Archive for February, 2011

23
Feb

Modern Art in Italy

Contemporary art does not receive the same audience as older art does. You really have to search to find it. Shara Wasserman’s class entitled “Modern Art in Italy,” introduces students to the relatively new presence of galleries, contemporary art museums, the art market and contemporary art collecting in Rome. We have also had the opportunity to visit some of the galleries and museums beginning to influence the contemporary art scene here in Rome.

Recently, we had an experience traveling to MACRO, a contemporary art museum located in Testaccio, a young, lively neighborhood. This particular venue is dedicated to temporary exhibitions and is open later in the day to cater to the younger crowd who are more likely to stay out later.

The museum is set up in an old slaughterhouse in which the apparatus for slaughter and pens for the animals are still standing.  The total effect is an incredibly eerie place in which modern art can stand out. However it was the building itself, rather than the art, that had the biggest impact on me. It was a very memorable space; I will be sure to return in the future.

A sign for the museum next to a complex of animal stalls

A sign for the museum next to a complex of animal stalls

View from the inside of the old slaughterhouse. Note the contraption on the top and the scale of the space.

View from the inside of the old slaughterhouse. Note the contraption on the top and the scale of the space.

Students rest on an interactive art piece.

Students rest on an interactive art piece.

Another museum we visited is called Maxxi. It was designed by famed architect Zaha Hadid for the competition to build a museum entirely dedicated to modern art. I had a sense of extreme vertigo walking through the museum; the floors were translucent/transparent at times.

I was shocked at how few pieces of art the museum had to display. There was a whole exhibit on just the construction of the building itself. Other than that, I believe I saw a total of six pieces of art throughout the colossal building, all of them installations/culture. Because MAXXI was completed very recently, its collection is very small but growing. It is a wide open space ready for art to fill its walls and exhibition spaces.

A view from the outside of the museum

A view from the outside of the museum

23
Feb

The Art of Italian Caffe

After arriving at the Leonardo Da Vinci Airport fresh off a sleepless eight-hour red eye, the first thoughts that my addled brain could muster were two words: need. coffee.

Everybody knows that airport concourses are roughly two-thirds coffee shops, with the other third comprising Hudson News Stands, Jamba Juices and shoe shiners. Stumbling across a café, my spirits lifted at the smell of divine coffee only to plummet when I discovered a stand-alone bar serving espresso in china that appeared to be the size of a thimble. Where were the cheerfully seasonal to go” cups? Or my default super-girly venti-half-sweet-skim-vanilla-lattes? The cluster of animated Italians elbowing eachother at the bar looked nothing like the orderly “keep out of my personal space” line at the Ithaca Starbucks. Thoroughly defeated, I got a water out of a vending machine.

It has only taken me four weeks to become an Italian café snob. While I still miss my giant 20 oz. to go cup, there is something to be said about slowing down and spending 30 seconds at your little neighborhood café. Also, the coffee is so strong that just a few ounces keeps me caffeinated and happy for hours. Should you ever desire coffee in Italy, follow these unfailing tips from yours truly to obtain the perfect cup:

1. Go to the cashier first, and tell them what you want: an espresso, caffe macchiato, caffe latte… just remember that Italians will think you are silly if you order a cappuccino at any other time than early morning.
2. Take the receipt from the cashier and make your way to the bar. Do NOT spit your gum into the receipt and throw it away. Rookie mistake.
3. Shimmy your way to the counter of the (always crowded) bar. Say “Senta!” to get attention and hand your receipt to the first barista you see. Note: lines do not exist in Italy. Be aggressive!
4. The barista will hand you a baby-sized cup full of perfection. If you are like me, you will add one packet of sugar and stir with the accompanying baby-sized spoon.
5. All Italian coffee should be consumed in 3 sips- no more, no less.

Say “Ciao Grazie!” and head off on your way. The best days start with the best coffee!

The Perfect Espresso!

The Perfect Espresso!

23
Feb

Review and a Lecture

A Review and a Lecture

Last week the small enclave of Cornell Architects in Rome ended the first phase of our design studio with a review of site research. This primarily consisted of a series of analytic maps, a catalog of architectural actions, and the requisite site model produced for each of the four sites. This was then followed by a lecture by Andrea Boschetti, one of the founders of Metrogramma.

