The Mysteries of Udolpho – by Ann Radcliffe

The Mysteries of Udolpho

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Excerpt Provenance

The Mysteries of Udolpho: A Romance Interspersed with Some Pieces of Poetry

Oxford University Press, 1966 Printing

Pages 224-232

Introduction to the Selection from The Mysteries of Udolpho – by Jake Rudin:

The Mysteries of Udolpho, by Ann Radcliffe, was first published in 1794. The novel was Radcliffe’s fourth novel, but an immediate and lasting sensation. For fifty years after the novel’s publication, The Mysteries of Udolpho was the quintessential read for the educated, or those wanting to appear educated.  As one of the first Gothic novels (if not the true first), it is important to note that the term “Gothic” referred to architecture long before it was ever used to describe works of literature. Horace Walpole’s novel from 1764, The Castel of Otranto, is subtitled “A Gothic Story,” marking the term’s first use in a literary context.

The connotations of Gothic writing are much the same: a combination of fiction, horror and Romanticism. Radcliffe establishes within the genre the idea of the “explained supernatural” in which the strange occurrences are eventually traced back to their logical causes. In addition to the combination of horror and romances, there is a heavy majority of the novel dedicated to exposition and the description of imagery.

In this passage, which takes place in the second of the four volumes, Emily St. Aubert, the young, female main-character, has lost both parents to sickness and is in the care of her aunt Madame Cheron. Madame Cheron has recently married M. Montoni, a cruel Italian, who is taking them to his long-abandoned castle in the Apennine Mountains (Castel Udolpho).

This is the first description of the castle, but it continues a long-standing series of Radcliffe using the text as a canvas for painting narrative descriptions of the surroundings. The passage ends with a brief discussion of another key theme of the text: the supernatural. All of these are heavily accentuated by the architectural setting (the architecture even increases the gloominess when we discover that a falling piece of the castle has killed the caretaker’s wife). The castle is a mysterious place created specifically to accentuate the horrors and supernatural with black veils, strange living dead and other inexplicables in the dark and shadowy corridors.

The scene opens onto the company travelling through the mountains on the way from Venice to the castle somewhere in the Apennine Mountains. Monsieur Montoni is being his usual unbearable and irritable self and has scarcely said a word (let alone a kind one) to either Emily or Mme. Montoni (formerly Madame Cheron).

Excerpt

Montoni did not embark on the Brenta, but pursued his way in carriages across the country, towards the Apennine; during which journey, his manner to Emily was so particularly severe, that this alone would have confirmed her late conjecture, had any such confirmation been necessary. Her senses were now dead to the beautiful country, through which she travelled. Sometimes she was compelled to smile at the naivete of Annette, in her remarks on what she saw, and sometimes to sigh, as a scene of peculiar beauty recalled Valancourt to her thoughts, who was indeed seldom absent from them, and of whom she could never hope to hear in the solitude, to which she was hastening.

At length, the travellers began to ascend among the Apennines. The immense pine-forests, which, at that period, overhung these mountains, and between which the road wound, excluded all view but of the cliffs aspiring above, except, that, now and then, an opening through the dark woods allowed the eye a momentary glimpse of the country below. The gloom of these shades, their solitary silence, except when the breeze swept over their summits, the tremendous precipices of the mountains, that came partially to the eye, each assisted to raise the solemnity of Emily’s feelings into awe; she saw only images of gloomy grandeur, or of dreadful sublimity, around her; other images, equally gloomy and equally terrible, gleamed on her imagination. She was going she scarcely knew whither, under the dominion of a person, from whose arbitrary disposition she had already suffered so much, to marry, perhaps, a man who possessed neither her affection, or esteem; or to endure, beyond the hope of succour, whatever punishment revenge, and that Italian revenge, might dictate.–The more she considered what might be the motive of the journey, the more she became convinced, that it was for the purpose of concluding her nuptials with Count Morano, with that secrecy, which her resolute resistance had made necessary to the honour, if not to the safety, of Montoni. From the deep solitudes, into which she was immerging, and from the gloomy castle, of which she had heard some mysterious hints, her sick heart recoiled in despair, and she experienced, that, though her mind was already occupied by peculiar distress, it was still alive to the influence of new and local circumstance; why else did she shudder at the idea of this desolate castle?

