Archive for November, 2011

21
Nov

Circolo Show

Circolo

“The Cornell in Rome art students, together with the advanced painting students from Temple University Rome,  participated on November 6 in a one-night exhibition at the Circolo degli Artisti in Rome.  This lively cultural center hosts the American students once a semester, allowing the Roman public to see their exceptional work, and offering the students the opportunity to exchange ideas and conversation with young Italians and fellow Americans.  Works included individual drawings, photographs, and installations, and a DVD loop compiled by Liana Miuccio and the photo class.   The evening was completed with a DJ and a band.” – Shara Wasserman, Cornell University Professor of Contemporary Art in Rome

Yi Li and Nicolei at Circolo

 Art Students Yi Li and Nicolei Gupit enjoying the opening

Person studying Alessandras Art Work

Temple student studying the work of Alessandra Castillo

Circolo Exhibit

 Circolo Exhibition crowd

Lauren and Ashley at Circolo

 Architecture students Lauren Borah (me!) and Ashley Griffin at the opening

Maddie and Maddie at Circolo

 Art students Maddie Oliver and Maddie Bender in front of Maddie Bender’s artwork

Maddie Bender Piece

 One of Maddie Bender’s pieces

Alessandras work

 Artwork of Alessandra Castillo

Nicolei Work

 Installation by Nicolei Gupit

Maddie Olivers Work

 Artwork of Maddie Oliver

Maddie Oliver pieces

 Maddie Oliver’s photographs

Yi Lis work

Installation by Yi Li

The exhibition at the Circolo degli Artisti was very successful, with a large crowd coming to support the artists from both schools.  The red walls of Circolo worked surprisingly well with each of the art student’s installations and created a nice contrast in the room dedicated to the Cornell show.  We are very happy to have such talented art students with us this semester in Rome.

-Lauren

15
Nov

Tuscany Field Trip Stills

Another field trip! This time we went to Montepulciano, Siena, San Gimignano and Florence on a 4 day trip. Below are some images of the places we visited:

MONTEPULCIANO

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The beautiful landscape of Tuscany

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Piazza in Montepulciano (where the movie Twilight was filmed!)

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Streets of Montepulciano

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Church by Antonio da Sangallo the Younger in Montepulciano

SIENA

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Piazza Monte dei Paschi Siena at night

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Warm blankets at a restaurant in Piazza del Campo – Wajeha Qureshi ’13 (me!)

DUOMO DI SIENA

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Museum of the Cathedral

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Piazza del Campo

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Professor Mark Morris imitating a painting holding a model in the Palazzo del Campo in Siena

SAN GIMIGNANO

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FLORENCE

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At the top of Brunelleschi’s Dome in Florence

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Cornell in Rome Students at the top of the Dome in Florence

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View from the Ponte Vecchio at night

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Florence Train Station

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Florence Train Station

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Santo Spirito in Florence

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Cellini’s Persius with the Head of Medusa in Loggia dei Lazi

15
Nov

Secret Gardens: Caprarola, Bagnaia, and Bomarzo Field Trip

Our most recent field trip featured three stops at Villa gardens in the Lazio region of Italy.

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Caio Barboza, Joon Choe, Kristina Alford, & Charles Williams ’13

Villa Farnese, Caprarola

The first stop was Caprarola, where the Villa Farnese sits perched on a hill above the surrounding town. The site, which features a pentagonal Renaissance villa, was designed by Vignola in 1559 for Cardinal Alessandro Farnese.

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Architecture History Professor Jeffrey Blanchard


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Caio Barboza ’13


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Kasia Pozniak ’13


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Mauricio Vieto ’13


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Circular Courtyard


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Jorge Puentes ’12


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Danlu Li ’13


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Charles Williams ’13


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Spiral Staircase looking up


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Spiral Staircase looking down


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Fresco


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Jorge Puentes ’12


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Jeffrey Blanchard


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Donald Silberman ’13


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Fountain


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Garden


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Kyle Schumann ’13


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Clock Tower

Villa Lante, Bagnaia

Next, we journeyed onward to Bagnaia, the site of Villa Lante, another Vignola designed structure built in 1568.

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Jose Tijerina ’13


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Jessica Liss & Jocie Fifield


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Mauricio Vieto ’13

Monster Park, Bomarzo

The trip concluded in Bomarzo where the chilling, monumental sculptures of the Monster Park create a sort of theme park of foliage and rock.