To give you a little context, the Rome studio is focused principally on large scale urban design strategies meant to occupy peripheral voids in the urban fabric. Four distinct sites were chosen as the basis of the design project. Led by professors Maria Claudia Clemente and Francesco Isidori, founders of Labics (which can be found here http://www.labics.it/labics-en.html ), the Rome Architects divided into four groups to map each of the four sites spread throughout Rome.

A quick note on size: the chosen sites are actually massive in scale, like really massive. I (along with the other architects) have been to the so-called ‘snake’ site three times for upwards of 12 cumulative hours and have only seen roughly 75% of it. There is an additional complication in that, though unused, many of these sites are void conditions - specifically because of inaccessibility due to infrastructure such as roads and train tracks and the like,  as well as fences (presumably government or private property). Nonetheless,  these proved only minor obstacles to Cornell in Rome’s intrepid architects.  Thus we were able to conduct analysis, construct maps, and so on.

Our first review consisted of our two professors and Dominique Rethans, another architect from the Labics studio.  The discussion covered questions of representation, future site strategies, possible avenues of exploration, and issues of design process and pedagogy. There was even a slightly heated discussion between myself and the assembled critics, which led to sincere questions about my motivations as a designer. But this -as my colleagues might note with exasperation- is becoming routine and is of little interest to bystanders. All in all, it was a standard review.

After a short intermission, in which some of the less fortunate of us had class, Andrea Boschetti of Metrogramma (you can find them here http://www.metrogramma.com/ ) arrived. Metrogramma (and by extension its co-founder Andrea Boschetti) is an award-winning firm specializing in master planning strategies. With projects from Turin to Manhattan and cities in Korea, they are indeed an international studio with proven expertise in the field of master planning, though it should be noted they also do work at the architectural scale. The first half of the presentation showed a truly staggering range of projects at a variety of scales. Unfortunately, due to the large number, each was little more than a plan, a name and a rendering, out of which my tired brain was incapable of synthesizing much. This was followed by a more in-depth analysis of a single project, notably the current redesign of Milan. Though this project had the potential to be incredibly useful to our studio, the presentation suffered from the ever-present language barrier. It was followed with food and wine, graciously provided by Cornell, with ample mingling until the food gave out; then each of us slunk off to our respected apartments to get some sleep after a long day.

-SH

23
Feb

Field trip to Firenze

Before now, I had never been to Florence, much less Italy. My first time in Florence definitely provoked something called the Stendhal Syndrome. Architecture professor Medina Lasansky  explained that when tourists would visit Florence, they would frequently become so overwhelmed with the beauty of the city that they would have heart palpitations and faint. The reaction was named after the 19th century writer Stendhal and gave a lot of business to the hospitals around Florence.

Before reaching Florence we stopped at our first destination on the outskirts of the city. The group visited the Charterhouse, which originally served as a monastery for the Carthusians, a religious order of the Roman Catholic Church. The building was established in 1341 and was composed of individual “cells” for where the hermit monks would live, meditate and take their meals. They were allowed one hour weekly for recreation; this was the only time they were permitted to talk. In 1958, the Charterhouse was taken over by the Cistercian order, a much more liberal group that permitted talking, which was why we were able to receive a tour of the place at all.

The Facade of the Charterhouse

The Facade of the Charterhouse

Stan Taft, our art professor for the semester, pointed out the unique use of color in the frescoes located there. The pieces were extraordinarily modern in nature and vividly bright.

The colors to form the folds of the cloth are two very different tones rather than hues of the same color.

The colors used to form the folds of the cloth are made up of complementary hues rather than shades of the same color.

When we hopped back on the bus we discovered that an architecture student had been locked into one of the rooms of the Charterhouse! He had been sketching and hadn’t realized that the group had departed. The friar let him out and he got a cab to the hotel and met up with us. We all quickly learned the importance of staying with the group on trips like this one. It’s a bit scary to be lost in Italy!

We arrived at the hotel, dropped our bags, and ran off for lunch and a trip to the top of the Duomo. This was the beginning of my Stendhal Syndrome/claustrophobia. Florence’s Duomo is the central cathedral of the city. Its dome is the primary feature of the Florentine landscape and its apex boasts 360-degree panoramic views.