As the travellers still ascended among the pine forests, steep rose over steep, the mountains seemed to multiply, as they went, and what was the summit of one eminence proved to be only the base of another. At length, they reached a little plain, where the drivers stopped to rest the mules, whence a scene of such extent and magnificence opened below, as drew even from Madame Montoni a note of admiration. Emily lost, for a moment, her sorrows, in the immensity of nature. Beyond the amphitheatre of mountains, that stretched below, whose tops appeared as numerous almost, as the waves of the sea, and whose feet were concealed by the forests–extended the campagna of Italy, where cities and rivers, and woods and all the glow of cultivation were mingled in gay confusion. The Adriatic bounded the horizon, into which the Po and the Brenta, after winding through the whole extent of the landscape, poured their fruitful waves. Emily gazed long on the splendours of the world she was quitting, of which the whole magnificence seemed thus given to her sight only to increase her regret on leaving it; for her, Valancourt alone was in that world; to him alone her heart turned, and for him alone fell her bitter tears.

From this sublime scene the travellers continued to ascend among the pines, till they entered a narrow pass of the mountains, which shut out every feature of the distant country, and, in its stead, exhibited only tremendous crags, impending over the road, where no vestige of humanity, or even of vegetation, appeared, except here and there the trunk and scathed branches of an oak, that hung nearly headlong from the rock, into which its strong roots had fastened. This pass, which led into the heart of the Apennine, at length opened to day, and a scene of mountains stretched in long perspective, as wild as any the travellers had yet passed. Still vast pine-forests hung upon their base, and crowned the ridgy precipice, that rose perpendicularly from the vale, while, above, the rolling mists caught the sun-beams, and touched their cliffs with all the magical colouring of light and shade. The scene seemed perpetually changing, and its features to assume new forms, as the winding road brought them to the eye in different attitudes; while the shifting vapours, now partially concealing their minuter beauties and now illuminating them with splendid tints, assisted the illusions of the sight.

Though the deep vallies between these mountains were, for the most part, clothed with pines, sometimes an abrupt opening presented a perspective of only barren rocks, with a cataract flashing from their summit among broken cliffs, till its waters, reaching the bottom, foamed along with unceasing fury; and sometimes pastoral scenes exhibited their ‘green delights’ in the narrow vales, smiling amid surrounding horror. There herds and flocks of goats and sheep, browsing under the shade of hanging woods, and the shepherd’s little cabin, reared on the margin of a clear stream, presented a sweet picture of repose.

Wild and romantic as were these scenes, their character had far less of the sublime, that had those of the Alps, which guard the entrance of Italy. Emily was often elevated, but seldom felt those emotions of indescribable awe which she had so continually experienced, in her passage over the Alps.

Towards the close of day, the road wound into a deep valley. Mountains, whose shaggy steeps appeared to be inaccessible, almost surrounded it. To the east, a vista opened, that exhibited the Apennines in their darkest horrors; and the long perspective of retiring summits, rising over each other, their ridges clothed with pines, exhibited a stronger image of grandeur, than any that Emily had yet seen. The sun had just sunk below the top of the mountains she was descending, whose long shadow stretched athwart the valley, but his sloping rays, shooting through an opening of the cliffs, touched with a yellow gleam the summits of the forest, that hung upon the opposite steeps, and streamed in full splendour upon the towers and battlements of a castle, that spread its extensive ramparts along the brow of a precipice above. The splendour of these illumined objects was heightened by the contrasted shade, which involved the valley below.

‘There,’ said Montoni, speaking for the first time in several hours, ‘is Udolpho.’

