Author Archive for nmm39@cornell.edu

18
Dec

Fall 2010 Architecture Final Review

Our final review took place on Monday, December 6th and lasted the entire day with three shifts of reviews. There were 30 student projects that ranged from a skating park to an underground sauna to various museums. Unlike precedent semesters, our project was self-appointed. Since the very beginning, we chose the site we were interested in and wanted to work with. Later on we chose the project we wanted to project onto this site. All this made for a very interesting final review due to the great variety of presentations.

Our jury consisted of a combination of Italian and American critics. In fact throughout the entire semester, we had always been receiving direct influences from each side as one of our studio professors, Luca Galofaro, was Roman, and the two others, Aleksandr Mergold and Vincent Mulcahy, were Cornell (aka: mothership) exports. In addition to our proffessors, Carmello Baglio, Andrea Leonardi, Marissa Tyrone, Joshua Stein, Luca Montuori and both members of the firm Agency were invited critics.


Yazma presenting

Yazma presenting

Yeung presenting

Yeung presenting

Nelson presenting

Nelson presenting

Nicolas presenting

Nicolas presenting

Lunch was served in between reviews

Lunch was served in between reviews

Almost immediately after reviews ended, we had to begin setting up for the exhibition

Almost immediately after reviews ended, we had to begin setting up for the exhibition

15
Nov

Panoramas from Tuscany

View from Montepulciano

View from Montepulciano

View from Montepulciano

View from Montepulciano

Sienna's 'skyline'

Siena's 'skyline'

Siena: Piazza del Campo, Palazzo Pubblico, Torre del Mangia

Siena: Piazza del Campo, Palazzo Pubblico, Torre del Mangia

Siena: Piazza del Campo, view from bottom side

Siena: Piazza del Campo, view from bottom side

Siena: Piazza del Campo as seen from the top of Torre del Mangia

Siena: Piazza del Campo as seen from the top of Torre del Mangia

Siena: View from Torre del Mangia, Duomo on left

Siena: View from Torre del Mangia, Duomo on left

Siena: Duomo interior

Siena: Duomo interior

15
Nov

Ravioli / Fettucine 101

the gang

the gang

The rendezvous time was set for 4 in the afternoon. We were to make fresh ravioli and fettuccine. Together, we were to have a feast.

Once our arsenal of wooden cooking board, ravioli making tools and manual and electric dough rollers was laid out, the first step was making the dough. We mixed flour with eggs. The renowned house chef, Anna Rita, led us through the process. Despite some small (and large) setbacks, we eventually had our dough.

To flatten the dough for ravioli and fettuccine shapes, it has to be rolled out to a very thin and even consistency. We used dough rollers to repeatedly thin down the dough.

Further along the chain, workers would spoon small amounts of spinach cream filling onto the sheet of dough at regular intervals.  With folding of the dough and specially designs cutters, the ravioli took shape. As time went on, we became more inventive with the shapes. We created doughnut, heart, diamond, candy bar, shark egg and moon shaped ravioli. Many of these are displayed in the images below.

Having defied the rule of pasta cooking, don’t cook different-sized things together; we were left with very unevenly cooked ravioli. None-the-less, it was very delicious, especially after having put so much effort and time into making the damn things. Our only problem was that there was way too much food. Platter after platter of different pasta dishes came out from the modest kitchen. People were withdrawing from the table to confront their ‘food comas’ lying down- and food was still being brought out.  Few of us were willing and able to endure more when the cakes were ready.

Afterward, we packed much of the food in containers and brought it back to our various homes for later enjoyment.

tools of the trade

tools of the trade

Anna Rita vs. students

Anna Rita vs. students

pasta dough =eggs + flour

pasta dough = eggs + flour

disaster: eggs overflow

disaster: eggs overflow

rolling the dough and forming the ravioli

rolling the dough and forming the ravioli

manual rolling of the dough

manual rolling of the dough

ravioli, with later, more exotic shapes toward bottom

ravioli, with later, more exotic shapes toward bottom

DSC05953

fettucine

10
Nov

Odile Decq: MACRO + lecture

On November 4th, we visited renowned French architect Odile Decq’s MACRO extension in Rome. We were fortunate to get a private tour of the building that is set for inauguration December 4th. The site, an old Peroni (beer) factory, is one of several museum complexes of the MACRO – Rome’s Museum of Contemporary Art.