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Donald Silberman ’13


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Alex Chen ’13


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Kyle Schumann & Gretchen Craig ’13


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Pegasus


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Jose Tijerina ’13


 

 

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Donald Silberman ’13

15
Nov

Private Visit to the Uffizi and Galleria dell’Accademia

On the last day of our Tuscany Trip, we were lucky enough to have a private visit to the Uffizi and Galleria dell’Accademia in Florence. If anyone has been to these museums on a normal day, one knows how crowded they are normally. Cornell was lucky enough to have this once in a lifetime experience to go to the Uffizi when it is closed to the public. Because we went on such an occasion, we were able to see restoration work going on as well inside the museum. They were also kind enough to take us through the famous Vasari corridor, a private passageway that connects Palazzo Vecchio with the Palazzo Pitti that was built so the Medici family could travel safely from place to place.

UFFIZI GALLERY

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Views out to the Ponte Vecchio from the Uffizi

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Views out towards Palazzo Vecchio from the Uffizi

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VASARI CORRIDOR

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Views out on to Ponte Vecchio from the Vasari Corridor

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Restoration Work in Progress in the Vasari Corridor

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Views out to a church so that the Medici Family could attend mass in the Vasari Corridor

GALLERIA DELL’ACCADEMIA

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296602_10150345744282869_501622868_8351176_1178510060_nPrivate Viewing of Michelangelo’s David

15
Nov

Private Viewing of Sangallo’s model of St. Peter’s

Recently, Professor Mark Morris’ theory class on models, Plastico Fantastico, had the opportunity to go see the famous models of St. Peter’s done by Antonio da Sangallo. Although this version of the building was not built, the model shows one of the many iterations of the catholic church and is interesting to see as part of a study on model making. The sheer size of the model was fascinating. Because of its size and fragility, it was placed in one of the piers of the church. Cornell made a special request via letter to view to model which was granted and we were ushered through closed off passages and roped off areas of the church into the pier to view the model. The model itself was placed on a large concrete base along with the model of the dome. It was lit up from below and opened up to allow people to enter one by one to view the interior of the model, which was as ornately carved and detailed as the exterior.


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Being lead through St. Peter’s to see the models – with Prof Mark Morris and Prof Jeffrey Blanchard up ahead

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Crossing the ropes at St. Peters

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Model of the Dome

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Drawing for the Model by Antonio da Sangallo

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Donald Silberman ’13 looking through the windows of the model

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Prof Mark Morris peering into the open model

15
Nov

Divina Energia

While on our trip in Florence, we were lucky enough to see a show  put on by Enel Energy, based on Dante’s Divina Comedia, which is one of the themes for studio this semester. The show was held in the Piazza Signoria next to Loggia dei Lazi. Called Divina Energia, it consisted of a light projection on to the facade of the Palazzo. It began with a reading of the verses of the Divina Comedia that represent paradiso and then an acrobatic performance with acrobats coming down from the top of the Palazzo into the Piazza. After this representation of purgatory, the show then represented inferno with a series of carefully calculated projections on the facade showing the building burning up with a dragon climbing up its flanks. Then, for the finale, there was (interestingly enough) a dance to Michael Jackson’s Thriller with people waving light bands that had been given out earlier (this was clearly the most popular part of the show). Here is an Italian news video on the show, with some scenes from the show as well.

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Haley Thurston, Yoonjee Koh and Kasia Pozniak ’13 in the piazza before the show begins

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15
Nov

Ravioli Night

Another pasta making night!! Cornell held a ravioli night this time, with Anna Rita once again leading us all in making some amazing, delicious ravioli filled with ricotta and spinach with sauces ranging from a simple butter and sage to pumpkin and tuna. We all came with our hands ready at four pm to the lecture hall in the palazzo which was set up with tables with flour, eggs, rolling pins and machines that flatten the pasta. Anna Rita taught us all how to make the dough with one part eggs and one part refined flour. We all then helped roll out the dough and then spoon out the already made filling onto the sheets. Professor Morris’ daughter Madelyn once again helped enormously, this time accompanied by Photography teacher Liana Muccio’s daughter Alina; they both helped to cut the pasta. Once the pasta was made we sent it away for boiling, set the long table in the room with plates and napkins and chowed down on some yummy ravioli!

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Setting up tables for rolling out the dough

Students making Raviloi

Students putting ravioli and cheese on the pasta – photo credit Lauren Borah

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Handing out flour

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Pouring eggs

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Mixing dough

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Madelyn Morris helping to roll out the dough

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Ravioli Teamwork

Teamwork! – Photo credit Lauren Borah

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Madelyn Morris

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Ravioli ready to be boiled

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Madelyn Morris and Alina Miuccio helping Anna Rita

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Time to eat!

