On Thursday, May 12th, Cornell in Rome program held the final exhibition of the semester. Many people outside of the program came to see the hard work that students had done throughout the semester.
- Sunny Kim
On Thursday, May 12th, Cornell in Rome program held the final exhibition of the semester. Many people outside of the program came to see the hard work that students had done throughout the semester.
- Sunny Kim
On Friday May 6th, artist Daniela Edburg held a portrait photo shoot session at the gallery.
This project is an extension of her small portrait series, in which she captured people in a way that resembles classical European portrait paintings. Daniela knits all the items she uses for her photographs – the objects like peaches, oysters, leeches, and ossobuco (cross-cut veal).
The artist started setting up the studio as soon as she arrived in Rome from Mexico City. An emergency occurred during setup – the major lighting equipment died due to the unexpected voltage problem! Everyone freaked out for a bit but soon we managed to contact a Roman photographer who was willing to lend his equipment to Daniela right away. The worst situation always happens at the last minute!
After we somehow finished the setup successfully, clients came. Seven clients of the gallery participated in this project. Portraiture is a strong Italian tradition that still interests Italians – Clients came to the gallery not only to have portraits taken of themselves, but also of their children. They were willing to pay quite a bit of money for their portraits by this hip artist!
I was only able to attend the photo shoot for one morning due to my other priorities (such as preparing for the final exhibition!). However, it was a great chance to get to know the artist during the entire four hours–I had only just discovered her from the press releases I helped prepare in organizing for the show.
-Sunny Kim
[Internship] Student Interview 3: Han Yang Lee, Brown University ’12
Han Yang Lee (Han Lee) is a student at Brown University, class of 2012. He is majoring in Liberal Arts, Visual Art, and Economics.
1. Can you give us a brief description of the organization that you are working for?:
I am working as a studio assistant for the Italian artist Pietro Ruffo (http://www.pietroruffo.com). He is a very logical, conscientious, and philosophical guy. His thought process is directly reflected in his work.
2. What are your responsibilities?
I fabricate things and help out with his post-production (framing, etc). I also help out with installations at exhibition places.
4. What is your time commitment?
10-12 hours a week. Transportation takes 3 hours a day.

Han working at artist Pietro Ruffo's studio. The guy sitting on a chair is Pietro. Photograph by Han Yang Lee
3. What have you learned? Have there been any difficulties?
I have learned a lot – I have gained better understanding about being a professional artist in the contemporary art world. You need to be good at marketing and presenting your work yourself. Difficulties would be the pressure for good quality work. I need to do a good job and not make any mistakes. Adapting to his drawing skills was difficult since he does lots of delicate pencil drawings. But in general, things were not too hard. There are only opportunities to learn.
4. What have you been working on these days?
For the last month and a half I have been working on Pietro’s Biennale project. Also his recent solo show in Paris.
5. What is your favorite aspect of the internship?
My favorite part would be getting a very close contact with an artist’s mind. It was very interesting to understand how things influence an artist and to learn about his personal insight. I also enjoy the personal relationship that I developed with the artist; he is an awesome guy.
6. How has this experience influenced you and your future plans?
The internship has given me more confidence to become a professional artist. Hopefully this experience would open up a door for me to enter the art world in the States… or any career that involves a creative mind.
- Sunny Kim
Sometimes (okay, all the time) research papers are no fun. So I wasn’t looking forward to last Monday, when all my final papers were due. After countless espressos, a great study play list that I grew to hate after the 10th repeat, and awkward looks from people in the library who would comment, “Wow, you’re still here?” I was thrilled to hand in my papers and sleep for the next two days. In spite of all of this, I can grudgingly admit that I found myself really passionate about one of my paper topics: The Mausoleum of Augustus.
Built in 31 BC. by Emperor Augustus, his Mausoleum stood a monumental 45 meters across and 90 meters high, a cylindrical structure covered in dazzling white marble. The first of many buildings constructed during his career, Augustus would eventually change the face of Rome, taking the city that was once sun-baked brick and leaving it a “city of marble”. Barbarians would later sack the Mausoleum of Augustus in the 5th century and steal the emperor’s remains. The Mausoleum fell into ruin; it would later become a fortress in the 11th century, and in following centuries a garden, bullring, and concert hall. Benito Mussolini cleared the area in 1939, restoring the brick substructure to its original shape in Piazza Augusto Imperatore. Today, it lies quietly behind a chain-link fence, signless and anonymous.
