to include Black people in their narratives. This kind of reminds me of the artist I posted about, Christian Chanyang Shim who painted the Black women in the Hanbok (though that was Korean, not Japanese).

Top 20 Most Iconic Black Anime Characters

Maybe This is Branching Away from the Material In Class, But…. Languages

Maybe it was briefly mentioned in one of the classes I missed, but I was watching a linguistics video about the origin of the Afroasiatic language family. The video shows a map of the spread of languages which comprise this family. I personally always forget how close Africa and Asia are to one another so hearing this language family for some reason I expected the video to go further toward China rather than just settle around Saudi Arabia, Yemen, et cetera.

https://www.youtube.com/watch?v=WLt9iYjlSkw

https://www.youtube.com/watch?v=NfSqWKQ3OPU

I also think this kind of opens up a cool discussion about language in general… how it is dispersed and diffused. Like I consider AAVE (African American Vernacular English) to be its own dialect, rather than a form of “improper English”. Due to hiphop’s increased popularity in the past few years, one can witness people of all races using “Black slang” words. An example is the Korean music industry. Due to hiphop’s worldwide popularity, Black artists have had a huge impact in the Eastern music world. My friend Mina (who lives in Seoul) has shown me many videos ranging from artists’ music videos to rap-based reality television game shows in which the fashion, hair styles, music styles, and vernacular are carried over from Black culture into Korean. Even at Cornell, I’ve spoken with international Chinese and Korean students who effortlessly incorporate AAVE terms into their vocabulary. Whilst this isn’t the exact same concept as the videos I’ve included, it’s another example of language sharing. The internet plays a really interesting role in this as it enables people across countries to speak to one another within seconds whereas throughout history this would have been impossible. Referencing the pacing of my group’s visual soundtrack, we tried to incorporate speed to show accelerating into the future… time seems to be moving faster than ever. Hopefully the ability to communicate with individuals from other countries and cultures so quickly and so easily will aid in unifying people as we move forward.