Archive for September, 2011

19
Sep

Palio di Siena

DSC_0060_2

DSC_0105_2

DSC_0331_2

Over the course of the two-week intensive Italian course before classes started my friend Yoonjee and I decided to go to Siena on Ferrogosto. Ferrogosto is the assumption of the virgin and is a national holiday in Italy and hence we had a three day weekend. However not knowing this and not having planned much we decided to simply go to the most convenient one-day trip we could think of. We asked Professor Blanchard what sights he thought we should see in Siena as the class would be going there on a trip later in the semester and we didn’t want a repeat of sights and although truthfully the city is small and one could cover it in a day as he said, he also mentioned that the Palio was going on in Siena when we would be there. The Palio is an annual horse race held in Siena twice a year in July and August, around the Piazza del Campo between contenders from the various city wards around Siena.

DSC_0244_2

DSC_0287_2

DSC_0172_2

We looked it up and found out that it was indeed happening but practices only and that the real deal was on the 16th but that tickets for that were somewhere in the region of hundreds of euros so we thought we would try to see some of the practices instead. We got to the city and found to our surprise groups of people wandering the streets in brights colors, chanting and singing for their respective contrada. We eventually found out that the contenders had been decided in a lottery that morning and that the first race would take place at 7pm.  We climbed the tower in the meantime to see amazing views of the medieval city below, saw the Duomo from the outside but then rushed to the piazza, because to get good seats we had to wait for two hours, standing at the edge of the piazza, so that no one would take our place  while it filled up with huge crowds. Reserved balconies in front of us filled with children from the surrounding towns and we found out that this was actually the best day to see the practice run. In the piazza, a man who was there with his children, told us that on the first day the contenders try harder because the people from their towns were watching them instead of those who had bought tickets and were from elsewhere. Indeed, children were loudly singing their regional songs in Italian, then pointing at each other, which made the other group rise up and sing their respective song for their contrada. The children filling the seats in front of us were the best part of the Palio, as well as watching the various city officials and police members making their ceremonial walk around the piazza before the race began. Photographers and journalists crowded the front line to take pictures of the children shouting and screaming even louder as the contrada made their way to the front line, conducting their first slow round of the piazza to loud cheers from the crowd.

Before the race began we were worried we wouldn’t make our train on time. It was at 8 pm, the Palio began at 7:15 pm and the station was a little ways from the city, it took a good half hour to walk there. And through the crowds leading the horses and their contrada after the race, we imagined it would never happen, and we were weighing the options of sleeping in the station or booking a hotel for the night.

DSC_0293_2

DSC_0201_2

DSC_0762x

To loud chants the race started and it was all over within five minutes. At 7:25 pm we realized we might have a chance to make the next train to Rome. We ran out of the piazza ‘scusi-ing’ crowds out of the way through to a piazza full of city garbage collectors who told us we might be able to find a taxi at piazza Nazionale which was still ten minutes away. Reaching the piazza we mercifully found a taxi and seeing our faces he rushed us to the station and we made it just in time.

DSC_0173_2

It was a truly memorable experience, one that I think will stay with me for a lifetime.

DSC_0082_2
DSC_0237_2


DSC_0126_2


DSC_0122_2


DSC_0055_2

19
Sep

Virginia Jewiss Lecture

_DSC0278

_DSC0289

On the 12th of September, Virgina Jewiss, a lecturer in the humanities at Yale University and director of the Yale Humanities in Rome program came to give a lecture on the structure of Dante’s Divine Comedy. Jewiss has translated Melania Mazzucco’s Vita and is the winner of Italy’s most prestigious literary award, the Strega Prize. Among numerous translations and screenplays, Jewiss has also written a children’s version of Dante’s Inferno entitled Dante’s Journey, An Infernal Adventure. Having taught Dante for more than twenty years at Yale, Jewiss knows the ins and outs of the epic poem thoroughly, which was a huge benefit especially to the architecture students at the lecture as this year’s studio project is a reanalysis of the Danteum, a project designed as an ode to Dante’s Divina Comedia by Giuseppe Terragni, yet never built.

_DSC0263

The lecture was attended by many of the students and faculty of the Cornell in Rome program and faculty of other universities in Rome as well who had all come to hear Jewiss speak.

_DSC0253

Jewiss’ lecture was hugely informative, beginning with the description of Dante’s career and going over the architecture of the Comedy by displaying various diagrams representing inferno, purgatorio and paradiso. She explained how the levels of hell and heaven are structured and the horizontal reading that can be carried out between the cantos of the three canticles of the comedy, which tie together. At the end we realized that Dante’s journey through hell as he goes down level by level is actually a journey up as he travels through the last circle and reaches the base of the mountain of purgatory, leaving one with the idea that “to know good one first has to know evil”; an enlightening statement  made by Jewiss and one that brought the entire epic together in a new light.

_DSC0295

Students remained to ask questions and several even spoke of their own projects with Jewiss and how they would tie in the structure of the comedy to them.