Emily gazed with melancholy awe upon the castle, which she understood to be Montoni’s; for, though it was now lighted up by the setting sun, the gothic greatness of its features, and its mouldering walls of dark grey stone, rendered it a gloomy and sublime object. As she gazed, the light died away on its walls, leaving a melancholy purple tint, which spread deeper and deeper, as the thin vapour crept up the mountain, while the battlements above were still tipped with splendour. From those, too, the rays soon faded, and the whole edifice was invested with the solemn duskiness of evening. Silent, lonely, and sublime, it seemed to stand the sovereign of the scene, and to frown defiance on all, who dared to invade its solitary reign. As the twilight deepened, its features became more awful in obscurity, and Emily continued to gaze, till its clustering towers were alone seen, rising over the tops of the woods, beneath whose thick shade the carriages soon after began to ascend.

The extent and darkness of these tall woods awakened terrific images in her mind, and she almost expected to see banditti start up from under the trees. At length, the carriages emerged upon a heathy rock, and, soon after, reached the castle gates, where the deep tone of the portal bell, which was struck upon to give notice of their arrival, increased the fearful emotions, that had assailed Emily. While they waited till the servant within should come to open the gates, she anxiously surveyed the edifice: but the gloom, that overspread it, allowed her to distinguish little more than a part of its outline, with the massy walls of the ramparts, and to know, that it was vast, ancient and dreary. From the parts she saw, she judged of the heavy strength and extent of the whole. The gateway before her, leading into the courts, was of gigantic size, and was defended by two round towers, crowned by overhanging turrets, embattled, where, instead of banners, now waved long grass and wild plants, that had taken root among the mouldering stones, and which seemed to sigh, as the breeze rolled past, over the desolation around them. The towers were united by a curtain, pierced and embattled also, below which appeared the pointed arch of a huge portcullis, surmounting the gates: from these, the walls of the ramparts extended to other towers, overlooking the precipice, whose shattered outline, appearing on a gleam, that lingered in the west, told of the ravages of war.– Beyond these all was lost in the obscurity of evening.

While Emily gazed with awe upon the scene, footsteps were heard within the gates, and the undrawing of bolts; after which an ancient servant of the castle appeared, forcing back the huge folds of the portal, to admit his lord. As the carriage-wheels rolled heavily under the portcullis, Emily’s heart sunk, and she seemed, as if she was going into her prison; the gloomy court, into which she passed, served to confirm the idea, and her imagination, ever awake to circumstance, suggested even more terrors, than her reason could justify.

Another gate delivered them into the second court, grass-grown, and more wild than the first, where, as she surveyed through the twilight its desolation–its lofty walls, overtopt with briony, moss and nightshade, and the embattled towers that rose above,–long-suffering and murder came to her thoughts. One of those instantaneous and unaccountable convictions, which sometimes conquer even strong minds, impressed her with its horror. The sentiment was not diminished, when she entered an extensive gothic hall, obscured by the gloom of evening, which a light, glimmering at a distance through a long perspective of arches, only rendered more striking. As a servant brought the lamp nearer partial gleams fell upon the pillars and the pointed arches, forming a strong contrast with their shadows, that stretched along the pavement and the walls.

The sudden journey of Montoni had prevented his people from making any other preparations for his reception, than could be had in the short interval, since the arrival of the servant, who had been sent forward from Venice; and this, in some measure, may account for the air of extreme desolation, that everywhere appeared.

The servant, who came to light Montoni, bowed in silence, and the muscles of his countenance relaxed with no symptom of joy.–Montoni noticed the salutation by a slight motion of his hand, and passed on, while his lady, following, and looking round with a degree of surprise and discontent, which she seemed fearful of expressing, and Emily, surveying the extent and grandeur of the hall in timid wonder, approached a marble stair-case. The arches here opened to a lofty vault, from the centre of which hung a tripod lamp, which a servant was hastily lighting; and the rich fret-work of the roof, a corridor, leading into several upper apartments, and a painted window, stretching nearly from the pavement to the ceiling of the hall, became gradually visible.