Decq's public rooftop piazza and surroundings

Decq's public rooftop piazza and surroundings

The most striking aspect of the design is the integration of public circulation and a public piazza. During the day, although the museum is privately run, the public can walk through the lobby, through some gallery spaces via an elevated walkway, and access the completely public rooftop piazza with its notable water feature- all this without purchasing a ticket. Water continuously runs over the entirely glass ceiling of the lobby/atrium space. This creates a sort of fountain on the rooftop piazza and a strong statement inside. The project is an extension of the museum that already occupies a neighboring plot. It is also an insertion into the old Peroni factory. It was not mandated in the design competition rules that the old façades and some existing structure must be conserved.

Odile Decq lectured at our Palazzo several days after we had toured the MACRO. She gave an overall presentation of her favorite projects. In designing each one, there is clearly an attention to detail as she too was the artist behind most of the objects that inhabited her building: lighting fixtures, desks, chairs, door handles, sinks, etc… even a dog basket- she, and her office OBDC (Odile Decq Benoît Cornette), does it all. At the MACRO, it is very noticeable that things are customized and very well integrated into the aesthetics and ideas of the architect. Therefore, the architectural attraction of the project includes the spatial configuration and expression of the spaces, of course, but also things like the bathroom sink (which in this project is made of translucent plastic and changes color and one uses it within a mirror-flanked bathroom).

I think any architect would be appreciative, and maybe envy, of her freedom of design and the array of scales at which she works.

above the (very red) auditorium volume, fountain/glass ceiling visible above

Above the (very red) auditorium volume, fountain/glass ceiling visible above

public suspended pathways travers lobby and an exhibition space

public suspended pathways traverse lobby and an exhibition space

example of a designed detail, specific for the project

Javelin lights- example of a design detail specific to the project

in an artist's studio, the museum features several

In an artist's studio, the museum features several

the project (left) negotiates the old factory façade (right)

The project (left) negotiates the old factory façade (right)

06
Nov

Venice: grand finale to our Northern Italy Field Trip

The grand finale to our week-long trip (which included visits to Milan, Verona and Como) was Venice. After crossing the Ponte delle Liberta’, the bridge that connects Venice’s center to the mainland, we got off our bus- it was already night. Thus, our first images of Venice were that of the Grand Canal as we made our way towards Piazza San Marco on a boat bus, vaporetto. Because of our number, we stayed at two different hotels, but both were only minutes away by foot from Piazza San Marco. Although we had very miserable weather for our entire trip thus far, once in Venice, everything cleared up and we had only bright sunshine and blue skies.

First minutes in Venice, on the Grand Canal, going to our hotel

First minutes in Venice, on the Grand Canal, going to our hotel

Wandering around the many small and hidden backstreets of Venice, you would stumble upon charming piazza spaces, interesting façades and wonderful shops and restaurants. Of course, Venice is invaded by tourism, but I found it less bothersome that the tourism culture of Rome. Although many shops in Venice were tourist rip-off traps, there were also many with an amazing showcase of Venetian art. Most notably were the  Murano Glass and Comedia dell’Arte mask stores. In the more authentic stores, you could find a craftsman decorating the many different types of masks. If you wanted to see glass blowing, you had to visit the Island of Murano- something, unfortunately, none of us had time to do. There were also some of the best museums, the Peggy Guggenheim Collection likely topping that list. At night, however, I was surprised to find that not much goes on in Venice besides fancy late dinners and a couple bars with live music. There were no evening festivities, concerts, events, social gatherings or much nightlife at all. We were told that all that happened on the mainland, on the perimeter of the lagoon.