The images on the inside of the Duomo

The images on the inside of the Duomo

Getting to the top didn’t go that well for me; we climbed hundreds of steps, floor after floor of spiral staircases and walked down thin hallways. My legs were shaking and my hands were sweating. When we reached the internal walkway around the ceiling of the dome, a sign encouraged us to continue on.

A sign urging us on!

A sign urging us on!

A view from one of the small portholes in the side of the dome.

A view from one of the small portholes in the side of the dome.

It had seemed like the end was near, but we had around five more stories to go! When my head finally poked out of the ceiling of the dome at the top, I had never felt so liberated. The view was breathtaking and I had a strong sense of vertigo combined with amazement. To calm my nerves I sketched, took some photographs, a few deep breaths and bathed in the sunshine. Then Erica and I scurried down and found ourselves shaking and feeling quite faint. A trip to a local bar and some acqua minerale did the trick and we were off and running again to the Uffizi Gallery.

The view from the top!

The view from the top!

A little disheveled at the top.

A little disheveled at the top.

The Uffizi was like nothing I’ve ever seen. Iconic art covered every wall. Botticelli’s “The Birth of Venus” literally brought tears to my eyes when I saw it. The painting is even more beautiful in person. After wandering the halls, we headed back to the hotel and took a much-needed nap, which fortified us for one of the best meals of our lives at Za-Za, a restaurant that was pretty close by.

The following day began early at 9am. We ate breakfast and broke off into our groups, the Planners and Architects going with Jeffrey Blanchard and the Artists with Stan to the Museo Zoologico. We went down the winding narrow streets and crossed the famous Ponte Vecchio or “Old Bridge”, which has little shops mushrooming off the sides of it. (Picture)

During our walk, we stopped by a church but weren’t able to visit because it was Sunday and a service was going on. Our group made its way to the Museo, where we saw a lot of sea life on display. While strolling through the rooms we encountered every form of taxidermy that one could imagine: birds of paradise, tortoises from the Galapagos, whales, big cats, a zebra, and a few scaly armadillos. Eventually we stumbled upon items of human inspiration; a series of anatomical wax models displayed in glass cases. They were quite grotesque and all of a sudden the Stendhal effect flooded back. After I sketched a blood vessel system and an overly enlarged brain I decided that I wasn’t able to handle my sense of amazement for much longer and went out and took a walk during which I found a camera store and re-purchased my Nikon that had been stolen (fortunately fully covered by insurance).

After the excursion and some lunch we made our way over to the Salvatore Ferragamo Museum. Ferragamo was a revolutionary shoe-maker and designer who invented the cork-wedge and the use of raffia and other plant fibers in the construction of shoes. He took anatomy classes and invented an arch support method that takes pressure off of the ball of the foot and makes his heels incredibly comfortable to wear. Ferragamo’s inventiveness arose from an embargo placed on Italy under Mussolini’s fascist regime.

-GJ

Ferragamo's Red Shoe

Ferragamo's Red Shoe

Erica and Giffin look at a display of some of Ferragamo's most famous shoes.

Erica and Giffin look at a display of some of Ferragamo's most famous shoes.

14
Feb

The Way to the Eternal City

To all those avid subscribers of the Cornell in Rome Bog I apologize emphatically for the lateness of this posting. The delay between my actual arrival and this posting may seem unconscionable, however I have the most vivid recollection of my arrival in Italy and I hope my experiences will guide future students in the Rome program.

Stepping off the plane and into the Zurich Airport I felt all the joy I imagine is akin to that of the Donner party after being rescued from their four months trapped in the Sierra Nevada. Though my flight was only twelve hours, it had felt like an eternity of crying children, watered down drinks, and foul smells emanating from the restrooms conveniently located behind my seat. Walking away from my seat I saw that I hadn’t been all that unlucky. The entire cabin was a veritable war zone, covered with bits of food and trash and, in one unfortunate aisle, someone’s regurgitated lunch. Needless to say, I didn’t linger, but almost ran, into the clean, sterile beauty of the Zurich Airport.  I was a little traumatized as it  was my first really long distance flight (roughly the same distance to Beijing) and I had only slept for about three hours. A neck pillow and some Advil could have gone a long way to make it a more pleasant flight. I would also suggest placing yourself as far as possible from the restrooms, unless you like the constant line of people at your elbow.