Having crossed the foot of the stair-case, and passed through an ante-room, they entered a spacious apartment, whose walls, wainscoted with black larch-wood, the growth of the neighbouring mountains, were scarcely distinguishable from darkness itself. ‘Bring more light,’ said Montoni, as he entered. The servant, setting down his lamp, was withdrawing to obey him, when Madame Montoni observing, that the evening air of this mountainous region was cold, and that she should like a fire, Montoni ordered that wood might be brought.

While he paced the room with thoughtful steps, and Madame Montoni sat silently on a couch, at the upper end of it, waiting till the servant returned, Emily was observing the singular solemnity and desolation of the apartment, viewed, as it now was, by the glimmer of the single lamp, placed near a large Venetian mirror, that duskily reflected the scene, with the tall figure of Montoni passing slowly along, his arms folded, and his countenance shaded by the plume, that waved in his hat.

From the contemplation of this scene, Emily’s mind proceeded to the apprehension of what she might suffer in it, till the remembrance of Valancourt, far, far distant! came to her heart, and softened it into sorrow. A heavy sigh escaped her: but, trying to conceal her tears, she walked away to one of the high windows, that opened upon the ramparts, below which, spread the woods she had passed in her approach to the castle. But the night-shade sat deeply on the mountains beyond, and their indented outline alone could be faintly traced on the horizon, where a red streak yet glimmered in the west. The valley between was sunk in darkness.

The scene within, upon which Emily turned on the opening of the door, was scarcely less gloomy. The old servant, who had received them at the gates, now entered, bending under a load of pine-branches, while two of Montoni’s Venetian servants followed with lights.

‘Your excellenza is welcome to the castle,’ said the old man, as he raised himself from the hearth, where he had laid the wood: ‘it has been a lonely place a long while; but you will excuse it, Signor, knowing we had but short notice. It is near two years, come next feast of St. Mark, since your excellenza was within these walls.’

‘You have a good memory, old Carlo,’ said Montoni: ‘it is there- about; and how hast thou contrived to live so long?’

‘A-well-a-day, sir, with much ado; the cold winds, that blow through the castle in winter, are almost too much for me; and I thought sometimes of asking your excellenza to let me leave the mountains, and go down into the lowlands. But I don’t know how it is–I am loth to quit these old walls I have lived in so long.’

‘Well, how have you gone on in the castle, since I left it?’ said Montoni.

‘Why much as usual, Signor, only it wants a good deal of repairing. There is the north tower–some of the battlements have tumbled down, and had liked one day to have knocked my poor wife (God rest her soul!) on the head. Your excellenza must know’–

‘Well, but the repairs,’ interrupted Montoni.

‘Aye, the repairs,’ said Carlo: ‘a part of the roof of the great hall has fallen in, and all the winds from the mountains rushed through it last winter, and whistled through the whole castle so, that there was no keeping one’s self warm, be where one would. There, my wife and I used to sit shivering over a great fire in one corner of the little hall, ready to die with cold, and’–

‘But there are no more repairs wanted,’ said Montoni, impatiently.

‘O Lord! Your excellenza, yes–the wall of the rampart has tumbled down in three places; then, the stairs, that lead to the west gallery, have been a long time so bad, that it is dangerous to go up them; and the passage leading to the great oak chamber, that overhangs the north rampart–one night last winter I ventured to go there by myself, and your excellenza’–

‘Well, well, enough of this,’ said Montoni, with quickness: ‘I will talk more with thee to-morrow.’

The fire was now lighted; Carlo swept the hearth, placed chairs, wiped the dust from a large marble table that stood near it, and then left the room.

Montoni and his family drew round the fire. Madame Montoni made several attempts at conversation, but his sullen answers repulsed her, while Emily sat endeavouring to acquire courage enough to speak to him. At length, in a tremulous voice, she said, ‘May I ask, sir, the motive of this sudden journey?’–After a long pause, she recovered sufficient courage to repeat the question.

‘It does not suit me to answer enquiries,’ said Montoni, ‘nor does it become you to make them; time may

unfold them all: but I desire I may be no further harassed, and I recommend it to you to retire to your chamber, and to endeavour to adopt a more rational conduct, than that of yielding to fancies, and to a sensibility, which, to call it by the gentlest name, is only a weakness.’