Comedia dell'Arte masks

Comedia dell'Arte masks

Venice is a bizarre city pegged up on a rising lagoon. As a consequence, there are all types of weird contraptions and vehicles that have been created to maintain urban life. There are taxi–boats, ambulance-boats, fireboats, garbage-boats, delivery boats and crane-boats, everything must circulate on water. When Venice floods and the sidewalks are covered in water, which occurs about a hundred times a year, a vast network of elevated walkways gets quickly deployed. I was disappointed that Venice did not flood while we were there, to see the city transformed. But the evidence was everywhere from floodgates on street-level opening to markings of past flood levels. It’s also evident that the water level has greatly increased since the original planning of Venice. Stone stairs that were meat to be descended to lower docks are now entirely submerged and disappear into the murky water. The sidewalk level often is insufficient to prevent the splatter of small waves and boats’ wakes from overflowing. I kept on wondering how much longer this city will be able to survive with reasonable resources.

flood gate installed in doorway

flood gate installed in doorway

Leaving Venice and making our way back down the Grand Canal, on the same boat that brought us there, I imagine that we all were sad to leave and wished we could have more time. After traveling and seeing so many amazing sites at such a fast pace, it is both relaxing and boring to be on our way back to Rome. I will certainly visit Venice again.

The Sestiere Castello as viewed from top of tower in P. San Marco

The Sestiere Castello as viewed from top of tower in P. San Marco

Wooden taxi boat

Wooden taxi boat

Clothes air-drying over canal

Clothes air-drying over canal

The Horses of Saint Mark, now on display inside the basilica

The Horses of Saint Mark, now on display inside the basilica

Venetian windows

Venetian windows

Murano glasswork, these jelly-fish ones were my favorite

Murano glasswork, these jelly-fish ones were my favorite

Garbage truck and men

Trash pick-up

Sunset on Grand Canal

Sunset on Grand Canal

05
Nov

Venice Architecture Biennale 2010

Chris, Ryland and Deinte on their way to the Biennale

Chris, Ryland and Deinte on their way to the Biennale (San Marco in background)

Of our two real days in Venice, one was almost entirely devoted to the Biennale exhibition in the Arsenale and the Giardini. As usual, we were completely rushed and had only a half-day to see what should be weeks worth of presentations, exhibitions and installations. This Biennale was packed with installations and projects, from a spiral pathway that brought you into the clouds to a horizontal fabric façade floating above your head.

My expectations for my first Architecture Biennale might have been a bit high, but I have to admit that I was a little unimpressed with the overall show. This may also be due to the many unbelievably great museums we have recently visited as well (and I dislike museums). I was discouraged by the abundant use of projected screens all over the place, most simply looping a short clip.  In addition, I found that pavilions simply had too much, sometimes housing three or four separate projects. There was also many more lengthy texts, that had to be read in order to understand the idea, than I thought necessary. I thought that as a show celebrating architecture (experimental too), hosted and produced by leading architects, there would be more physical installations and spectacular objects- instead of the traditional and boring projection and poster presentations… I guess we just didn’t have time for the academics. Thankfully, there was plenty spectacle to go with it.

Façade made horizontal, suspended overhead in fabric

Façade made horizontal, suspended overhead in fabric

Strings and pencils, lots of them.

Strings and pencils, lots of them.

One of the more boring spaces...

One of the more boring spaces...

By far, the material exhibited in the Arsenale was far more captivating than the projects and pavillions in the Giardini. The Arsenale, a former industrial 300-metere long series of huge spaces now transformed to accommodate the Biennale, was particularly engaging as it choreographed sound, light (or lack thereof in the case of Transsolar and Tetsu Kondo Architects’ space) and even smell as one moved from one installation to another. There was a room only lit by water splatter, suspended in the air, as strobe lights caught it shooting out of a dangling hose. Another room allowed you to plug yourself into hundreds of one-on-one interviews with famous figures.

I regret not having more time to spend at the Biennale and in Venice. The Biennale’s location in Venice is also fabulous in itself. On a bright sunny day, having lunch at a café on the Rive dei sette Mariri looking at Piazza San Marco in the distance was perfect.

Water and light show.

Water and light show.

Interview space, you would sit down and put on the headset and be immersed in the interview

Interview space, you would sit down and put on the headset and be immersed in the interview

Ramp in mist. Towards the top, the mist became very dense and felt in every breath.

Ramp in mist. Towards the top, the mist became very dense and felt in every breath.

Ramp seems to be almost floating amid heavy masonry vertical columns.

Ramp seems to be almost floating amid heavy masonry vertical columns.

