Close Reading on Exit West Part I – VI

In Exit West, the narrator describes how Nadia explores the Internet: “she watched bombs falling, women exercising, men copulating, clouds gathering, waves tugging at the sand like the rasping licks of so many mortal, temporary, vanishing tongues, tongues of a planet that would one day too be no more.” (Hamid 41)

Through the usage of consonance, the repetition of -ing terms at the end of words such as “falling” and “tugging” unfolds how the globalization of the Internet gathers all subjects transparent of space and time. Video clips in the virtual space last forever; thus, they are ongoing and existing regardless of time. However, the imagery of bombs falling is no different from that of waves tugging at the sand. Because violence has become one of the mundanities in life and the Internet has overflooded views with an explosion of information, casualties are mere numbers. Building on the absurdity of the Internet experience, the narrator employs simile to draw similarities between “waves tugging at the sand” and “mortal, temporary, vanishing tongues,” in which “tongues of a planet” itself also becomes a synecdoche that represents transient (political) voices in time. The narrator suggests that since vibrations of the planet will stop in the end, all struggles for power are futile in that they are insignificant on the scale of time. Therefore, the emotion of the narrator seems relentless and nevertheless sad, reminding readers that the world exists on the impossibility of return.

Sherrie Chen (sc2289)

Thundercat – Them Changes

Visually, the fusion of Afro-Asian intimacy is shown by a Black Samurai whose dream starts with a battle and ends up waking up and coming back to reality.  The lyrics also capture the universal emotion of love followed by heartbreak, a theme that continues to show up in many of the readings, as well as repeatedly in the current novel being read, Exit West.