Emily rose to withdraw. ‘Good night, madam,’ said she to her aunt, with an assumed composure, that could not disguise her emotion.

‘Good night, my dear,’ said Madame Montoni, in a tone of kindness, which her niece had never before heard from her; and the unexpected endearment brought tears to Emily’s eyes. She curtsied to Montoni, and was retiring; ‘But you do not know the way to your chamber,’ said her aunt. Montoni called the servant, who waited in the ante-room, and bade him send Madame Montoni’s woman, with whom, in a few minutes, Emily withdrew.

‘Do you know which is my room?’ said she to Annette, as they crossed the hall.

‘Yes, I believe I do, ma’amselle; but this is such a strange rambling place! I have been lost in it already: they call it the double chamber, over the south rampart, and I went up this great stair-case to it. My lady’s room is at the other end of the castle.’

Emily ascended the marble staircase, and came to the corridor, as they passed through which, Annette resumed her chat–‘What a wild lonely place this is, ma’am! I shall be quite frightened to live in it. How often, and often have I wished myself in France again! I little thought, when I came with my lady to see the world, that I should ever be shut up in such a place as this, or I would never have left my own country! This way, ma’amselle, down this turning. I can almost believe in giants again, and such like, for this is just like one of their castles; and, some night or other, I suppose I shall see fairies too, hopping about in that great old hall, that looks more like a church, with its huge pillars, than any thing else.’

‘Yes,’ said Emily, smiling, and glad to escape from more serious thought, ‘if we come to the corridor, about midnight, and look down into the hall, we shall certainly see it illuminated with a thousand lamps, and the fairies tripping in gay circles to the sound of delicious music; for it is in such places as this, you know, that they come to hold their revels. But I am afraid, Annette, you will not be able to pay the necessary penance for such a sight: and, if once they hear your voice, the whole scene will vanish in an instant.’

‘O! if you will bear me company, ma’amselle, I will come to the corridor, this very night, and I promise you I will hold my tongue; it shall not be my fault if the show vanishes.–But do you think they will come?’

‘I cannot promise that with certainty, but I will venture to say, it will not be your fault if the enchantment should vanish.’

‘Well, ma’amselle, that is saying more than I expected of you: but I am not so much afraid of fairies, as of ghosts, and they say there are a plentiful many of them about the castle: now I should be frightened to death, if I should chance to see any of them. But hush! ma’amselle, walk softly! I have thought, several times, something passed by me.’

‘Ridiculous!’ said Emily, ‘you must not indulge such fancies.’

‘O ma’am! they are not fancies, for aught I know; Benedetto says these dismal galleries and halls are fit for nothing but ghosts to live in; and I verily believe, if I LIVE long in them I shall turn to one myself!’

‘I hope,’ said Emily, ‘you will not suffer Signor Montoni to hear of these weak fears; they would highly displease him.’

‘What, you know then, ma’amselle, all about it!’ rejoined Annette. ‘No, no, I do know better than to do so;

though, if the Signor can sleep sound, nobody else in the castle has any right to lie awake, I am sure.’ Emily did not appear to notice this remark.

‘Down this passage, ma’amselle; this leads to a back stair-case. O! if I see any thing, I shall be frightened out of my wits!’

‘That will scarcely be possible,’ said Emily smiling, as she followed the winding of the passage, which opened into another gallery: and then Annette, perceiving that she had missed her way, while she had been so eloquently haranguing on ghosts and fairies, wandered about through other passages and galleries, till, at length, frightened by their intricacies and desolation, she called aloud for assistance: but they were beyond the hearing of the servants, who were on the other side of the castle, and Emily now opened the door of a chamber on the left.

‘O! do not go in there, ma’amselle,’ said Annette, ‘you will only lose yourself further.’

‘Bring the light forward,’ said Emily, ‘we may possibly find our way through these rooms.’

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