Immense wooden, plaster-covered I-beams fill space

Immense wooden, plaster-covered I-beams fill space.

Seamless white room. One person enters at a time.

Seamless white room. One person enters at a time.

Here, you were guided with black-light-lit orange tape that created a new spacial reading.

Here, you were guided with black-light-lit orange tape that created a new spacial reading.

View into the Military zone of the Arsenale.

View into the Military zone of the Arsenale.

Parts of the Arsenale are still being used to repair boats.

Parts of the Arsenale are still being used to repair boats.

01
Nov

Panoramas from northern Italy

Galleria Vittorio Emanuele in Milano

Galleria Vittorio Emanuele in Milano

Pinacoteca di Brera in Milano

Pinacoteca di Brera in Milano

View over Verona from Museo di Castevecchio

View over Verona from Museo di Castevecchio

View from tower of Piazza delle Erbe in Verona

View from tower of Piazza delle Erbe in Verona

Piazza dei Signori in Verona

Piazza dei Signori in Verona

Cloister of San Zeno Maggiore in Verona

Cloister of San Zeno Maggiore in Verona

View from summit of Campanile (Piazza San Marco) of Venice

View from summit of Campanile (Piazza San Marco) of Venice

Distant View of Piazza San Marco from Isola di S. Giorgio Maggiore

Distant View of Piazza San Marco from Isola di S. Giorgio Maggiore

Venice's Arsenale

Venice's Arsenale

28
Sep

Forza Roma !

Stadio Olimpico

Stadio Olimpico

When AS Roma, currently 19th seed out of 20 teams, beat Inter Milan, 1st seed and Roma rival, with a header in the 90th minute at the Stadio Olimpico the crowd went crazy. Everybody erupted in roars. Flags and scarves were waved and thrown about. Fans hugged anyone they could grasp. The person sitting next to me was so excited and had jumped so high when he saw the goal that he fell over the person in front of him on the seat below. Celebrations went on for several hours afterward as the motorini honked their horns, people partied at nearby bars and groups of fan sang in the streets.  It was such an upset, such a dramatic moment and such a perfect ending for the hosting team.

The entire game was full of action which included dozens of shots on goal, many counter attacks and a free kick from fifteen feet out. However, nobody managed to convert a shot and lay the ball into the net until Vucinic powered it in with a header off a great crossing pass. Although a soccer field is large, we had a great overall view from our bleacher seats. Players’ expressions, which are very amusing to watch on tv, were hidden to us seeing how there was no large screen close-ups or replays. There were two immense screens that flanked the field but they only displayed the score, time and substitutions. Soccer refereeing is very subjective to what the referee sees as no replays are allowed, and thus the screens are purely informational. Calls are made on the spot and cannot be argued.

us

Roma fans, aka us, before kickoff

Before going to the game, my friends and I had gotten some AS Roma apparel to further partake in the atmosphere and spirit. We had been told of the great Rome- Inter Milan rivalry and the chaos that can erupt between fans. Last year, despite a bad start, Rome finished second to Inter Milan in the standings. In the stadium, the one little seating area for Inter fans was surrounded by lines of guards on all sides and separated from the rest of the stadium by 15-foot high glass dividers. Despite having security checkpoints at all entrances, in the opening minutes, a Roma fan managed to shoot a flare into the away section. The flare was bright red and created a lot of smoke. Inter fans quickly dispersed from where the flare landed on their seats and shouted at the Roma fans. Sitting opposite the away section, it appeared as a battlefield with cannons being shot at armies of fans. I had wished for more chaos but it ended there for the most part.

Inter fans flanked by armies of security personnel, fences and no-man zones

Inter fans flanked by armies of security personnel, fences and no-man's zones

Flares in crowd

Flares in crowd (photo by Kim Faul)

Celebrations after AS Roma goal ! ! ! ! !

Celebrations after AS Roma goal ! ! ! ! ! (photo by Yeung Shin)

Proud AS Roma flag bearer

Proud AS Roma flag bearer (photo by Lauren Gluck)

28
Sep

Field trip to Palestrina (Sanctuary of Fortuna), Tivoli (Villa d’Este) and Villa Adriana

Villa Adriana

Villa Adriana

In one day we visited the Sanctuary of Fortuna in Palestrina, the Villa d’Este in Tivoli and the Villa Adriana. All sites were within a two hour reach from the heart of Rome.