The rest of my flight was relatively painless, an hour long connection saw me safely to Rome where I managed to collect all of my bags, which isn’t as easy as it might seem; very different notions of personal space and lines can make even seeing the carousel a challenge. After the casual stroll through Italian customs I found myself in the Eternal City, except not quite, there was still the promising adventure of finding my way to my apartment in the historic center with my four hours of Italian training via some tapes lovingly donated by my family.

Surprisingly, this was the easiest part of my entire trip. There was a designated stand for official taxis and, upon speaking English and gesticulating at the Google maps I had printed out before my flight, I was directed to the dispatcher who wrote me up a receipt and I was on my way. As a quick note, I would highly suggest printing a Google map with directions to your area of the city, the historic center is extremely confusing and even the most knowledgeable cab drivers can’t be expected to know all of it. With a map you don’t have to worry about any sort of miscommunication.

I was dropped off a block from the house (which is something you should expect if you’re in the historic center, owing to the large number of one way streets) and found my apartment with little trouble. As I arrived on a Sunday night I was lucky enough to have some fellow housemates already established in Rome (the palazzo is open for limited times during the day and not at all on Sunday, so you should look to time your flight accordingly) who let me in. Once there I promptly passed out, that is until my Italian class the next day.

-SH

14
Feb

Non Parlo Italiano

After studying Spanish for over 8 years (including 4 semesters at Cornell) I arrived in Rome a week before the intensive Italian class, and began to speak a strange hybrid of Spanish and Italian during my failed attempts to communicate. I added “s”s to plurals, kept saying “hola” instead of “buon giorno” or the ever universal “ciao,” and kept inserting Spanish vocabulary into badly formed sentences.
That first week was a blur of sorts. I was jetlagged and Erica dubbed me “Ginny: My Roommate the Bat” because of my bizarre sleeping habits. We found the local grocery stores “Punto” and “Despar” and discovered that prosciutto and cheese are unbelievable and that wine costs about as much as water. We ate at some more terrible restaurants because we kept falling into the tourist traps that we were had been warned about.
I was completely lost most of the time due to Rome’s patchwork city plan and my complete lack of a sense of direction. A group of us made a few trips wandering around the city, stumbling onto the Victor Emmanuel II monument and Richard Meier’s Ara Pacis Museum. The weekends were fun; I spent them roaming around the city, eating meals with new friends and learning a bit more about the eternal city.
Erica and I even stumbled upon the Pantheon and debated whether or not it actually was the pantheon because it simply emerges out of framework of Rome’s residential buildings.

In front of Richard Meier's Controversial Ara Pacis Museum

In front of Richard Meier's Controversial Ara Pacis Museum

Vittorio Emmanuelle II, Right down the street!
Vittorio Emmanuelle II, Right down the street!

Finally, Italian class began and immediately we started to learn how the language worked; I found it similar to Spanish in a lot of ways. By day three I felt like I was on a roll! By day four I found myself confined to my bed with a 104 degree fever, sick as a dog. I learned that an epidemia had overtaken the city and the symptoms were high fever and a cough, of which I had both. Much to my luck I also developed a sinus infection, which was treated after a very easy visit to the doctor upon the aid of Anna Rita and Anne Marie.
I spent days and days in bed. When I saw my roommates going outside into Rome I was incredibly jealous but asleep most of the time so I only noticed the jealousy in small feverish bursts. I finally emerged five days later and made it through the remainder of my intensive Italian class. I continued to have a weird sleep schedule, but it was a relief to feel human again.
Post-sickness I was incredibly overwhelmed when I stepped back onto the cobblestone streets of the Centro Storico. I forgot all directions, my Italian was spotty at best and I was still in quite a daze. I relied on my city-planner roommates Taylor and Lindsey to guide me to Campo di Fiori, Piazza Navona and to Via del Corso for shopping, coffee and other touristy indulgences the first days back.

I couldn’t wait for class to start, when it finally did, I got right back into the swing of things and my navigation, Italian and overall competence as a temporary Roman greatly improved.