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Relaxing conversation after a busy night of pasta making

15
Nov

Figures of Power – Spazio Nuovo contemporary art gallery opening

This semester in Rome I have been fortunate enough to obtain an internship at the Spazio Nuovo Contemporary Art Gallery, working for owners and curators Paulo Mouriz and Guillame Maitre.  I have been having a wonderful time working at the gallery and learning what it is like to have a career in the contemporary art world.  Recently, we opened a new exhibition at the gallery showing the work of French photographer Olivier Roller.

Olivier Roller Opening

Paulo and I setting up for the exhibition, moments before people flooded the gallery.

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The centerpiece to the exhibition.  ”Lucius Verus”

The evening was extremely successful, with a huge crowd coming to see this contemporary photographer’s work and to support the gallery and the owners.

Gallery Opening Night

Artists, friends, collectors, reporters and dozens of other people gathered in Spazio Nuovo.

Olivier Roller and Spazio Nuovo Owner

Olivier Roller’s photographs focus on the images of Roman portrait busts as seen in museums such as the Louvre in Paris.  He shoots his subjects in sharp chiaroscuro in order to reveal their vulnerability and show how fleeting the idea of power really is.  His photographs highlight the imperfections in the statues as a way to highlight the imperfections of the man in each portrait.  The cracks in the marble become wrinkles and pockmarks on the skin.  Each photograph is still incredibly strong though, and it is clear that each man held a great deal of power in his time.

Gallery Opening

Guillame explaining the artist’s intentions to the people at the opening.

Olivier Roller photos

The opening went on for hours with people talking and mingling over champagne and wine.  The night proved to be extremely successful and the gallery was even able to sell a few photographs during the evening.  Some of my friends here in Rome were nice enough to join me at the opening and see what my internship life is like; I really appreciated them coming to support me.

Exterior of Gallery Opening

The opening was so popular that the guests spilled out into the street in front of the gallery.

The experiences and opportunities here in Rome have been amazing. Working at the Spazio Nuovo gallery is definitely a highlight of my semester abroad.

-Lauren

10
Nov

Weekenders: Paris

In literature, painting, film, and other media, Paris’ collection of sites is often reduced to a few  well-known monuments—the Eiffel Tower, the Louvre, the Arc d’Triumph, and the Champ de Elysees. In addition to these impressive destinations, Paris is also home to a variety of equally noteworthy galleries, museums, and landmark modernist architectural projects that are not to be missed by the art and architecture loving flaneur. These include:

Classics

1. The Eiffel Tower at Night (Stephen Sauvestre, 1889)

Lit up against the low Parisian skyline, the structure looks most impressive.  Every so often, the tower will dazzle with a blinking light show as onlookers watch from the grass below. Bring a picnic and enjoy the show.

Eiffel Tower Looking Up

Eiffel Tower looking up

Eiffel Tower Footing

Eiffel Tower footing

2. Musee du Louvre

A requisite stop for any art enthusiast, the Louvre serves as a concentrated dose of art history, showing art from the beginning of civilization to the 19th century.  Plus, students aged 18 to 25 get in free with their Italian visas.

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Louvre Gallery

3. Musee d’Orsay (interior redesign: Gae Aulenti, 1986)

This collection picks up where the Louvre’s drops off, covering artwork from the years 1848-1915, with an extensive collection of French impressionist and post-impressionist work. The building has a notable history, having been converted from a Beaux Arts train station into a five level gallery space.

International Style & Le Corbusier

1. Villa Savoye (Le Corbusier and Pierre Jeanneret , 1928)

Perhaps Le Corbusier’s most famous work, this home is located in Poissy, a convenient thirty minute train ride outside of Paris. The building is a literal translation of Le Corbusier’s “Five Points of Architecture” including pilotis, a free façade, a free plan, ribbon windows, and a roof garden.

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Villa Savoye Facade

Villa Savoye, Poissy, France

Ribbon Window


Villa Savoye, Poissy, France

Central Stair


Gardener's House, Villa Savoye, Poissy, France

Gardener’s House

2. Cité Internationale Universitaire de Paris (1925)

This private park is the home to a collection of country-themed dormitory buildings, including two designed by Le Corbusier: the Pavilion Suisse (1930) and the Maison de Bresil (1953).

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Pavilion Suisse


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Maison de Bresil

3. Villa La Roche (Le Corbusier and Pierre Jeanneret, 1925)

Another Le Corbusier project, the villa was conceived as a residence and private gallery for a collector of avant garde art. The design incorporates the idea of an “architectural promenade”, creating a spatial sequence through the gallery and living spaces.