By far, I found the Villa d’Este to be the most impressive, especially its gardens. Although our bus drove more than two hours to get to Tivoli, we didn’t actually visit the villa because of time constraint. However, the gardens were some of the nicest I had ever seen. Although in its plan, the garden design looks rather symmetrical and broken down into similar lots, the experience is entirely different. The sloping of the steep terrain on one corner creates very different conditions in different areas. In some areas, outdoor spaces are close by walls. These spaces focus on elaborate waterfalls and the noise of water echoes within the spaces. Water is really everywhere in the gardens and often accompanies you along the pathways via little canals.

The area is very grown in with tall ancient trees. Although the gardens are very organized and impeccably kept, it feels very wild at the same time due to the vegetation appearing as monumental as the statues and villa. The huge villa sits atop of the gardens but is rarely visible from the gardens below. From the villa’s terraces above, you would think you are overlooking a jungle until you get a glimpse of the geometric pathways and monumental fountains that lay beneath the canopy. The photos below do not do this place justice.

The Sanctuary of Fortuna and the Villa Adriana were very interesting and amazing in their own respects. However, at the end of the day, it was the layout of a villa’s garden that stole the show- for me at least.

Forum and tower of Palestrina

Forum and tower of Palestrina

Gardens at Villa d'Este

Gardens at Villa d'Este

Pathways in Villa d'Este garden

Pathways in Villa d'Este garden

Reflecting pool in gardens at Villa d'Este

Reflecting pool in gardens at Villa d'Este

Villa d'Este overlooking vast gardens

Villa d'Este overlooking vast gardens

Gardens at Villa d'Este

Gardens at Villa d'Este

Villa Adriana

Villa Adriana

Villa Adriana

Villa Adriana

28
Sep

By road, rail and sea to Sicilia; and cards

Our last field trip brought us all the way to Sicily. Rome and Sicily are more than 500 kilometers apart, however, most of our time getting to and from was spent asleep. We needed rest from long days of walking tours, beach afternoons and once, heavy rainfalls. We needed to compensate for hours of sleep that we had instead used to explore the cities’ night scenarios or enjoying our hotel’s roof terrace overlooking roman temples.

We boarded a bus that would take us first to Herculaneum and then ultimately to Napoli at 7:00 in the morning in Largo Argentina. In Napoli, we transitioned onto a night train to Palermo. We were divided into sleeping rooms of 4. Overnight, we had traveled to the southern tip of Italy. From the mainland, our train needed to cross a strait of about 7 km to reach the island of Sicilia. There is no bridge in place and no floating tracks- our train’s cars were separated and then engulfed within an enormous ferry.

Train in boat

Train in boat (photo by Yeung Shin)

Wishing Leo was here

Wishing Leo was there (photo by Yeung Shin)

We were able to get out of the train car and tour the boat’s deck. Although the strait is very narrow, the process of loading and unloading and the slow pace of the ferry took almost two hours. On the boat, we befriended the captain and crew who welcomed us into the helm. It was a Cornell architecture student, Lauren Gluck, who manned the steering wheel of the ferry as we left Sicilia.

Lauren Gluck clears the harbor

Lauren Gluck clears the harbor (photo by Yeung Shin)

Although our trip was packed with events and hurrying from one site to another, we had spans of down time waiting for trains, buses and rendezvous. During these times, we shared our cultures through card games. We learnt how to play Durak(translates to ‘fool’ in English), a Russian card game, thanks to one of our students who is Russian. We discovered the traditional set of Italian cards that consist of 40 cards and are very colorful and more graphic that the poker cards that most of us are used to. These cards can be used for the Italian regional game of Scopa. A cashier explained the rules to me as I was purchasing a deck. She was more than eager to teach the game (basically involves taking tricks) and she soon opened a new deck and we began to play on the counter with her two friends that worked in the store as well. We later played Scopa on the platform of the station as we waited for our train back home.

Scopa being played waiting at the train station

Scopa being played waiting at the train station

Traditional italian cards

Traditional italian cards