GJ

14
Feb

Real World: Rome

Living in the center of the historical Rome is a positively unreal experience. I am two minutes from the Pantheon, three minutes from Piazza Navona, about 30 seconds from the place where Julius Caesar was assassinated-on my block!- and within walking distance of over 100 gelato stands (a low estimate). In such a lively, historical, and fun district of Rome, it’s easy to forget that my Centro Storico is actually the least dense neighborhood of Rome. So where do all the Romans live?

To answer this question, City and Regional Planning students have taken to the streets to explore the less famous (and more authentic neighborhoods) of Rome. My selected neighborhood of Tuscolana lies at the southeastern end of Rome, about a forty minute bus and metro ride from the center. Emerging from the train, I was delighted to find a cheerful, peaceful alternative to the rush of the Centro Storico. Tuscolana’s friendly farmers’ market is the only one of its kind left in the city, and carefully tended gardens hang from the balconies of post-war apartments painted every shade of citrus. Perhaps my favorite part of Tuscolana is the ancient aqueduct that slices through the grassy expanse of a public park, a constant reminder of the area’s history.

Living in the shadow of the ruins of the Centro Storico, Tuscolana is a reminder of the legacy of the ancient city. While preservation and excavations and museums are an important part of the city fabric, Rome has always been a city meant to be lived in and enjoyed to the fullest.

-LH

08
Feb

Cin-Cin!

Since my arrival in Rome, I have been on a quest to discover Rome’s best restaurants. As it turns out, I did not have to look very far! Renato e Luisa is a small ristorante just a short 10 meters away from our Cornell home at Palazzo Lazzaroni. Lucky students had an opportunity to have a private wine tasting lesson with Signor Renato himself while enjoying a four course pairing menu. Starting with a description of various wine-making processes, students sipped a dry prosecco crisply paired with walnut studded cheeses, parmesan, and salami. The next exciting course? A floral white wine alongside plates of ricotta-stuffed squash flowers, pancetta-wrapped smoked mozzarella, and peppery, pencil-thin bread sticks. The third and final wine, a robust Sicilian red, was paired with a rich and savory mushroom crepe. When we thought our few hours in culinary heaven had come to end, Renato brought out rich chocolate brownies with fresh cream. Delizioso!

Host your own Wine Tasting with Renato’s wine list!
VALDO Spumante Valdobbiadene Prosecco Superiore D.O.C.G. Extra Dry
Zaccagnini, Bianco di Ciccio, Il Vino del Tralcetto
Nero d’Avola, Suor Marchesa, Passo delle Mule, Duca di Salaparuta

-Lindsay Hoolehan

08
Feb

Ginny’s Arrival

I was forced to depart to Rome without my beloved Nikon that had been stolen the week before on January 6th from JFK airport. I laid out all of my clothes, following the list Cornell gave me to a “T,” which proved to be great advice. Like “don’t bring a hair dryer because they explode”, and “bring slippers for naturally cool apartments.” I most definitely over-packed though, and brought items that I thought I couldn’t live with out, and left behind items that I later found out I couldn’t live without…
A little background: after excessively researching flights and cheap options with visions of saving hundreds of dollars, I booked my flight to London in November and opted out of the group flight. Later on I booked a flight on Alitalia to Rome’s Fiumicino Airport. My baggage situation ended up being a disaster since my flights, naturally, weren’t connected.  I paid for overweight charges both in US dollars at JFK and then again at London, Heathrow after having to sort through all my bags in front of the whole airport line, throwing out shampoo and layering on a few heavy jackets.
My eventual arrival was SUCH a relief. I was heckled by third party cab drivers but followed Cornell’s advice and refused to accept a 75 Euro cab ride into the city center. I got the proper cab for the standard 40 Euro, got dropped off and walked into 11 Via Sant’Anna. My roommate and fellow art student, Erica, met me at the door, we screamed for a second out of excitement and she helped me drag my overweight bags up the stairs. To my surprise the rooms were huge! Rome is such a small-scale city and the apartment opened up into something quite contrary to its façade.
Despite the traveling challenges, we made it. That night we got dinner at the worst restaurant in Rome…they served us popcorn and peanuts as appetizers! We then went around the block and found the most delicious gelato of our lives. Shortly after, at around 9pm Roman time, we were asleep in our apartment, trying to overcome extreme jetlag.

- Ginny Johnson