19
Sep

Gnocchi Gnoms

_DSC0348

_DSC0249

On the 2nd of September Cornell had their semi-annual gnocchi night. Anna Rita, administrative director of the Cornell in Rome Program, but more importantly chef extraordinaire, led the troops. She starting by slaving over a hot stove all morning, assisted by several student workers in making all different kinds of sauces ranging from meat to vegetarian to “pescatarian”.

_DSC0259

_DSC0250

At around 4 pm the rest of the class joined in rolling the flour and potatoes mix and making little gnocchi balls with our hands. It was truly a division of labor, with Mark’s daughter Madelyn, being one of the first people there explaining how the gnocchi was to be cut and pressed and several people laying it out on dishes to be sent in to the kitchen for boiling. Others helped set the table once enough was made and once everyone was full and happy Anna Rita and her helpers surprised us with a cake that they had made for Ashley Griffin and Charles Williams’ birthdays and we regaled them with a loud, ecstatic, semi-harmonious chorus of Tanti Auguri (Happy Birthday in Italian).

All in all it was a fun night. Stay tuned for ravioli night, coming up soon!

_DSC0222

16
Sep

The Tuscan Air

We had our first weekend trip outside of Rome this weekend! A group of 8 friends and I travelled to the Tuscan hill town of Montepulciano for a day trip on Saturday.

Art and Architecture Students in Montepulciano - Tuscay

The hill country of Tuscany was beautiful. Rolling hills and plains ran on for miles. Montepulciano was situated at the top of the highest hill in the vicinity. We circled around and around on the way up to the city until we reached the very top. One of my friends on the trip commented on the wonderful and clean “Tuscan Air” and I have to agree with her. Being that far out in the country, the air was extremely refreshing and the views were breathtaking.

View from Montepulciano

After spending the majority of the day walking along the winding streets of Montepulciano shopping and siteseeing, we decided to go wine tasting, something Tuscany is famous for. Every winery we went to was very proud of their wine cellars. We were almost always obligated to tour the cellars before we could taste any wine. Not that we minded! It was amazing to see the vast cellars that wineries use to store and mature their wines. Rows and rows of barrels lined the stone cellar walls as we descended. The temperature grew cooler as we progressed farther down and the cool air was a wonderful break from the warm summer sun outside.

Students Wine Tasting in Tuscany

After a bit of tasting the delicious Vino Nobile that is native to Montepulciano, we continued our tour of the city, slowly making our way down the hill. Our final stop of the day was at San Biagio, a beautiful church designed by Sangallo located on the outskirts of town. After the long and laborious walk through the steep streets it was a wonderful break to get to lounge in the grass in the shade of the church. The interior of this quite large and powerful structure was very serene and visually stunning, with incredibly high ceilings. It was a wonderful day exploring Tuscany, and the bottles of wine we brought home as souvenirs will be a delightfully tasty reminder of our trip in the coming weeks!

St. Maria of Ascencio

Ciao!

Lauren

15
Sep

Cinema Italiano

One easy way to immerse oneself in Italian culture is through the consumption of Italian cinema. The prolific, innumerable array of theatres in Rome is a testament to the importance of cinema in Italian history.

A relatively young country (having only been unified in 1861), Italy was for a long time divided geographically by dialects. Audio-visual mediums subsequently played a big role in uniting Italy both linguistically and culturally. In particular, cinema—an art form designed for and distributed to the masses—prevailed as a tool for bringing together the Italian people, defining the nation state in broader terms than the individual villages in which most Italians lived.

Today, cinema remains a big part of the Italian culture. There are a variety of opportunities to watch films in both the Cornell in Rome Palazzo and in the city of Rome itself:

3d-movie-audience-461331f

I. Every Tuesday night at 21:00, films are projected in the lecture hall of the Cornell in Rome Palazzo.

At the first screening last Tuesday, students watched Nuovo Cinema Paradiso (Giuseppe Tornatore, 1988), the story of a young boy’s fascination with the cinema as the hub of activity in his remote Italian village. The film was a telling introduction to the role of cinema in Italian culture itself; while the theatre is at first overseen and censored by a Catholic priest, it is later overhauled and renovated by a local entrepreneur. As the theatre’s audience and aesthetics change, so does protagonist Toto’s relationship to the cinema art form, growing from a devious young cinephile to a professional filmmaker.

Future screenings include a variety of recent titles that examine both modern Italian life and the rich history of the country:

09-06:   Pane e Tulipani (Silvio Soldini, 1999)

09-13:   I Vitelloni (Federico Fellini, 1953)

09-27:   Romanzo Criminale (Michele Placido, 2005)

10-04:   La Vita e Bella (Roberto Begnini, 1997)

10-18:   Quo Vadis Baby? (Gabriele Salvatores, 2005)

10-25:   La Notte de San Lorenzo (Paolo Taviani & Vittorio Taviani, 1982)

11-01:   Il Ladro di Bambini (Gianni Amelio, 1992)

11-08:   Io Non Ho Paura (Gabrilele Salvatores, 2003)

11-15:   I Cento Passi (Marco Tullio Giordana, 2000)

11-22:   Tano da Morire (Roberta Torre, 1997)

fellinionthesetofsatyricon

II. Due to the popularity of the 1 credit Italian cinema seminar that has long been a staple of the Cornell in Rome program, a full 4 credit Italian Cinema course “Italian Cinema on City Streets and Side Roads” is now taught by Carolina Ciampaglia.