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Circular Column

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Facade


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Architectural Promenade

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Landing


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Architectural Promenade


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Protective Booties


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Bedroom


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Landing


Contemporary Architecture

1. Communist Party Headquarters (Oscar Niemeyer, 1972)

Brazilian architect Oscar Niemeyer designed the building with an undulating glass façade that curves around a round white bump in the ground. The bottom floor features a free exhibition space.

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Dome


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Exhibition Space

2. Centre George Pompidou (Renzo Piano and Richard Rogers, 1977)

This museum serves as the bookend to the collections of the Louvre and Musee d’Orsay, housing an extensive collection of modern and contemporary art in its Musée National d’Art Moderne spaces. The structure is also the home of the Bibliothèque publique d’information and a cinema.

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Stair from below


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Contemporary Collection


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View of the Eiffel Tower


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Balcony

3. Arab World Institute (Jean Nouvel, 1984-1987)

Designed by Jean Nouvel, the building was intended as a civic center for the French Arab population. The southern façade combines traditional Arab geometries with the technology of a camera lens to create a series of photoelectric cell panels. The apertures of these window panels change based on exterior lighting conditions, allowing the building to automatically adjust lighting conditions based on solar exposure.

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Facade


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Photoelectric Cell Panels

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Zaha Hadid Exhibition Pavilion

4. Cinémathèque Française (Frank Gehry, 1994)

With one of the largest film archives in the world, this cinema is a destination for any cinephile.  Architecture enthusiasts might also enjoy the Frank Gehry designed building.

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Facade of the French Cinematheque


5. Biblioteque Nationale de France (Dominique Perrault, 1995)

Designed by Dominique Perrault, the library takes the form of four L-shaped towers meant to look like open books.

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Illuminated Stairs

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Promenade


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Glass Elevator

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Promenade along the Seine


6. Passerelle Léopold-Sédar-Senghor…formerly the Passerelle de Solferino (Mark Mimram, 1999)

As students will remember from Mark Cruvelier’s lectures, the Passerelle is a particularly impressive pedestrian bridge in that it crosses the Seine in a single span with no piers. It is prominently sited, linking the Musee d’Orsay and the Jardin de Tuileries.

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Jardin de Tuileries

7.  Parc de la Villette (Bernard Tschumi, 2000)

Completed in 2000, this Bernard Tschumi designed park features a grid of pathways and bright red pavilions.

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Pavilion

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Pavilion


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Twisting Chair Installation


8. Musee du quai Branly (Jean Nouvel, 2006)

Located near the Eiffel Tower, this Jean Nouvel designed museum boasts vertical gardens and a collection of African, Asian, Oceanian, and American art.

02
Nov

Neil Spiller Lecture

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Spiller giving his talk

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Neil Spiller entering the lecture room at Palazzo Lazzaroni with Professor Mark Morris

On the 27th of October Neil Spiller came to give a lecture at Cornell in Rome. Spiller is the founder of AVATAR: Advanced Virtual and Technological Architecture Research Group. Avatar is fundamentally interested in the impact of advanced technology on architectural design. Spiller, who was recently made Dean at the School of Architecture and Construction at Greenwich, presented Avatar’s research on innovative approaches to saving Venice using protocell technology to transform oil and water into a limestone-like substance, replacing the deteriorating timber piles that currently support the city. This is an alternative that has garnered much approval, a lot of recent press and was featured Architectural Design magazine. It is a more favored approach than the current plan to install a series of floodgates to control tidal movements in the lagoon. Spiller showed us recent work on the project and renderings of how the protocells would grow and multiply, attaching themselves to and supporting the ancient structure of Venice.

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Spiller in front of a slide of his work

Based on technological advances and bio-genetics, Spiller’s showed us more of his work and the work of his students at the Bartlett School of Architecture at the University of London where he taught previously. The work was of a fantastical quality. He described architecture as ‘a brand of magic’ and through his highly complex and vibrant drawings of fantastical little mechanical creatures that he imagines to inhabit and create space, Spiller created links between artists such as Dali, Bernini (based on the Rome theme of his lecture) Velasquez and authors like Borges, translating them to create his own architectural art. Spiller’s belief is that one has to relate to things outside oneself to create interesting architecture because within itself there is only ‘vacant formalism’.

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Neil Spiller speaking with Professors Mark Morris and Marina Kavalirek at the reception

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Answering student questions – with Yi Li ’11 at the reception