Although I am not the biggest fan of Elizabeth Gilbert’s “Eat, Pray, Love”, I really enjoy her reflections on the Mausoleum of Augustus or “Augusteum”:
“Today the Augusteum is one of the quietest and loneliest places in Rome, buried deep in the ground. The city has grown up around it over the centuries. Traffic above the monument spins in a hectic circle, and nobody ever goes down there- from what I can tell- except to use the place as a public bathroom. But the building still exists, holding its Roman ground with dignity, waiting for the next incarnation…”
I look at the Augusteum, and I think that perhaps my life has not actually been so chaotic, after all. It is merely this world that is chaotic, bringing changes to us all that nobody could have anticipated. The Augusteum warns me never to get attached to any obsolete idea about who I am, what I represent, whom I belong to, or what function I may once have intended to serve. Yesterday, I may have been a glorious monument to somebody, true enough- but tomorrow I could be a fireworks depository. Even in the eternal city, says the silent Augusteum, one must always be prepared for riotous and endless waves of transformation. -LH

Today, Professor Medina Lasansky’s class (ARCH3819: 20th Century Italian Design) had a potluck dinner at her apartment. This dinner was a continuation of our last class discussion topic on Italian food; each student brought one Italian dish, presenting its recipe and history. We also invited Anna Rita to the dinner since she has been offering so much quality Italian food on the occasional group dinners at the Palazzo. Everyone brought amazing dishes, and we ate SO MUCH. It was another pleasant and happy meal in Rome.
The meal started with tasting several different types of bottled water produced in Italy- Medina gave us thorough explanations on bottled water madness in this peninsula! Here are some fun facts about Italian water brands and other beverages:
- Mineral Water
Mineral water is bottled water that comes from underwater sources. Italy Produces more than 600 brands of mineral water: Panna from Tuscany / San Benedetto from near Venice / Levissima (Northern’s Italy’s most popular brand) / Suio (popular in Lazio). The country consumes more than twice the European average (on average 200 liters a year). Tuscans are the most loyal buyers of mineral water.
Different waters have mineral contents (Sodium, Potassium, Calcium, Phosphorus, Magnesium, Iron, Iodine, Zinc, Florine, Magnesium, etc.) in differing amounts.
People drink according to their health needs. In other words, if you have high blood pressure, difficulty with digestion, are young, old - you drink accordingly. Babies and children should have water that is rich in calcium and magnesium. Adults over 50 should have water that is heavy in calcium to prevent osteoporosis. The elderly should drink water heavy in calcium, sulfates, and magnesium, etc.
Attempts to “re-brand” tap water (such as those undertaken in Florence by the grocery chain COOP) has been actively discouraged by Mineraqua (the consortium of mineral water producers).
- San Pellegrino (Aranciata) was created in 1932 using San Pellegrino mineral water and oranges from Sicily.
- Fanta (the German autarchical soda) – During World War II, a Coca Cola bottling plant in German invented Fanta (short for Fantasie) at a time when they were unable to import the ingredients to make Coca Cola due to an embargo. At the end of the war, Coca-Cola decided to export Fanta.
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after the Italian water tasting session, the dinner began right away.
One of the highlights during the week-long Northern Italy trip was definitely Venice. Students had several options of site tours they can choose each day in Venice.
Professor Medina Lasansky offered 40 minute gondola rides to the students in her class (ARCH3819: 20th Century Italian Design). Although it was perhaps the most classic touristy thing to do in Venice, the gondola ride still was the best way to explore the city through its beautiful canals.
- Sunny Kim
Several Fine Art students in the program participated in an art exhibition on March 27th, the last day of Spring Break. This annual event has been carefully planned with other American universities in Rome, including Temple University and RISD. Circolo degli Artisti is one of the hip club/bar places in Rome where the cool kids hang out. The club often holds concerts indoors, and the outdoor terrace can accommodate a large crowd.
Five artists in the Cornell in Rome program (Han Yang Lee, Ginny Johnson, Jung Sun ‘Sunny’ Kim, Nellie Prestine-Lowery, and Susan Yue) created a video together for the show.
The video, Idiosyncrasy, was inspired by a fascination with light and movement throughout an imagined day. Weaving together images captured at various locations and times, one moment unlike the next, their collaborative efforts allow the images to speak for themselves. Since the artists could not control the sound in the exhibition space, they created a piece that could function independently of sound or any particular context; one that would simply allow the viewer to become drunk upon its aesthetic splendor and become one with an indiscernible, omniscient narrator. The video was presented on the space across from the bar, where many people lingered to enjoy the work.
The show was a great success with numerous visitors including students from different American institutions in Rome. This was a good experience for all of us to meet up with students in different schools as well. I hope more and more artists from the Cornell in Rome program will take advantage of this great opportunity in the future.
-Sunny Kim