In the course, students watch a new film each week, learn about the historical background of the film through readings and lectures, and then analyze and discuss the film.

Films to be viewed by the Italian Cinema class cover a broader breadth of time and more chronological path then the Tuesday Palazzo screenings, focusing on specific eras of Italian cinema and their respective cultural landscapes.

08-24: Ladri di Biciclette (Vittorio De Sica, 1948 )

08-31: Paisà (Robert Rossellini, 1946)

09-07: La strada (Federico Fellini, 1954)

09-14: I soliti ignoti (Mario Monicelli, 1958)

09-28: Rocco e i suoi Fratelli (Luchino Visconti, 1960)

10-05: Accattone (Pier Paolo Pasolini 1961)

10-19: Deserto Rosso/Red Desert (Michelangelo Antonioni, 1964)

10-26: Film d’amore e d’anarchia (Lina Wertmuller, 1973)

11-02: Caro Diario (Nanni Moretti, 1994 )

11-09: Lamerica (Gianni Amelio, 1994)

11-16: Pane e tulipani (Silvio Soldini, 2000)

11-23: Gomorra (Matteo Garrone, 2008)

11-30: Questioni di Cuore (Francesca Archibugi, 2009)

b9bb59e4e142adff46245a607a6082bf

III. Notable Cinemas in Rome

For the most part, going to see a film is much cheaper in Italy than in the States, ranging from 3.00-6.00€. Rome is filled with cinemas, but here are some of the most enjoyable and relevant for American students.

1. L’Isola del Cinema—This outdoor cinema looks out onto the Tiber River from the Isola Tiberina, providing a pleasant breeze during the hot Roman nights. Films are shown on three screens: new releases are screened on the large outdoor Arena screen, independent and classic films are shown in the Cine Lab tent, and free screenings of shorter, more experimental work can be viewed on the small outdoor Tiber Screen. For more information, visit isoladelcinema.com‎.

2. Warner Village—If you are looking for a more American cinema experience, Warner Village shows films in the comfort of an air-conditioned, five-screen multiplex (opportunely situated next to a McDonald’s). The theatre has one screen devoted to English-language films and is conveniently located near Termini Train Station on Piazza della Repubblica.

3. The Alcazar—Because the Alcazar is a small, one-screen theatre, its selection of films is limited. Nonetheless, it is a convenient place to watch English-language films (which are screened every Monday) as it is located near the Cornell apartments in Trastevere.

4. Cinema Teatro Farnese—Located on Campo de’ Fiori, this cinema has a variety of commercial and independent releases, as well as special screenings and events. Another plus is the cinema’s well-maintained and rather informative website:  http://www.cinemafarnese.it/.

cinecitta

IV. One of Rome little known treasures in the Cinecittà (“Cinema City”), one of the world’s biggest film and television production facilities outside of Hollywood.

Designed by fascist architect Gino Peressutti under the direction of Benito Mussolini, the facility is one of Rome’s best examples of modernist architecture.

Since its opening in 1937, Cinecittà has been the backlot for a variety of well-known films including Roman Holiday (William Wyler, 1953), Ben Hur (William Wyler, 1959), Cleopatra (Joseph L. Mankiewicz, 1963), and La Dolce Vita (Federico Fellini, 1960). More recently, the studio has been used for the production of The Life Aquatic (Wes Anderson, 2002), The Passion of the Christ (Mel Gibson, 2004), and HBO’s “Rome” (Michael Apted, 2005-2007).

Visitors can see the inside of Cinecittà for the exhibition “Cinecittà Shows Off”, open until November 30th. Tours of the facility can also be arranged by appointment for groups of 20 people or more.

regime_cinema

V. Lastly, the Cornell in Rome office has an extensive library of Italian films and American films set in Italy.

Viva il cinema!

07
Sep

One Week as a Tourist, Five Months as a Student

Ciao Tutti! Benvenuti a Roma!

Here is a quick intro to my first week in Rome, hitting every important tourist site I could think of.

My top 10 photos:

Pantheon1

The Pantheon

Piazza-Navona-768x1024

Piazza Navona

Trevi-Fountain

The Trevi Fountain

Campidioligo

The Campidoglio – Capitoline Hill

Lauren in MAXXI installation

An Installation at the MAXXI Museum – That’s me!

St. Peter's

St. Peter’s

Vatican Museum

A Vatican Museum Interior

Trastevere

The Fontana Paola in Trastevere – My Neighborhood

Colosseum Interior

The Colosseum

Roman Forum Detail

The Roman Forum

Arrivederci!

Lauren